Customer Reviews

On Stage

5 star:		(10)
4 star:		(1)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

I was fortunate to be able to see Doc and Merle live a couple of times before Merle's premature death. This disc is an accurate representation of the live Doc and Merle I saw - excellent musicianship applied to a broad sweep of American folk, blues and fiddle tunes played in Doc's unique way. Doc has a great sense of humor and it always comes through when he plays live, just as it done on this disc. Check out "Life Gits Teejus Don't It" for an example. Merle was an absolutely incredible guitarist but the most important gift he brought to the music was his innate sense of when and how to accompany and when and how to lead. He integrated himself into a song and played his part exceedingly well. I miss him. This disc has a great mix of tunes with enough instrumentals to please the pickers and plenty of story songs for the folkies. The sound quality is warm and clear and best of all, it doesn't get in the way of the music. This is a true 5 star disc in every regard. Classic!

This is another CD version of an LP album put out several years ago, and I am sure glad they picked this one so I can stop trying to put a needle through my old LP. Doc Watson and his Gallagher guitar are simply awesome--the prototype folk guitar, both flat and fingerpicking style, supported superbly by Merle Watson. The audience is knowledgeable and appreciative, and their reactions augment the enjoyable music a lot. This is another album that you should just sit and do nothing but listen to. Close your eyes and imagine you are at the concert.

Doc Watson is well known as one of the best flatpicking guitarists in the genres of Old Time, Bluegrass and Folk. He is possibly the one who is responsible for transfering the guitar from only a rythm instrument into a soloinstrument in these kinds of music, by learning how to do the old fiddletunes on the guitar. And how he does it? He is a virtuoso on his instrument.
On this live recording, first released in 1982 as a dobbel LP, he is joined by his son Merle, and it is possibly one of the most beautiful records he has ever made. Doc sings and plays the guitar, and on some numbers the mouthorgan too. Merle accompanies him on guitar, and gets the chance to kick in a couple of numbers of his own.
There is a nice and warm and relaxed atmosphere in the concert. Doc tells a few jokes and you get the feeling that you are sitting around in his livingroom.
I first bought this record in 1982, and now I have bought it again on CD. It is simply a must in my personal collection. It is this record that woke my interrest for bluegrass, and learning how to flatpick on the guitar. And I am greatfull, though I'll never reach Doc's level. In fact very few people do.
Should I compare his playing to any younger generation flatpickers, the first one I can think of is Tony Rice.
And finaly, should you be interested in seeing Doc in action I can strongly recomend the DVD The Three Pickers, a concert in which he plays with Earl Scruggs and Ricky Skaggs, and Allison Krauss appears as a guest. That is very very beautyfull.

A message to the American people: Americans, in case you don't know: DOC is not only one of the world's best guitarists, but also the best embassador that the US has ever had. This 1971 live recording (24 tracks, over 70 minutes, good sound quality) offers a generous helping of his art. Together with his late son Merle, Doc presents a collection of impeccably played folk songs. From 'Brown's Ferry Blues' to 'Don't let your deal go down', the singing and the picking are superb, so are Doc's comments and the audience's reactions. His are a voice and a PERSONALITY that you cannot help but love, someone you like listening to in your living-room for the sheer warmth his music exudes. And, what's more, his music integrates so many different voices, stories, influences, experiences that in my book he's the true Voice of America. Of course, there are numerous other fantastic recordings by Doc Watson -some dificult to come by here in Europe. Each record produced in his long career -and I own quite as lot, not a single one disappointing- is definitely worth checking out.

From the opening "Brown's Ferry Blues" through "Deep River Blues", and "Windy and Warm", this is the best guitar album in the history of American Folk Music. I heartily suggest it be in the collection of every fan of American Folk music, REAL country music, acoustic guitar, or Southern humor.

This is the perfect trail mix for those long road trips - snappy bluegrass and oldtime folk melodies, the kinds of songs your grandmother or uncle played around the campfire back before CDs and discmans. I've been playing a scratchy twice dubbed cassette of this for years of road trips and I have yet to ride with anyone who didn't eventually start grinning and singing along.

A very good introduction to the music of Doc Watson. This album contains samples of his blues, ballads, and old mountain songs. Of his albums that I currently have, moreover, this one reminds me most of the time I saw him in concert (early '90s) and the variety of songs he played then. I would highly recommend this as a first purchase of Doc's music.

this album is pure fun along with doc and merele fine finger picki"n,and the story telling is very amusing .doc talks about the roots of this music and demonsrates it playing diferent styles.he loughs a lot which makes me feel good .thank you doctor

Just so you know, folks, there was one advantage to the double-album vinyl release (Vanguard VSD - 9/10, 1970) and that's the inclusion of Hank Snow's song "Movin' On" between "The Cloud's Are Gwine Roll Away" and the instrumental "Windy & Warm"; it was presumably removed because of the length of the album when transferred to the 80-minute CD limit. Admittedly, you don't miss much but those of you with turntables might want to keep an eye out for this one in the used record stores that are rapidly disappearing from the American landscape. For those without turntables, give thanks that this classic recording is available on CD because it's a true American treasure.

A decent survey of picking styles. My favorites include the transposed Irish fiddle tunes. Some of the music is unremarkable and hokey, but this same banality gives rise to some linguistically amazing song introductions. Doc can play (and sing pretty good too).