Customer Reviews

Stage Rigging Handbook, Revised, 2nd Edition

5 star:		(5)
4 star:		(4)
3 star:		(0)
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1 star:		(1)

 

 

As an IATSE stage rigger, I have worked with people like Eddie Blue and Aaron Hutsch, and I have yet to work with a flyman or rigger who doesn't use and own this book. Glerum's methodical approach to everything rigged, from sand bags and tension pulleys to loft blocks and chain bags makes the complicated art and physics involved with theatrical flying and baton loading easy to understand, and in-depth enough for the novice or master rigger. A must have for anyone persuing a theatrical or IATSE position.

Stage Rigging Handbook is an excellent book on a subject that's often ignored or glanced over in tech theater books. It's very hard to find, good, authoritative information on stage rigging, but Glerum is "The" authority. The book is packed with information and photos. It clearly covers the physics involved in rigging, the types of equipment (both old and new), the maintenance, and the do's and don't of the craft. It's not always totally clear, but the wealth of practical, and in many cases, vital information more than makes up for it. If you're a TD or Director that's just inherited a house with a fly loft, you must read this book. It sounds melodramatic, but it's true--lives may depend on it.

Stage Rigging Hand Book is a great book for anyone responsible for rigging. It covers very important topics and safety issues. Working in one of the biggest and best high school theatres in the state of Virginia, I can say that this book is a major help on any rigging job and is an indispensable book when safety is concerned (and when is safety not involved?). If you are a TD at any high school with a rigging system you must have this book.

Jay O. Glerum has written a book filled with history and practical hard-to-find information every theatre tech should have in his/her library. This book is rich with clear illustrations and photos for just about every rigging situation you will encounter. It has chapters on "Loads and Reactions" "Block and Tackle Rigging" "Hemp Rigging" "Motorized Rigging" and much more. There's a very useful chapter on cutting and knotting rope. I was particularly impressed with the sections on "Special Problems" and "Recordkeeping". As today's threatres move more and more toward mechanized scene changes and motorized light rigs, a solid understanding of rigging techniques is more important than ever. Whether you are a novice or have years of experience ... whether you are an independent or on staff, Jay O. Glerum's "Stage Rigging Handbook" will improve your knowledge and give you a wealth of information. I highly recommend this book.

As an instructor in the Canadian College system, I have found this book best sits within easy reach. I am constantly using it as a teaching tool for my students and myself. I had the priviledge of attending a master class with Jay in 2001 and would recommend it to anyone who has the opportunity. When teamed with Harry Donovan, you will find no better pair to flood your mind with all that is entertainment rigging.

Glerum's book is a wonderful resource for professional and amateur riggers.It provides a great sense as to what we (riggers) do. The pictures and descriptions are informative and the information provided is factually correct. I hope Glerum explores future editions as it does need a bit of help on custom rigging, slang for begginers in the field (stinger, bights, etc.) otherwise it is a great book. I hghly recomend. Thanx Jay.

" With the information that it contains, Stage Rigging Handbook should become a standard text for advanced technical students and all individuals concerned with the safe and proper maintenance and operation of stage rigging systems." Derek Hunt..

This quote was located at the back of this book, but I feel it describes it very well.

This book is a manual of professional rigging with an emphasis in theatrical rigging systems. It gives a complete overview of theatrical fly systems with emphasis on counterweight fly's. It gives great detail in the proper methods of rigging, safety in the theatre and tools and components of theatre rigging. This book is a must for any professional in the industry as well as students in the field.

While the book is centered more on the standard theater rigging styles (ie: Line Sets and Grids), there was a lot of relevant info on rigging that an audio nerd like me can use when hanging speakers. A very good reference to have around.

This book must have been the rigging bible...in 1970. There is very little mention of motorized rigging and modern trussing used in the majority of stage, concert and corporate events. I would strongly recommend NOT buying this book unless you're looking for a historical document of how rigging was performed 35 years ago.