In Stage-Wrights, Paul Yachnin, shows how William Shakespeare, Ben Jonson, and Thomas Middleton struggled to reclaim not only the importance of their art, but their own social legitimacy as well through the reshaping of the commercial theater. Adopting a hermeneutical approach, the author explores a wide range of historical evidence to describe how English Renaissance drama depicted the world in ways refracted by the interests of the playing companies; throughout, he challenges recent historicist models that have overrated the importance of dramatic productions to society and its institutions of authority.
