Customer Reviews

Stand!

5 star:		(5)
4 star:		(0)
3 star:		(1)
2 star:		(0)
1 star:		(1)

 

 

In 1969, Sly & the Family Stone finally found their voice with "Stand!". Continuing his fusion of nearly all sounds he could find while redefining what funk was, leader Sly Stone crafted an album with no less than 4 charting singles, topped off by #1 hit "Everyday People".

The album is dominated by something entirely new-- Stone has taken the band's funk sounds and injected some space, some openness into the music. Take the aformentioned "Everyday People"-- it's a funk song, there's no doubt, but it's got a breeziness to it that's somewhat indefinable (that and an irrestible chorus shouted passionately by the band with Sly on top). Likewise title track "Stand!" has this same openness, almost a California pop song to its verses, again with Stone's soulful vocal leading the way.

But there's something else on here as well, an almost claustrophobically dense sound that's beginning to emerge (and that would define the album's followup "There's a Riot Goin' On"). I think in some capacity it's evident everywhere, but it can most be heard in "Don't Call Me N*gger, Whitey" and the 12 minute jam "Sex Machine"-- a dark, bleak sound that doesn't lend itself to open structure but somehow maintains the same irresistability that the rest of the material has. On the former, Sly Stone sings the chorus with a venom over the dense funk dirge, the latter is wholly instrumental, but in roughly the same vein. Both also feature Sly Stone singing through a vocodor run through a wah-wah pedal to extraordinary effect. One thing about them that's definitely, even at their extended lengths (nearly 6 minutes and over 13 minutes respectively), both of them are incredibly intense and intriguing. Both also highly informed the future of music, be it Miles Davis' superb '70s records or pretty m uch the entire genres of soul, funk, r&b and hip hop.

Perhaps when the album does best is when it sits somewhere in between these-- "Somebody's Watching You" wiht its laid back groove and great dirty guitars ends up being one of the creepiest recordings on record and "I Want to Take You Higher" (a remake of "Higher" from a couple years ago) takes the claustrophobia and uses it to push ecstacy to new heights, proving to be downright overwhelming.

This reissue remasters the record and appends a handful of bonus tracks-- mostly single mixes and a couple unreleased recordings and includes detailed liner notes. Sonically, this improvement is fantastic-- the record is crisp and clear and presented as you'd like it to be. The only complaint I have is the choice to leave off singles "Hot Fun in the Summertime" and double A-side "Thank You (Falettinme Be Mice Elf Agin)"/"Everybody is a Star". The three pieces were slated for a followup to "Stand!" that never materialized and ended up being stuck on a "Greatest Hits" record. While strictly speaking they don't belong either here or with this record's followup, it'd've been nice if they were included somewhere with this batch of remasters (for anyone looking, they can be found on "The Essential Sly & the Family Stone").

Bottom line on "Stand!" is that it's one of the great albums of it's era, and together with "There's a Riot Goin' On" forms the peak of Sly & the Family Stone. This is essential listening. Highly recommended.

Content: 4 stars; Sound Quality: 2 stars = Overall: 3 stars.

This album represents the best work that Sly has done from his "happy", optimistic period before he had a severe attack of pessimism (realism?) shortly after so evident on "There's a Riot Goin' On". Lots of good singles here that would make it on any best of compilation of the band like "Stand!", "I Want To Take You Higher", "Sing A Simple Song", "Everyday People" and "You Can Make it if You Try". That's 5 out of the total of 8 tracks from the album! Other than "Don't Call Me Nigger, Whitey", the other tracks resemble little more than filler and that's especially the case for all 14 minutes of "Sex Machine". Still, this album is a classic for the impact that it has had for the future of funk music and its influence on music since then cannot be underestimated. This mini-lp replica sleeve version very faithfully recreates the original lp design down to the inner sleeve and includes a 12-page colour booklet which has an essay by Barney Hoskyns and all the lyrics. There are 5 bonus tracks as well which are single versions of "Stand!", "I Want To Take You Higher" and "You Can Make it if You Try" and two previously unreleased tracks: "Soul Clappin' II" and "My Brain". The only disappointment for me of this version of the album is the poor sound quality. For an album that's supposed to be remastered, you can only presume that the quality of the master tapes have deteriorated so badly that this is the best that they could do which doesn't amount to much sadly. A shame really; Sly's classic really does deserve better.

'Stand'is where Sly & The Family Stone's musical experiences onA Whole New Thing,Dance to the Music and Life gestated into something totally unique.Those albums found Sly waltzing over,under and around the funk;on 'Stand' he dives right into it.Of course most of us know the hits by heart-the title track,the punchy rock of "I Wanna Take Your Higher" and of course the immortal "Everyday People".In fact what is so important here is that this marks the moment Sly became a full flegded album artist because the peppy "Somebody's Watching You" is one of those classics-that-never-was-a-hit.As far as the funk goes there's huge handfuls of that in "Sing A Simple Song" and "You Can Make It If You Try" alone.Still neither of those are enough to keep the totally dangerous "Don't Call Me Nigger,Whitey" in check;it's message is right on time with it's us vs. them humor and NASTY fuzz bass.And as far as fuzz bass goes Larry Graham packs almost more into the instrumental "Sex Machine" then the song can handle,but of course it does in a FUNK OVERLOADED kind of way.If 'Stand' itself spoke to and about the cultural,racial and political issues in the world and in music in the late 60's then the MEAN instrumental bonus "My Brain (Zig Zag)",just showing the complete musical inspiration Sly and his band were during 1969-70.If truth be known that inspiration may have been his musical downfull soon to come.But while it lasted,it was amazing.'Stand' is not only a classic funk album and a classic Sly release but a milestone in all of music of the 20'th century.

..I WANNA TAKE YOU HIGHER! Man, back in the day Sly was the bomb! If I remember correctly Sly was the first concert I ever saw, back in 197x at Madison Square Garden. I used to wear this album out. You can't go wrong with this CD in your collection and I dare say it's a must-have. Great songs with catchy arrangements, especially the horns. And downright funky! Check out the 13 minute track 'Sex Machine' and tell me that isn't badass! C'mon now, you gotta have some Sly Stone in your collection.
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This was the worst remaster job I have ever heard the bass is all but gone ,the person or persons who did this hack job did not understand the importance of the level of bass in the track Sex Machine it is suppose be the main focus and it is all but muted to it's lowest level with the vocals and other elements enhanced if you heard Sex Machine in it's era you will be greatly disappointed,Sex Machine was the reason I bought this CD and I was really let down when I played it.

An FYI. I don't mean to sound like a commercial. I'm probably one of the few people in America that just tried iTunes for the first time. Just sayin, iTunes version includes a digital booklet with purchase of the album **for the same price** ($9.99) as here. Has liner notes, photography, lyrics, all the things you would expect when buying a CD album. Digital booklet adds a dimension I've been missing buying mp3s alone. It would be good for Amazon to provide the same value.

One of Sly Stone's best, and the bonus tracks just enhance it all the more. If you've grown up with Sly and the Family Stone, or just discovering them from your parents....or grand parents' collection, know that they were an enigma, a pioneer of the 'what could be'. Not that there wasn't mixed race groups before-look at 1930's and 1940's jazz, James Brown, but Sly easily crossed over and the nation was finally ready. Civil rights finally caught up to what was common in the music world for decades, and Sly was a musical genius and the band was/is still tight!