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Most Helpful Customer Reviews
10 of 11 people found the following review helpful:
5.0 out of 5 stars
The debut of one of the all-time great bands,
By
This review is from: Standards 1 (Audio CD)
This is where it began for Keith Jarrett's "Standards Trio" with Jack DeJohnette and Gary Peacock. Seventeen years and almost three dozen discs of standards later, it's clear that these three are masters. Every album they've released takes the standard jazz canon and does what musicians have been striving for since Louis Armstrong invented the practice of playing standards in the late twenties: they can play the melodies with grace and beauty and turn the songs into sonic environments that stray far from the composer's intentions into an almost abstract place of pure sound and thought.
11 of 13 people found the following review helpful:
5.0 out of 5 stars
mindful,
By A Customer
This review is from: Standards 1 (Audio CD)
I have been listening carefully to music in general for more than 30 years, the last 20 to mostly jazz, both as a lover and player of this music. This recording to my mind is without any reservation one of the truest representations of mindful improvisation I have ever heard. Genuine, sincere and fresh. Right along with Parkers or Hawks body and soul, Davis someday my price will come, and so on. Personally ,one of the few trio records I can lsten to for either the drums or bass alone. Priceless. A warm and sincere Thank you Mr. Jarrett et.al.
6 of 7 people found the following review helpful:
5.0 out of 5 stars
Lyrical Master of Modern Jazz Piano,
By A Customer
This review is from: Standards 1 (Audio CD)
The Volume I Standards CD by the Keith Jarrett Trio is masterful performance offive tunes which are near and dear to the hearts and souls of jazz lovers the world over. The communicative interaction of Jarrett and his 'supporting cast' is nothing short of amazing. Jack DeJohnette, a favorite drummer of, among others, Miles Davis, and Gary Peacock formerly known mostly for his avant-garde work provide a lyricism, musicality and rhythm that is constantly preventing you from focusing entirely on the brilliant improvisations of the leader. This gives the listener, at times, the impression that three instruments are being played by one mind and one person. 'All the Things You Are' is a perfect example. After a swirling piano intro by Jarrett, the group goes in to a swinging version of the theme which is twisted and turned in an infinite number by Jarrett. Peacock, and DeJohnette accent, punctuate and embellish on those twists and turns as if Jarrett were also playing bass and drums. Three musicians made one for a time. After a soaring piano solo. DeJohnette reminds you what a master of his craft he is with his transition into the bass solo. After an inventive solo by Peacock, Jarrett begins to play the melody softly over the remnants of the bass solo. The theme is then stated one more time and one is left thinking it should be re-titled, "All the Things That This Tune Should Be," and is. For the uninitiated, Jarrett's combination of shouting and scat-singing may cause some initial surprise. However, the listener will soon be enamored with the beauty of lyricism and passion of both Keith Jarret and this outstanding trio. Buy this CD and be prepared to cherish it. Brian Orfall
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