Amazon.com Review
King Tremain, the badass central character of Guy Johnson's
Standing at the Scratch Line, was born LeRoi and grew up in the swampy Louisiana bayou during the first part of the 20th century. It is only when he serves overseas during World War I, however, that LeRoi comes to appreciate the majesty of his name. As he should: fighting in the front lines with the "colored" 369th, LeRoi earns the title King. King takes his soldier's stance home with him and throughout his life kills whoever gets in his way, be they Italian mobsters or policemen. Not one for morals or rational contemplation, he lives by the code he relays to his army buddies during the war: "I just got two rules: be courageous and don't take no shit!"
In the course of tracking King's life, Standing at the Scratch Line crosses cities and decades--from New York to New Orleans to Oakland, from the teens to the '40s. King becomes a wealthy man, largely thanks to the opportunities presented by Prohibition. Handsome and strapping, he easily wins the heart of a Louisiana farm girl, Serena, who becomes his wife. Unfortunately, their love doesn't last long--even though the marriage does--because of tragedies involving their sons, for which he blames his wife. In King, Guy Johnson offers a character who responds aggressively to his time and place in history. He is a man of menacing proportions, with a justice system all his own. --Katherine Alberg
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
In the 30 years this lengthy debut novel spans (1916-1946), much blood is spilt and few lessons learned. The macho misadventures of its larger-than-life protagonist LeRoi Boudreaux Tremain-?aka King?drag the reader from the trenches of WWI to 1940s San Francisco, by way of Harlem and New Orleans. King, who whets his appetite for violence when he takes part in a family feud at the tender age of 14, makes a career as a killing machine and underground entrepreneur. Discovering a taste for shedding blood and a hatred for "American Whites" during combat with the all-black 369th Regiment in the fields of Alsace-Lorraine, King returns home to do battle with the mob, the KKK and law enforcement agents everywhere. Sometimes an avenging angel, sometimes merely an implacable force, King kills as briskly as the hero of a John Woo flick, only without the balletic grace. The glamour of his exploits?in killing, gambling, bootlegging and real estate?dissipates, however, when King's family starts to fall apart. His wife, Serena, undoes him through two illegitimate sons. One, LaValle, is conceived when she sleeps with a white racist sheriff to enable King's escape from captivity; the other, Leroy, is King's child by a New York woman, whose whereabouts Serena discovers but conceals from King. Leroy, left to grow up in an orphanage, causes a "curse" to descend on the family. The book unravels with tragedies of the domestic sort (deaths of relatives, miscarriages, car accidents), which, though cheapened by their frequency and a rather hokey voodoo cast, are somewhat appealing, if only as a break from incessant mayhem. Although Johnson succeeds in dramatizing the forces of prejudice and poverty, is perhaps an impossible task to sustain King's righteous rage, virtually a one-note performance, over so many pages.
Copyright 1998 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.