Most Helpful Customer Reviews
|
|
9 of 9 people found the following review helpful:
4.0 out of 5 stars
Another "Rolls-Royce" from Selznick, June 3, 2001
By A Customer
Much has been written about this 1937 film in regard to its story, characters etc. The word "classic" tends to be over-used but it IS a true "classic": the drama and the comedy haven't dated one bit. My main interest in this particular movie however is that it was the first Hollywood film with a contemporary plot to be filmed in the relatively new three-strip Technicolor process. Producer David Selznick's business partner Jock Whitney, a millionaire from New York who was interested in motion pictures, had a stake in the Technicolor Motion Picture Corporation. This film was used as part of a showcase for the stunning new process. It is a Technicolor Timecapsule of 1930s Hollywood. Before I purchased this DVD copy of the film (King Video/Image Entertainment), every other version I'd seen (on VHS) was from a positively awful old print, with faded colour and no sharpness or contrast. I am pleased to say the DVD quality is very good, with pleasant colour. The source used was a 35 mm print from Selznick Properties Ltd which, while a little scratched in one or two places, is far superior to any other version of this motion picture that has been available for purchase. If this version had been mastered from the original camera negatives (as are many movies when transferred to DVD), I would have given it the full five stars. I believe the rights to this film have changed hands many times since 1937 so maybe the camera negatives and soundtrack are lost, deteriorated beyond salvation, or destroyed. If that was the case it is a great tragedy that we cannot enjoy this movie in its full Glorious Technicolor. But, as I have indicated, this DVD is the best copy of the 1937 "A Star Is Born" I have seen to date and it may be the best we will ever see it now. I have not viewed other available DVD releases of this motion picture.
|
|
|
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Best Print Yet, August 26, 1999
Having been in public domain for so long now, it seems everyone has put out a print of this movie on video. They are consistently poor quality issues. This DVD issue is not perfect by any means, but it far exceeds any others I've seen. If ever a film was in need of a full restoration this is it. A great movie about that land of hopes and dreams called Hollywood. Honest, realistic, touching, and tragic. Although Judy Garland's version is excellent this is the version that truly delivers. I won't even mention the Streisand remake.
|
|
|
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Boulevard Of Broken Dreams...., June 13, 2002
Though this is the only non-musical version of the thrice filmed tale, this original is my favorite. It may more than likely appear dated to some, but it is not only a wonderful story about the price of fame, but an early record of Hollywood history. Fredric March and Janet Gaynor are wonderfully touching as the doomed couple ,"Norman Maine" and "Vicki Lester", she being the new discovery whose *star* is ascending, totally eclipsing March's descending stardom. This was my first glimpse at Janet Gaynor, and I fell in love with her. May Robson is great also as Gaynors feisty Granny, who encourages the young, unknown dreamer to follow her dreams, and is there at the end when she seems to have given up. There are many wonderful moments, as when Gaynor, as the then pre-stardom "Esther Blodgett" tries to get the attention of movie big-whigs by her impressions of then popular stars Mae West, Katherine Hepburn, and Garbo. Andy Devine (that VOICE!!) is comical as the fledgling director who befriends the naive, broke, and new to Hollywood "Esther", and sticks with her through her metamorphosis to "Vicki Lester", and her tragedy and heartache. There's also fun scenes of early Hollywood locales, like the Hollywood Bowl, and interesting behind the scenes looks at the star-making process, when a little nobody is given everything from a new hairline to a new name. I always find myself blubbering like a fool at the films end, when Gaynor, having triumphantley come back from tragedy, delivers her final, famous line with a teary-eyed close-up. Yes, it's corny, but I'm crying not only because it's a tear-jerker, but also at the memory of all those beautiful fools of that long ago time, when there really was a place called HOLLYWOOD.
|
|
|
Most Recent Customer Reviews
|