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21 of 24 people found the following review helpful:
5.0 out of 5 stars
STAR DUST , a page turner, May 29, 2005
This review is from: Star Dust: Poems (Hardcover)
Frank Bidart's STAR DUST is something like a perfect book of poems. It has a beginning, middle and end and never stops being a good--which is to say gripping, even suspenseful-- read . The opening section of poems, a sequence called "Music Like Dirt," works like a prologue to a collection of poems about making, about the project of being-in-the world through the lens of the maker. The final long poem, "The Third Hour of the Night," about the sculptor, Benvenuto Cellini, is both a culmination of this meditiation and a subversion of the ideas put forth in the earlier poems. This is an unsettling, brilliant, beautifully made and deeply moving book of poems. And unlike many contemporary books of poems, it is direct, accessible and deeply interesting (the way novels are interesting) from start to finish. Yet it repays re-reading and study for its formal virtuosity and variety.
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8 of 10 people found the following review helpful:
2.0 out of 5 stars
Another book that makes me ask what poetry actually is., July 19, 2006
Frank Bidart, Star Dust (FSG, 2005)
I've just wandered through the already-posted Amazon reviews on this one, and it's pretty obvious that I'm in the minority. So I'll apologize beforehand, since it's obvious I'm wrong. After all, this collection was, in fact, a National Book Award finalist, though it lost to Merwin's Migration. Despite the overwhelming evidence that I am, in fact, wrong, I have to stick to my guns-- I just didn't like it anywhere near as much as everyone else seems to have.
First off, "The Third Hour of the Night" has to be addressed. The dramatic monologue, as a poetic device, has a long and revered history, as well it should. But the vast majority of dramatic monologues throughout the ages have been presented to us in formal verse, which allows for a freer language, because poetically it still has the form to fall back on; it's still unquestionably poetry. Doing dramatic monologues in free verse is exceptionally tricky; if you fall back into unpoetic language, you risk the entire house of cards toppling down around you, with your monologue looking like a speech that's been chopped up into little lines. It's worse when you're relating history. He central part of "The Third Hour of the Night," which takes up about a quarter of Star Dust's total length, tells us about Benvenuto Cellini. It's certainly not straight biographical information, but it still borders on the prosaic, and crosses over that line far too many times during its length. I know there's a lot of argument over this point, but to me, if it's too prosaic too many times, I simply can't look at it seriously as poetry.
Bookending the tome with "The Third Hour of the Night" is the chapbook Music Like Dirt, which focuses on the desire to create-- the primal, inborn desire. It would be easy to make cracks here about the primal urge needing some revision before it gets thrown to the wolves, but let's face it-- "The Third Hour of the Night" took up a whole issue of Poetry magazine in 2004. An entire issue. They've never done that before. Ever. And Poetry is the pinnacle. Whither goeth Poetry goeth a nation. Certainly whither goeth Poetry goeth the National Book Association.
But I still can't find a reason to consider it better than average. It's not worse than average, certainly, given how much less accomplished prosaic nonsense finds its way into magazines and webzines on a monthly basis, but it's not better, either. **
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3 of 3 people found the following review helpful:
3.0 out of 5 stars
There is Skill and ThenThere is Enjoyment, August 3, 2007
Sometimes I am reluctant to write reviews of the poetry I read. This is certainly a time when I was. I am certainly not a poet who has the reknown or the publication history of Frank Bidart but I do still have an opinion.
Reading _Star Dust_ was difficult. Not only is the poetry in a very academic style, but the poems are also replete w/ allusions to music and art. If these poems were in a school anthology there would have been a plethora of endnotes. We, however, were not given the help of that so I found other ways to discern what Bidart's references were all about.
I can see the skill of Frank Bidart. He is well educated and has an amazing ability to make his poems reflect upon each other as is best apparent with the final poem and how it relates to the earlier poems in the collection.
All this good and bad being said, for me, this isn't a book I would read again. I don't mind being challenged but I came away from this collection feeling that I was just being challenged because the poet was capable of doing so. This is not a collection I would read again.
I would say, however, that if you are looking for a good challenge-a puzzle-then sit with google and a marker and just see the layers that Bidart is capable of. It can be an adventure.
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