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Product Details
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| Disc: 1 | |||
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| 1. Please Please Please | |||
| 2. Why Do You Do Me | |||
| 3. Try Me | |||
| 4. Tell Me What I Did Wrong | |||
| 5. Bewildered | |||
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| Disc: 2 | |||
| 1. Papa's Got A Brand New Bag, Pt. 1 | |||
| 2. I Got You (I Feel Good) | |||
| 3. Ain't That A Groove | |||
| 4. It's A Man's Man's Man's World | |||
| 5. Money Won't Change You | |||
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| Disc: 3 | |||
| 1. Mother Popcorn | |||
| 2. Funky Drummer | |||
| 3. Get Up (I Feel Like Being A) Sex Machine | |||
| 4. Super Bad, Pts. 1 & 2 | |||
| 5. Talkin' Loud & Sayin' Nothing | |||
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| Disc: 4 | |||
| 1. There It Is, Pt. 1 | |||
| 2. Public Enemy #1, Pt. 1 | |||
| 3. Get On The Good Foot | |||
| 4. I Got A Bag Of My Own | |||
| 5. Doing It To Death | |||
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With the tracks presented in chronological order, you can track the development over time not just of the JB sound (blues to R&B to funk to classic soul), but you can also follow the history of entire branches of popular music in which the JB influence looms large. Disc one covers the early years when James was storming the R&B and blues circuits with some of the most intense new sounds those scenes had ever encountered. He invents funk near the end of disc one, and even says so himself in the liner notes, where he credits the long-lost "Out of Sight" (heard here in its original form for the first time) as his funk songwriting breakthrough.
After getting the funk off the ground, discs two and three are a non-stop, relentless collection of piledriving funk grooves. These two discs will rock any party without apologies, and I don't care if you dig the funk or not. James brought on board the funkiest, tightest, and most relentless bands available (especially in the 1969-71 period) to create this incredible music that has been a huge influence on all subsequent funk, not to mention hip-hop and large chunks of the rock world. The party slows down a bit with disc four, in which you can see that James was getting past his prime, although there a few late-period surprises like "The Payback" and "Get Up Offa That Thing." By this point it was natural for James to slow down on the creation of new sounds, and focus on his current duties as a non-stop live attraction for his ravenous followers.
Another worthy part of this box set is the extensive liner notes, which include exhaustive chart listings and historical info, and an acceptable James Brown bio. There is also much good info on the more important members of JB's bands, like Bobby Byrd, Clyde Stubblefield, Maceo Parker, Fred Wesley, and the teenaged Bootsy Collins (who would later single-handedly redefine the bass guitar as an instrument in his work with Parliament/Funkadelic and as a solo artist). Now if you'll excuse me, I have to go back to getting my mind blown by this set. Like I said, I'm still digging it after all these years.
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