Product Details

• Actors: Avery Brooks, Rene Auberjonois, Michael Dorn, Terry Farrell, Cirroc Lofton
• Directors: Avery Brooks, Alexander Siddig, Allan Eastman, Allan Kroeker, Anson Williams
• Format: Box set, Closed-captioned, Color, Dolby, Full Screen, NTSC
• Language: English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1)
• Subtitles: English
• Dubbed: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 7
• Rated: NR (Not Rated)
• Studio: Paramount
• DVD Release Date: November 4, 2003
• Run Time: 1176 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (147 customer reviews)
• ASIN: B00008KA58
• Amazon Best Sellers Rank: #23,276 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "Star Trek Deep Space Nine - The Complete Sixth Season" on IMDb

Editorial Reviews

Amazon.com

Deep Space Nine's sixth season began ambitiously with a six-part story arc devoted to the Dominion War. This was a brave move in many ways, but a sensible one too. Whereas other sci-fi shows wouldn't commit to showing the impact of war (e.g., Babylon 5), here there were numerous visible sacrifices. Characters were frequently kidnapped and held prisoner, allowing screen time for other members of the ever-growing cast (at its peak there were as many as 18 individuals with speaking roles per episode). This year also introduced the idea of Starfleet Intelligence and its sinister Section 31; alliances were built only to crumble almost immediately; Sisko led a suicide mission and at long last his destiny as the Emissary took a serious turn.

Amid all this sturm und drang the writers felt it necessary to inject some levity. In fact, there was so much comedic sidetracking this year it actually seemed as if they were afraid of the series' dark tone. Witness: Quark undergoing a temporary sex change, leading a Magnificent Seven-style band of Ferengi (with a cameo from Iggy Pop), Morn's nonspeaking character being sorely missed, the blend of Troi and Guinan into '60s crooner Vic Fontaine, and, in one fan favorite episode ("Far Beyond the Stars"), Sisko having visions of himself and the crew as 1950s staff writers on pulp magazine Incredible Tales. There were also cute reconciliations among Worf's extended family (leading to Trek's first cast wedding), and even the revelation of Bashir's genetically enhanced origins quickly became a subject for easy jokes.

Any of these events would have been satisfactorily cute if the war had ended and the show had moved on. But it confused the viewer when every so often the battle would be rejoined mid-episode. The clinching proof that no grand design was really at work was in the sudden exit of Dax. Despite all the jarring humor scattered about after the strong opening, the show seemed unable to avoid reverting to shock tactics for its finale. All of which hardly made the promised final year seem a particularly enticing prospect. --Paul Tonks

Product Description

Episodes: A Time to Stand, Rocks and Shoals, Sons and Daughters, Behind the Lines, Favor the Bold, Sacrifice of Angels, You Are Cordially Invited..., Resurrection, Statistical Probabilities, The Magnificent Ferengi, Waltz, Who Mourns for Morn?, Far Beyond the Stars, One Little Ship, Honor Among Thieves, Change of Heart, Wrongs Darker than Death or Night, Inquisition, In the Pale Moonlight, His Way, The Reckoning, Valiant, Profit and Lace, Time's Orphan, The Sound of Her Voice, Tears of the Prophets.

Most Helpful Customer Reviews

57 of 63 people found the following review helpful

5.0 out of 5 stars Bad Amazon Editorial September 28, 2003

By Karen Hall

Format:DVD

I'm mainly posting this in oposition to the editorial above. This person does not know Trek very well to not recognize what is by far the best season of Deep Space Nine and argueable, the best season of all Star Trek.

The introduction of Section 31 gave everyone something to talk about. Far Beyond the Stars was an artistic masterpeice. And the death of Jadzia Dax, I must say, the writer of the editorial has it all wrong. Terry Farrell wanted to leave the show. True enough, she didn't want her character killed, but she did make the decision to leave. That may make her character's departure seem out of place, but none the less appropriate. The Dominion War has been faught, officially and unofficially since Season 3 (which began with major tensions with them) and lasted until the very last episode of the series. It is only logical to conclude that someone will die. Sisko reads through thousands of names of casualties at the hands of the Dominion, yet he never lost anyone of his crew until Jadzia. This makes it much more potent...it makes the war seem personal...and the Devil (Dukat) is a more real enemy to Sisko than the Dominion.

Art, plan and simple.

34 of 36 people found the following review helpful

5.0 out of 5 stars This viewer is not confused... December 31, 2005

By Niner

Format:DVD

Who's idea was it to let Paul Tonks write the Amazon editorial reviews of the DS9 DVD sets? He's entitled to his opinions about the show, but his sweeping statements about how the intersecting plot lines, number of cast members, presence of comedic episodes, etc., "confuse the viewer" are condescending and patronizing. Why can't he just admit that the show confuses/aggravates him? I consider DS9's risky narrative density one of its most appealing and challenging aspects, even when it misfired, and I imagine I'm not alone. Speak for yourself, Paul.

24 of 25 people found the following review helpful

5.0 out of 5 stars A very memorable season October 27, 2003

By Makiko Itoh

Format:DVD

It's hard for me to pick any one season of DS9 as being the best, but season 6 is perhaps the most interesting season of all. The reason for this is that they took several risks.

One of them of course is the use of long, involved story lines. Almost more than any othe sci-fi series (with the possible exception of Babylon 5), DS9 showed that war was a messy, complicated business, not just in terms of body count but in compromised values, shifting allegiences, and tough decisions that may or may not be right. Sisko truly comes into his own as the leader of the station as well as a key figure in the war. The highlight of the main war story arc is In the Pale Moonlight, a true masterpiece of storytelling about the seamy side of war. Almost as good as this exceptional episode in the general story line is Inquisition, which introduces the KGB- or even Gestapo? -like Section 31(and they work for the good guys!)

Every Trek season has it's off-topic type of episodes, and season 6's are some of the best. Even the Ferengi episodes are not that bad - The Magnificent Ferengi is a comic highlight. Who Mourns for Morn is uneven but nevertheless makes use of one of the most famous non-speaking parts on TV, Morn the barfly. Statistical Probabilities is a very interesting intellectual episode that furthers the story of Julian Bashir as a genetically enhanced human, and shows what can go wrong with such "enhancements". Valiant shows the effect of war on kids (a young Academy squad who somehow end up commanding their own ship after the death of their captain). One Little Ship is a ridiculous but totally fyn episode (Honey, I Shrunk The Runabout!) His Way introduced James Darren as Vic Damone, a holographic night club owner with self-awareness - since Voyager was pursuing the idea of a hologram being a sentient being, this was nice to see - and Vic becomes an important secondary character in season 7. Worf and Jadzia Dax's wedding (You Are Cordially Invited) is a bit cheesy, as many Kllingon episodes tend to be. But the Worf-Jadzia relationship was one of the very few marriages shown in Trek (aside from the O'Briens), and later episodes managed to show the difficulties of being in the same war with the one you love quite effectively, until the death of Jadzia in the last episode. The death itself was quite abrupt - almost up there with the death of Tasha Yar in TNG, but in the context of war it makes sense. Death in war is senseless...

I left the best for last - Far Beyond The Stars. This is a transcendent episode, and a must-see for any sci-fi fan - even if you don't like Trek. It asks the question, are we real? Or are we just a figment of someone's imagination? And what is it that makes what we dream of? This idea was explored somewhat in a Next Generation episode (Message In A Bottle), but it's really told beautifully here.

I can't really think of a truly bad episode in this season, like a couple of the clunkers in both season 5 and 7. All in all, this season is a keeper.