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A Star Trek: The Next Generation: Time #8: A Time to Heal
 
 
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A Star Trek: The Next Generation: Time #8: A Time to Heal [Mass Market Paperback]

David Mack (Author)
3.8 out of 5 stars  See all reviews (14 customer reviews)

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Book Description

Star Trek, the Next Generation August 31, 2004
On the cusp of their epic battle with Shinzon, many of Captain Jean-Luc Picard's long-time crew were heading for new assignments and new challenges. Among the changes were William Riker's promotion to captain and his new command, Riker's marriage to Counselor Deanna Troi, and Dr. Beverly Crusher's new career at Starfleet Medical. But the story of what set them on a path away from the Starship Enterprise has never been told.

UNTIL NOW.

A cataclysmic war between the Federation and the Klingon Empire has been miraculously averted, and a new government is finally in place on the planet Tezwa. But deadly secrets still threaten the fragile peace accord.

Rebels still loyal to the old Tezwa regime have captured Commander Riker and are willing to kill to achieve their goals...the Orion Syndicate is interfering in the rebuilding -- and may also be involved in much more than that. But the most devastating revelation of all threatens the very foundations of the Federation itself -- leaving Captain Picard to possibly face the very conflict that he labored so hard to prevent....


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Editorial Reviews

About the Author

David Mack is the national bestselling author of more than twenty novels and novellas, including Wildfire, Harbinger, Reap the Whirlwind, Precipice, Road of Bones, Promises Broken, Rise Like Lions, and the Star Trek Destiny trilogy: Gods of Night, Mere Mortals, and Lost Souls. He developed the Star Trek Vanguard series concept with editor Marco Palmieri. His first work of original fiction is the critically acclaimed supernatural thriller The Calling. In addition to novels, Mack’s writing credits span several media, including television (for episodes of Star Trek: Deep Space Nine), film, short fiction, magazines, newspapers, comic books, computer games, radio, and the Internet. His upcoming works include the new Star Trek Vanguard novel Storming Heaven, an epic 24th-century Star Trek: The Next Generation trilogy, and a new original supernatural thriller. Mack resides in New York City with his wife, Kara.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter 1: Tezwa

Dusk settled upon the city of Alkam-Zar. Rays of deep-crimson sunlight flared through the seam of the horizon, casting a fiery glow across the sullen, steel gray clouds. Wind like a mournful cry twisted between the towering husks of buildings both ancient and modern -- all sinking now into decay and history.

Starfleet Ensign Fiona McEwan stood on the edge of a rubble-strewn plaza near the center of the battered metropolis. Alkam-Zar, like many other Tezwan cities, was still smoldering more than two weeks after it had been racked by a shock wave from a Klingon torpedo, which had destroyed a military starport several dozen kilometers away from the urban center.

These people probably thought the base's presence made them safer, McEwan mused. It just made them a target.

Behind the petite, red-haired young officer, a Federation relief team coordinated the distribution of food, clean water, and medicine to local Tezwans, who had lost most of their basic utilities because of the Klingon barrage. The relief group was composed of civilian workers and physicians. McEwan was one of six Starfleet security personnel assigned to protect them. Some relief groups, working in similarly war-torn urban areas around the planet, had been nearly overwhelmed by Tezwan refugees whose suffering and desperation had led to food riots; other groups had been ambushed by Tezwan military insurgents still loyal to the deposed prime minister, Kinchawn.

Today things had been quiet in Alkam-Zar. Most of its people were still in shock. Tezwan adults and children wandered the streets like gangly, looming phantoms. Their feather-manes were pale with dust and matted with neglect, their arm feathers tattered and scorched and stained with blood. Shuffling footsteps crunched across boulevards dusted with shattered glass and pulverized rock. Broken beams of metal crusted with ancient stone had impaled the ground and dotted the thoroughfares and side streets like monuments to a quiet despair.

So far, the Federation's efforts had focused on providing these people with the essentials of survival -- food, water, shelter, and basic medical treatment. Just two days ago the Starfleet Corps of Engineers had arrived, to direct the monumental task of rebuilding this world's ravaged cities.

For her part, McEwan was in no hurry to see the streets swept bare. If a Loyalist ambush were aimed at her squad, she would be grateful for all the cover she could get.

Thirteen more days, she reminded herself. Then I rotate back shipside. She had just begun her two-week deployment to the planet's surface and was already looking forward to her return to the Enterprise. Because she had risked her life during the commando mission that neutralized Tezwa's ground-based antiship artillery, she had been lucky enough to miss the first, grueling two-week rotation. Danilov had told her the reeking, insect-infested carnage in the major cities had left him with nightmares. Seo had described -- in a haunted monotone that made his nauseatingly vivid details all the more unsettling -- a guerrilla ambush in Anara-Zel that killed four security officers from the Republic. Danilov and Seo were frontline veterans of the Dominion War, so McEwan took their warnings seriously.

A keening cry, anguished and beautiful, cut through the heavy hush. Turning toward its source, McEwan looked up, toward the top of a twenty-story building rendered by war into a gutted frame. Standing like an emperor atop the structure was a lone Tezwan singer, his arms flung wide as if to embrace the sky. Nasal and piercing, his voice reverberated off smashed, hollow edifices painted with the dying light of day. McEwan's heart stirred with his projected grief, ached as it grasped the terrible emptiness of his operatic wails.

Without taking her eyes from the singer, she grabbed the sleeve of a young Tezwan boy who was walking past her. Holding him with one hand, she pointed with the other at the singer. "What's he singing?"

Following her gesture with stunned, distant eyes, the boy seemed utterly unmoved by the singer as he answered. "It's a sorrow-song. We sing for the dead."

McEwan stood, transfixed by the singer. His voice was like a majestic wolf cry, despondent beneath a shadowy dome of gray, casting on her an enthralling spell of mourning. The boy pulled away from her, and she let go of him. "Who's he singing for?"

The boy glanced up at the singer. As he turned away, he answered with an ominous emotional flatness, "The world."

She glanced at the boy, who plodded off, his daily ration of Federation emergency nutrition packs tucked under one arm. Then the singer's tune crested, pulling McEwan's eyes back to the top of the tower. For a fleeting moment the singer's voice filled every corner of Alkam-Zar. Then his music dropped away like a dying breath. A faint and tragic note rose and vanished into the heavens, like his soul taking flight. He leaned forward and pitched headfirst off of the building.

McEwan's cry of alarm stuck in her throat as she watched the singer plummet. He neither flailed nor cried out, but fell as if it was his destiny to do so. Empathetic dread swelled inside her as the singer's body accelerated.

He hit the ground with a dull, thick, wet crunch.

McEwan's horrified gasp was tangled up in her choking sobs. Burning tears ran from her eyes.

Fighting to compose herself, she turned slowly back toward the plaza. Behind her, the other Starfleet personnel watched in shock. A civilian woman with the relief team covered her mouth and began to weep. Many other relief workers turned away. A young doctor sprinted across the plaza with a surgical kit in his hand, apparently undeterred by the futility of his impending efforts. A Federation News Service reporter ran after him.

But all McEwan could see were the Tezwans, who continued to wait for their food packets and water rations, oblivious of -- or indifferent to -- the singer's gruesome end. Even more than his suicide, their numb disregard of it frightened her deeply.

Wiping the tears from her cheeks, she counted the days until she could leave this world and never see it again.

Geordi La Forge cinched his parka hood tighter around his face. He hunched his shoulders against the chilly acid rain, which misted, gray and cold, into a blackened and almost perfectly round crater. The circular depression had, until recently, housed one of Tezwa's formidable artillery pieces. A pool of ruddy mud at the pit's bottom grew deeper by the minute.

All around him, once-verdant hills were ragged with skeletonized trees and withering ground foliage. Wafting odors of decaying vegetation tainted the cold, ozone-scented morning air. The catastrophic environmental damage hadn't been caused by the implosion of the nadion-pulse cannon. It was the result of massive quantities of ash, dust, and other toxins hurled into the atmosphere by the retaliatory Klingon bombardment, which had all but annihilated the rank and file of the Tezwan military and obliterated its principal surface installations.

A Starfleet forensic engineering team slogged around the eroding sides of the crater. They scanned the area with tricorders and a variety of specialized devices. Ensign Emily Spitale and Lieutenant Mitchell Obrecht were members of La Forge's staff aboard the Enterprise. The other nine engineers were from the starships Republic, Amargosa, and Musashi. Judging from their long faces and exasperated sighs, La Forge concluded that this search was proving as fruitless as the twenty-nine others they had already conducted during the past week.

He shared their frustration. Mounds of preliminary evidence had suggested that the Tezwans' brutal weapons might have been based on Starfleet technology. Unfortunately, almost nothing had survived the hastily executed Starfleet commando strike. The six firebases and their antimatter reactors, as well as all thirty-six guns, had imploded. The vaporized facilities had left behind little more than their glowing-hot craters, which had taken nearly a week to cool to a temperature safe enough for on-site inspections.

Along with the physical remains of the artillery system itself, other evidence that had been encountered during the strike missions was now lost or out of reach.

Security Chief Christine Vale had reported discovering, as part of the underwater firebase in the Nokalana Sea, a camouflaged iris composed of chimerium -- a rare and restricted material to which only the Federation was known to have access. But when the undersea firebase imploded and sank into the planet's crust, it took the chimerium iris with it, beyond the reach of further analysis.

Assistant Chief Engineer Taurik had shown tremendous foresight in pirating large numbers of encrypted Tezwan military data files from a firebase computer in the Linoka Forest. Immediately after Captain Picard reported the seizure of the evidence, Starfleet Intelligence had exerted its authority and confiscated all copies of the files for its own secret investigation. Two weeks later there still was no word from SI regarding its findings -- or lack thereof.

The best evidence that the artillery system had originated in the Federation had come from acting First Officer Data's positronic memory, which had interfaced directly with the Solasook Firebase computer system. After his allegedly "unstable" performance during the Rashanar incident, however, Starfleet Command had expressed grave reluctance to accept the android's perceptions as incontrovertible evidence.

All of which left La Forge kneeling in the mud, a tricorder in one hand and not a shred of proof in the other.

Spitale deactivated her tricorder and turned toward La Forge. Her shoulders were slumped, her expression blank. "There's nothing here, sir," said the athletic young blonde.

"Maybe not on the surface," La Forge said, studying the scene with his cybernetic eyes. "Run a deep-level -- "

" -- icospectrogram and a dekyon resonance pattern," she said, ...


Product Details

  • Mass Market Paperback: 368 pages
  • Publisher: Pocket Books/Star Trek (August 31, 2004)
  • Language: English
  • ISBN-10: 0743491785
  • ISBN-13: 978-0743491785
  • Product Dimensions: 6.8 x 4.3 x 1 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Best Sellers Rank: #620,751 in Books (See Top 100 in Books)

More About the Author

DAVID MACK is the national bestselling author of more than twenty novels and novellas, including WILDFIRE, HARBINGER, REAP THE WHIRLWIND, PRECIPICE, ROAD OF BONES, PROMISES BROKEN, and the STAR TREK DESTINY trilogy: GODS OF NIGHT, MERE MORTALS, and LOST SOULS. He developed the STAR TREK VANGUARD series concept with editor Marco Palmieri. His first work of original fiction is the critically acclaimed supernatural thriller THE CALLING.

In addition to novels, Mack's writing credits span several media, including television (for episodes of STAR TREK: DEEP SPACE NINE), film, short fiction, magazines, newspapers, comic books, computer games, radio, and the Internet.

His upcoming works include the Star Trek Mirror Universe adventure RISE LIKE LIONS, the new Star Trek Vanguard novel STORMING HEAVEN, an epic 24th-century Star Trek trilogy, and a new original supernatural thriller.

Mack resides in New York City with his wife, Kara. Visit his official web site, http://www.davidmack.pro/ and follow him on Twitter @davidalanmack.

 

Customer Reviews

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3.8 out of 5 stars (14 customer reviews)
 
 
 
 
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13 of 14 people found the following review helpful:
5.0 out of 5 stars One of the most daring TREK books in years, December 30, 2004
By 
This review is from: A Star Trek: The Next Generation: Time #8: A Time to Heal (Mass Market Paperback)
When I say a book is "daring," I don't mean it's perfect. This one isn't. Its biggest shortcoming is the utter implausibility of Starfleet's final answer the crimes of the Federation president. And you really have to have a strong stomach or an appreciation for descriptions of graphic injury and violence to get through this book's more brutal passages. David Mack's writing is sometimes shockingly vivid, enough to make one wince at times. There's also no escaping what this book and the one before it, A TIME TO KILL, are really about: the 2003 U.S. invasion and occupation of Iraq. The analogy seems plain -- but thinner and not as well-disguised with SF ideas as such episodes of the 1960s STAR TREK series as "A Private Little War" or "A Taste of Armageddon."

But if those are the things that A TIME TO HEAL did wrong, what did it do right? For one thing, even though it used current events as a template, it didn't take sides. Even the so-called villains have reasonable motives, if self-serving or misguided. Mack's portrayal of the tragedies of war, the horrors of combat, and the senselessness of violence is stirring and provocative. He challenges his readers' conceptions of the NEXT GENERATION characters as "pure" or "morally spotless" by putting them in situations where they must make really hard choices between doing the ethical thing and paying a terrible price, or bending their rules little by little in order to stave off disasters, only to find themselves suddenly knee-deep in compromise and complicity.

Another excellent element of this book is its use of supporting characters. The "little people" on the ship come to life in lots of well-dramatized incidents that give them personalities. We get to know them, in both their fragility and their heroism, making it truly poignant and upsetting when they meet gruesome fates.

The plotting of this book is superb; like A TIME TO KILL, action transpires in multiple places at once and encompasses dozens of characters, yet Mack keeps them all clearly drawn. The story has elements of humor and pathos, military tactics and political scheming, strangely bittersweet relationship arcs and an unrelenting sense of impending disaster. In addition, Mack's use of language is remarkably agile. By turns he can be stark, blunt and hard-hitting, then suddenly lyrical and lushly descriptive.

His characters also work on many levels. (Picard is the exception, as he seems to have faded into the background for most of this book. His few moments of pseudo-paternal concern from A TIME TO KILL have greater resonance than all his maudlin pining for Beverly Crusher in A TIME TO HEAL.) In particular, the one frequently underused character who finally got some real development was Deanna Troi. Finally, a STAR TREK main character is forced to confront a truly dark aspect of themselves and isn't able to brush it aside as something alien or "artificially induced" -- Troi must now grapple with the fact that she, like all people, carries the primitive seeds of cruelty in her nature. This is probably some of the best writing ever done for the Troi character.

It's easy to see why this book is so polarizing. It asks readers to realize that even an entity such as the Federation, which we have always been told stands for what is good and noble, can in times of terrible national stress forget the ideals it claims to defend. As the Federation president, his chief of staff, and a cabinet member work a criminal conspiracy to conceal the true reason for why Starfleet had to conquer and occupy the sovereign planet Tezwa, we see the Federation -- long considered STAR TREK's analog to the United States -- engaging in pre-emptive military action, telling one set of lies to its own troops, another to its allies, another to its accomplices on Tezwa... And when good people, like the crew of the Enterprise, are pressed into service based on lies and deception, their achievements, no matter how honorably they were engaged by our heroes, become tainted by the lies of the people who sent them into battle, into war, into conquest.

I don't think that Mack set out to tell a story of carnage and violence because he wanted glorify such evils --- I think this reads like the work of a writer who is appalled and horrified and very angry about what he has been seeing in the news. More than just another STAR TREK book, A TIME TO HEAL in my opinion, is a vicious polemic against a war and a point of view. It is dark, morally complex, violent, graphically brutal, tragic, and, frankly, brilliant.

Regardless of one's opinion of its story, or its conclusions, it is beautifully written. I would never expect everyone to love a book like this -- I don't think that's possible -- but I think it's definitely a book that is worthy of respect.
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7 of 8 people found the following review helpful:
3.0 out of 5 stars The Good, the Bad and the Very Ugly, August 17, 2005
By 
Sxottlan (Canandaigua, NY USA) - See all my reviews
This review is from: A Star Trek: The Next Generation: Time #8: A Time to Heal (Mass Market Paperback)
A Time to Heal is probably one of the darkest Trek novels I've ever read. The book is a decent read with a labyrinth political maze of shifting alliances. However at times, the twisting tale of murder and conspiracy can frankly overwhelm at times and can become flat-out depressing with its bleak look at politics.

Going purely on entertainment level (which is a big chunk of how I rate anything), A Time to Heal doesn't match its predecessor A Time to Kill in terms of suspense generated by the Clancy-esque tactics and political maneuvering. The book is an even more somber tome than the previous novel. David Mack does a pretty good job of keeping track of all the different threads and helps bring clarity to the different parties all looking after their best interests. As mentioned before, goals shift around, so one minute the new Tezwan government is helping Picard and company and the next working to subvert them, even though what they're doing is for the greater good.

Character development that's been evolving since A Time to be Born continues to good effect in the book as well. Most notable actually is Geordi LaForge, whose shaken faith in Starfleet and the Federation way back in the first book helps give rise to his suspicions about what's going on with the orders from Starfleet Operations. The great thing is that it feels completely natural within this mini-series. I was trying to think about the main characters, but there really isn't any one character that stands out. Even Picard is mostly in the background. If anything, I'd say that the characters that get the most attention are Kell Perim and Jim Peart. Perim's arch in these two books seems to be the first casualty of Nemesis as since she didn't appear in the film, a reason had to be found for her not being there. Given the body count in this book, I guess I'm glad she didn't end up another corpse, but I also felt like I as a reader had missed something in the development of their relationship where she'd be suddenly willing to just walk away from Starfleet. The character of Doctor Hughes felt like too much of a plot device in that he seems to show up at just the right time during Dr. Crusher's indecisiveness about leaving to finally get her heading in one direction.

With the situation raveling so completely out of control in the final pages of the book, I started to wonder how exactly it was going to be wrapped up convincingly. It mostly succeeds, but also felt a bit over the top. It felt like suddenly everyone was gunning for our heroes and at the same time. As dour as it might have been, perhaps seeing more civilians caught in the crossfire might have helped make it more believable.

There's been a lot of talk about what happens in the final pages of this novel regarding people in high places. Suffice it to say, it strains credibility beyond the breaking point and makes absolutely no sense in the long run. All it really does is lower elements of the Federation to that of the mafia and it's sickening that this would even be considered. I've stewed on what happened for awhile now and I just can't see any upside to doing it. In the way it's done, it felt like it was going for shock value (because it's the Federation doing it) and thus felt shallow and cheap. I often felt the book was trying to rub the reader's face in a thinly veiled take on current events, but I get enough of that garbage where I work. I really don't want that in my recreational reading. Modern cynicism seems to have infected Trek and say that since we live in such a jaded time, then the Trek universe should be just as bereft of hope. It's damn unimaginative.

It also creates a contradiction in how Section 31 operates. If they're willing to do something this stupid and out in the open, then why didn't they just destroy Tezwa? The level of how vile Section 31 works changes from scene to scene and book to book. That there's a group out there willing to do whatever it takes, it robs the main characters of ever really having to make those hard choices. I thought the idea used to be that the Federation was such a great organization that there was no need for this sort of thing. This attempt to really subvert the idea of the Federation being a utopia is going over the top. I suppose no one in the book line opposes this happening, but while some will cry "it's fiction!" when doing what they please, I can't help but feel a lot has been snubbed because they just can't come up with anything better. Take it or leave it for what it's worth.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars A little unbelievable, October 25, 2004
This review is from: A Star Trek: The Next Generation: Time #8: A Time to Heal (Mass Market Paperback)
I have enjoyed the A Time to books, some more so than others. A time to kill was great because it showed some cool commando and more hands on stuff which is sometimes a rarity in the star trek universe,except for DS9, which was as close to realistic as Star Trek got.

However, while i enjoyed the story the whole ending of getting rid of the President of the Federation and his aids by Section 31 was a little unbelievable. If Bill Clinton or George Bush (Senior and W.) disappeard tomarrow and were never heard from again I think people would start asking questions. I just can`t believe that the President of the Federation resigns and is never heard from again and no one is the wiser. Also, while Deep Space Nine did put a darker edge on the Star Trek series everyone for the most part stuck to their morals. These last two books have basically made the Federation just as bad (Schemers, liars and muderers) as the Romulans. It sort of takes away that cool innocence that Star Trek has. Star Trek seemed to try and show the good side of humanity and that the future holds promise and the Federation is above stuff like what happened in the books. So, its was a little out of character.
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Inside This Book (learn more)
First Sentence:
DUSK SETTLED upon the city of Alkam-Zar. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
data rod, plasma cutter, plasma bolts, phaser rifle, plasma fire, scattering field, artillery system
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Ambassador Lagan, Del Cid, Star Trek, Commander Riker, Special Ops, Captain Picard, General Minza, Madam Ambassador, Klingon Empire, David Mack, Captain Trenigar, Orion Syndicate, Starfleet Intelligence, Will Riker, Koll Azernal, Lieutenant Vale, Dominion War, Security Council, Starfleet Operations, Assembly Forum, Del Colle, Earl Grey, General Gyero Minza, General Yaelon, Junior Mance
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