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Most Helpful Customer Reviews
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Adaptations of 6 episodes, 2 from each season,
By Michele L. Worley (Kingdom of the Mouse, United States) - See all my reviews
This review is from: Star Trek 4 (Paperback)
First published in 1971, these short stories are Blish's adaptations of the screenplays of various episodes from the original series. The episodes aren't sorted into books according to either chronological order or identity of screenwriter.
"All Our Yesterdays" (episode 78, season 3, screenplay Jean Lisette Aroeste) (Title comes from a Macbeth soliloquy, continuing 'have lighted fools the way to dusty death.') [A.C. Crispin, starting with YESTERDAY'S SON, based a set of Trek novelizations on this episode.] ENTERPRISE has been sent to evaculate the planet Sarpeidon before its star goes nova, only to find that they aren't needed; the planet's population has fled into its own past. A tidy solution - except that Kirk foolishly plunges into a past scene to rescue someone before the time-librarian can stop him, and he becomes separated from Spock and McCoy, marooned in a different time. They have all the past time they need, but once back in the present, they'll have to hurry... "The Devil in the Dark" (episode 26, season 1, screenplay Gene L. Coon) One of the best - the title character is something on the supposedly uninhabited planet Janus VI, now a mining colony since the planet has nothing to offer but minerals. The alien (a silicon-based lifeform that eats through rock as easily as humans digest food) has been catching and killing miners very brutally. The key question - why? - has a very interesting answer, since there are always two sides to everything. "Journey to Babel" (episode 44, season 2, screenplay Dorothy C. Fontana) 'Babel' is the name for an otherwise worthless planetoid used as a neutral meeting ground. ENTERPRISE is responsible for ferrying a shipload of diplomats from many cultures to a peace conference, including the Vulcan ambassador - and Kirk learns in an embarassing gaffe that the ambassador is Spock's father, who hasn't spoken with him in 18 years, since Spock entered Starfleet. That would have been interesting enough...[Kathleen Sky created a similar convoy-Federation-diplomats scenario in DEATH'S ANGEL (complete with Sarek rashly promising Kirk a peaceful trip) with far more exploration of the alien ambassadors, and without TV's budget constraints on special effects in their design.] "The Menagerie" (2-part episode 16, season 1, screenplay Gene Roddenberry) Kirk, Spock, and McCoy call on Starbase 11 in response to a message from Commodore Pike, Spock's former commanding officer who once commanded the ENTERPRISE - but Pike couldn't have sent the message, being paralyzed with only the crudest sort of yes/no communication device available to him. Spock, perceiving his old friend Pike's wishes, is willing to put his career on the line, and hijacks the ENTERPRISE, taking Pike along and setting course for Talos IV - and travel to Talos IV is one of the few crimes in Starfleet's calendar punishable by death. Spock's subsequent court-martial for mutiny involves the tale of 'The Cage', the original STAR TREK pilot set during Pike's captaincy, when Pike's first encounter with the illusionists of Talos IV led to the ban. Why does he wish to return? (The potential romantic triangle between Pike and two of his female officers had interesting potential - the powers-that-be thought it was *too* interesting, since a high-stress situation like that couldn't be sustained realistically for long.) "The Enterprise Incident" (episode 59, season 3, screenplay Dorothy C. Fontana). Kirk orders ENTERRISE into the Romulan Neutral Zone, faking a mental breakdown for the benefit of the Romulans, as part of an elaborate setup to steal the Romulan's cloaking technology, which was introduced in "Balance of Terror", the first episode in which they appeared. Spock, not Kirk, is the romantic lead in this, as the Romulan Commander is a woman, and he acts to allay her suspicions while Kirk (having faked his own death) sneaks aboard to steal the technology. The Commander's character has since figured in various STAR TREK novelizations: as a character in Marshak & Culbreath's Phoenix duology, and as the niece of an even more formidable commander in Diane Duane's Rihannsu stories. "A Piece of the Action" (episode 49, season 2, screenplay David P. Harmon and Gene L. Coon) The HORIZON, lost over a century ago before the Prime Directive went into effect, left a trail leading to Sigma Iotia II. Like Poul Anderson's Hoka, the Iotians are extremely clever at imitation, and a single book - CHICAGO MOBS OF THE TWENTIES - has by now become the keystone of their entire culture.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
For my money, this was the best of Blish's Star Trek books,
By Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) - See all my reviews (VINE VOICE) (COMMUNITY FORUM 04) (TOP 500 REVIEWER) (HALL OF FAME REVIEWER)
This review is from: Star Trek 4 (Paperback)
If all of James Blish's novelizations of classic Star Trek episodes were NOT out of print (a situation someone somewhere should rectify), then this is definitely the one that I would want to use in my Science Fiction class. Of the six episodes presented in this volume, "The Menagerie," Gene Roddenberry's original pilot for Star Trek, which was later incorporated into the series in the two-part episode, "The Cage." However, what Blish did years before either episode was available on videotape, was to jettison the framing device of Spock being court-martial for mutiny when he tries to return Captain Pike to Talos IV and to present the original story WITH the original ending. Of the other five episodes, three of them are on my personal list of Top 10 Star Trek episodes: "The Devil in the Dark," where Spock mind melds with a mother Horta, "Journey to Babel," where Spock's parents show up on the Enterprise, and "The Enterprise Incident," where Kirk takes the Enterprise into Romulan territory. The other two episodes here are pretty good as well: "All Our Yesterdays," where Spock finds love in the past with Zarabeth," and "A Piece of the Action," where Kirk and Spock have to take over a planet run like Chicago under Capone. Blish, a wonderful writer who died way too young, proved with these stories that Star Trek was much more than special effects, that the best stories were about the characters and were TRUE to the characters. In the old days, these books were the best way of memorizing all the lines from your favorite Star Trek script, but now we have the wonders of videotape. Still, there is something to be said for turning a television episode into a good short story, and if they would get around to reprinting Blish's books again, a new generation of Star Trek fans would learn that as well.
4.0 out of 5 stars
Blish does the best possible job in making weak episodes better,
By Charles Ashbacher (Marion, Iowa United States) - See all my reviews (TOP 500 REVIEWER) (VINE VOICE) (HALL OF FAME REVIEWER)
This review is from: Star Trek 4 (Star Trek, 4) (Paperback)
James Blish was a very talented science fiction writer, his adaptations of the original Star Trek episodes not only made some of the weak ones sound interesting, but he also nurtured the phenomenon. When the original series was cancelled, there was little reason to believe that there would be anything new in that genre. Blish's work kept the thoughts of Star Trek alive until the syndication of the episodes generated such enormous excitement.
The episodes adapted in this book are: *) Whom Gods Destroy *) The Tholian Web *) Let That Be Your Last Battlefield *) This Side of Paradise *) Turnabout Intruder *) Requiem for Methuselah *) The Way to Eden Other than "This Side of Paradise", none of these episodes places very high on my ranking of the episodes of the original series. While Blish does a great job in transferring the story to print, he simply cannot capture the good moments of these weak episodes. For example, I consider the high point of "Turnabout Intruder" to be the scene where Kirk/Lester is filing his nails. Shatner demonstrated that he is indeed a quality character actor in that scene, appearing so feminine in the proper way. "Let That Be Your Last Battlefield" and "The Way to Eden" are episodes where a good idea of social commentary is played out so awkwardly that the message is overwhelmed by the basic absurdity of the action. "Whom Gods Destroy" is just plain pointless, the inmates taking over the asylum in this manner makes it one of the few episodes that I have a hard time watching. Blish tries, but it is hard to make such bad original material energetic and exciting.
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