From Publishers Weekly
Starred Review. In his refreshing biography, Biskind (
Easy Riders, Raging Bulls) examines Beatty's dual—and often dueling—status as Hollywood legend and notorious womanizer without letting either subsume the other. Beatty's film career began with a starring role in director Elia Kazan's
Splendor in the Grass opposite Natalie Wood, the first of his co-stars with whom he had relationships (the list includes Leslie Caron, Julie Christie, Diane Keaton, and Annette Bening, whom he married). As producer and star of 1967's
Bonnie and Clyde, Beatty inhabited the brief and violent life of the titular bank robber in a film Pauline Kael called the most exciting American movie since
The Manchurian Candidate. From 1971's
McCabe & Mrs. Miller, now considered one of the finest westerns of all time, to his Oscar-winning turn as director in 1981's
Reds (which he both produced and starred in), Beatty had a hand in some of New Hollywood's most important films. But Biskind does not gloss over the fact that Beatty has not had a box office hit since 1990's
Dick Tracy, nor does he ignore the string of flops that have deflated the actor's career (
Ishtar,
Bugsy,
Love Affair, etc.). Yet his respect for Beatty never dwindles, and readers are left with a complicated portrait of a complicated man, arguably a great actor of his generation.
(Jan. 5) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Warren Beatty’s exalted status as celebrity movie star and womanizer have rather obscured his credentials as a filmmaker who shares with Orson Welles the distinction of receiving four Academy Award nominations for a single film. And Beatty turned that trick twice, for Heaven Can Wait and Reds, winning Best Director honors for the latter. Biskind does justice by both aspects of the Hollywood legend. Cinephiles will most appreciate his detailed accounts of the filming of such modern classics as Bonnie and Clyde, McCabe and Mrs. Miller, and Shampoo, as well as the legendary flop Ishtar and the brash, ambitious political comedy Bulworth. For those more interested in Beatty’s love life, there’s plenty of dish on relationships with Julie Christie, Diane Keaton, Madonna, and multitudes of other girlfriends, well-known and not. Biskind also covers Beatty’s dabbling in politics, particularly his friendship with failed presidential candidate Gary Hart. What really distinguish this highly readable biography are the notoriously evasive Beatty’s cooperation—to a point—with its realization and Biskind’s access to many of the star’s colleagues and lovers. --Gordon Flagg