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Special Features
- Exclusive deleted-scenes documentary features seven new sequences completed just for this DVD release: Complete Podrace Grid Sequence, Extended Podrace Lap Two, The Waterfall Sequence, The Air Taxi Sequence, Dawn Before the Race, Anakin's Scuffle with Greedo, Farewell to Jira
- "The Beginning: Making Episode I," an all-new hour-long documentary film culled from over 600 hours of footage, including an insider's look at Lucasfilm and ILM during the production
- Multi-angle storyboard to animatic to film segment featuring the Submarine and Podrace Lap 1 sequences
- Five featurettes explore the storyline, design, costumes, visual effects, and fight sequences
- Award-winning twelve-part Web documentary series that chronicles the production
- "Duel of the Fates" music video featuring John Williams
- Never-before-seen production photo gallery with special caption feature
- Theatrical posters and print campaign from around the world
- Theatrical teaser and launch trailers, and seven TV spots
- "Star Wars: Starfighter - The Making of a Game" featurette from LucasArts
- DVD-ROM weblink to exclusive Star Wars content
Editorial Reviews
Amazon.com
"I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: Sure, this is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them. And as with all the Star Wars movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads, and some cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breathing Darth Vader. There is still way too much quasi-mystical mumbo jumbo, and some of what was fresh about Star Wars 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated with a mélange of creatures, flora, and horizons rendered in absolute detail. The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film--the adrenaline-infused pod race through the Tatooine desert--makes the chariot race in Ben-Hur look like a Sunday stroll through the park.
Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim), and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Jedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog, and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but his boyish exuberance wins over skeptics.
Near the end of the movie, Palpatine, the new leader of the Republic, may be speaking for fans eagerly awaiting Episode II when he pats young Anakin on the head and says, "We will watch your career with great interest." Indeed! --Tod Nelson
Product Description
Begin your STAR WARS DVD collection with STAR WARS: Episode 1 THE PHANTOM MENACE. Packed with over six hours of additional material, including exclusive documentaries and never-before-seen deleted scenes, this 2-disc set provides the perfect showcase for the incredible detail and breathtaking scope of George Lucas's first episode in the mythic STAR WARS saga.
Customer Reviews
Most Helpful Customer Reviews
158 of 200 people found the following review helpful
By M. Chambers
Format:DVD
I saw this film on theatrical release in and was very disappointed. Of course, alot of the disappointment initially had to do with the incredible hype build-up that accompanied the new trilogy. Nothing could have lived up to the public's expectations.
That having been said, The Phantom Menace is disappointing not so much because it stinks, but because, I felt, with some additional tweaking, it could have been much much better. Its almost as if Lucas got the plot ideas and character concepts developed to a schematic level and then sort of lost interest in them and did not develop them any further.
Specific gripes:
1. We never really bond with or understand Qui-Gon's character or his relationship with young Anakin. He states that he thinks Anakin may be the chosen one, but that is not really sufficient. We need to see an emotional bond or some kind of identification between the two, but it just isn't there.
2. Not to pick on Jake Lloyd (he's probably a great kid), but Lucas or whoever just did not get a good performance out of him. Plus, there is no hint in young Anakin at this point of character traits or flaws that might later foreshadow his fall. Yoda says he sees anger and fear in Anakin and the Jedi Council make vague predications that he may eventually be dangerous, but we as audience members just don't see it. We are supposed to infer that Anakin is somehow damaged by his life as as slave and subsequent separation from his mother, but again, we don't see any of this. His life as a slave doesn't seem to indicate any hardship; his big scene saying goodbye to his mom is not particularly moving (mainly due to wooden acting by Lloyd; Pernilla August as his mom does a good job thought). Also, if he's a slave, how does he have time/resources to build robots and pod racers? Just not very true to life.
Perhaps if we had seen Anakin and/or his mom subjected to some sort of abuse or exploitation we would have a better indication both of the fear and anger in Anakin and also a potential emotional reason for why Qui-Gon wants to rescue Anakin. When I reflected on it, I thought it would almost be better if Anakin were like the feral boy in Road Warrior II: an unkempt, unclean, and agressive character that had to be somewhat tamed and civilized by his Jedi rescuers. We don't see any character flaws, any little hints of selfishness, anger, fear or frustration. As is, young Anakin is just an average cute kid; we don't see any depth to why he wants to escape his life as a slave or run off to join the Jedi so we don't really care.
3. Source of humor: The original series had a mix of humor based upon the droids 3PO and R2D2 and also with the human characters (primarily interactions between Solo, Leia, and Luke). In TPM, the primary source of humor is generated from droids and Jar Jar Binks with little or no humorous banter or interaction between human characters. This has two effects: 1)relying on computer-generated characters for humor means the primary form of humor becomes physical slapstick, which is one of the main complaints about the Jar Jar charcter; and 2)the interactions between the human main characters, when deprived of humor, makes their relationships seem dry and mechanical, another source of the shallow characterizations.
The one humorous moment that stands out is when, after being ambushed by the Trade Feds at the beginning, Obi-Won says to Qui-Gon with a wry smile: "Well, you were right about one thing Master....the negotiations were short!" This one moment stands out because it is one of the few jokes between human characters and it works and expresses some of Obi-Won's personality. It also effectively echoes some of the banter and attitude that made Solo's character so liekable and crucial to the original films, an attitude and sensibility that is lacking in TPM. As is, we are stuck with Jar Jar's pratfalls for yuks, and it just doesn't work unless you are 5 years old.
4. The shallowness of Darth Maul: Similar to other problems with character depth, we don't know enough about Maul. He says early in the film that at last he will have revenge on the Jedi. Revenge for what? We never know beyond vague notions that the Sith and Jedi are ancient enemies. That is not enough. We either need to be shown more back story on this or have some reason for Maul's motivation. His fight scenes with the Jedi at the end are dynamite and clearly the actor is very skilled in martial arts and projects a menacing attitude with only minimal dialog or screen time, but we never really know anything about him other than "he is a bad guy" and that is not enough.
5. Plot goofiness. As others have pointed out, all the midi-chlorian business is a red herring of mumbo-jumbo that takes the mystical mystery out of the Force and reduces it to a medical condition. The Jedi are supposed to be wise, powerful seers, but them seem oblivious to the presence and intentions of the bad guys over and over again. Having young Anakin build C3PO is silly and seems like a forced "circle closer". Further, having Anakin start out on Tatooine doesn't seem right and seems like another circle closer that is forced. Wouldn't he remember all this years later as Darth Vader in Episode 4? Wouldn't there be some result of this coincidence? As noted above, having a slave that doesn't seem to be deprived or suffering and has the time/resources to build robots and pod racers as a hobby seems goofy too.
Again, it seemed to me like Lucas got the plot and characters to a certain point and then quit on them. With only a little extra effort or different emphasis on certain elements, the movie could have been much improved and the audience would have had more insight into the characters and identified with them more. As is, the lack of character development combined with wooden acting makes it hard for the audience to care. The special effects set pieces are spectacular, and the computer generated elements are pioneering and well executed, but without a reason to care about or like the characters, its hard to get too excited.
Again, not a horrid movie, but frustrating because with just a few changes or extra effort, it could have been so much better.
POSTSCRIPT (2011)to my original year 2005 review:
This movie does not get better with time or repeated viewings. Further, the contention of some fans who like this movie and claim it should be viewed in the context of the other films (now complete) is not only a misguided apologist stance, but outright doesn't hold water. Why? Because if you compare TPM to any of the 5 other SW films, it is clearly the idiot bastard son of the bunch, wheezing and drooling in the corner.
In review, I give credence to a theory that a lot of other reviewers have given: in essence, Lucas was boiling everything down in this film to aim at the 5-year-old to 8-year-old demographic (probably to sell toys and mechandise, the real unexpected treasure that the original trilogy coughed up back in the 70's and 80's) and, as a result, bored everyone else to tears and/or made older fans hopping mad. However, huge stretches of this movie are so slow-moving that I bet a lot of the the target audience squirmed around in their seats anyway.
The second theory that other viewers have posed that seems to ring true with me as well is that Lucas is in a position now where he's THE MAN and, as a result, has no one around him that is willing to bring up constructive criticism to him or challenge weaknesses in the plot, script, or characters. Back in the day, while the original SW was certainly his vision, that film had to rely on a far more collaborative process to get made and address the many challenges its making entailed. With TPM, Lucas had total personal control and it seems like no one around Lucas had the guts to say: "George, we need a good kid actor to play a central character like Anakin, not some cutesy wooden mop-topped kid from TV commericals" or "Damn, George, that Jar Jar is irritating as hell!" or "George, did you realize all the aliens seem to be stand-ins for offensive real-life planet Earth racial / cultural stereotypes?" or "All the scenes with Kabuki-Natalie are boring boring boring" or "This movie is all-CGI and no plot and no character depth!" or "This movie is full of jumbled-up crap that makes no sense!". Further, modern movie technology further consolidated control with Lucas in that the 1970's technology required many people's input to solve technical problems and was far less malleable; modern CGI allows Lucas to personally review, tweak, and endlessly revise every aspect of the film just the way he wants it.
In a nutshell, there is a reason that the Irvin Kerschner (R.I.P.)- directed "Empire" is widely viewed as the best of the 6 films. How Lucas could see dailies of some of the performances he got out of his actors in TPM and not realize things stank or, at the very least, weren't working is beyond me, unless he was constantly surrounded by lackeys and toadies saying "That's great, Mr. Lucas! Not explaining anything about Darth Maul makes him sooooo mysterious! Having Jar Jar be a moron who speaks like Stepin Fetchit is really cool! He needs more screen time! You're a genius!". In retrospect, I wish that Lucas had handed over all the remaining films from "Return" all the way thru the newer Pre-Quel trilogy to others with Lucas only having an overall story arc / consulting role.
I know that Lucas is irritated by fans who act as if he "owes them" to handle all these movies a certain way (its HIS vision, as I'm sure he'd point out), and maybe it is unfair to whine about how Lucas could have / should have directed the story a different way. Read more ›
That having been said, The Phantom Menace is disappointing not so much because it stinks, but because, I felt, with some additional tweaking, it could have been much much better. Its almost as if Lucas got the plot ideas and character concepts developed to a schematic level and then sort of lost interest in them and did not develop them any further.
Specific gripes:
1. We never really bond with or understand Qui-Gon's character or his relationship with young Anakin. He states that he thinks Anakin may be the chosen one, but that is not really sufficient. We need to see an emotional bond or some kind of identification between the two, but it just isn't there.
2. Not to pick on Jake Lloyd (he's probably a great kid), but Lucas or whoever just did not get a good performance out of him. Plus, there is no hint in young Anakin at this point of character traits or flaws that might later foreshadow his fall. Yoda says he sees anger and fear in Anakin and the Jedi Council make vague predications that he may eventually be dangerous, but we as audience members just don't see it. We are supposed to infer that Anakin is somehow damaged by his life as as slave and subsequent separation from his mother, but again, we don't see any of this. His life as a slave doesn't seem to indicate any hardship; his big scene saying goodbye to his mom is not particularly moving (mainly due to wooden acting by Lloyd; Pernilla August as his mom does a good job thought). Also, if he's a slave, how does he have time/resources to build robots and pod racers? Just not very true to life.
Perhaps if we had seen Anakin and/or his mom subjected to some sort of abuse or exploitation we would have a better indication both of the fear and anger in Anakin and also a potential emotional reason for why Qui-Gon wants to rescue Anakin. When I reflected on it, I thought it would almost be better if Anakin were like the feral boy in Road Warrior II: an unkempt, unclean, and agressive character that had to be somewhat tamed and civilized by his Jedi rescuers. We don't see any character flaws, any little hints of selfishness, anger, fear or frustration. As is, young Anakin is just an average cute kid; we don't see any depth to why he wants to escape his life as a slave or run off to join the Jedi so we don't really care.
3. Source of humor: The original series had a mix of humor based upon the droids 3PO and R2D2 and also with the human characters (primarily interactions between Solo, Leia, and Luke). In TPM, the primary source of humor is generated from droids and Jar Jar Binks with little or no humorous banter or interaction between human characters. This has two effects: 1)relying on computer-generated characters for humor means the primary form of humor becomes physical slapstick, which is one of the main complaints about the Jar Jar charcter; and 2)the interactions between the human main characters, when deprived of humor, makes their relationships seem dry and mechanical, another source of the shallow characterizations.
The one humorous moment that stands out is when, after being ambushed by the Trade Feds at the beginning, Obi-Won says to Qui-Gon with a wry smile: "Well, you were right about one thing Master....the negotiations were short!" This one moment stands out because it is one of the few jokes between human characters and it works and expresses some of Obi-Won's personality. It also effectively echoes some of the banter and attitude that made Solo's character so liekable and crucial to the original films, an attitude and sensibility that is lacking in TPM. As is, we are stuck with Jar Jar's pratfalls for yuks, and it just doesn't work unless you are 5 years old.
4. The shallowness of Darth Maul: Similar to other problems with character depth, we don't know enough about Maul. He says early in the film that at last he will have revenge on the Jedi. Revenge for what? We never know beyond vague notions that the Sith and Jedi are ancient enemies. That is not enough. We either need to be shown more back story on this or have some reason for Maul's motivation. His fight scenes with the Jedi at the end are dynamite and clearly the actor is very skilled in martial arts and projects a menacing attitude with only minimal dialog or screen time, but we never really know anything about him other than "he is a bad guy" and that is not enough.
5. Plot goofiness. As others have pointed out, all the midi-chlorian business is a red herring of mumbo-jumbo that takes the mystical mystery out of the Force and reduces it to a medical condition. The Jedi are supposed to be wise, powerful seers, but them seem oblivious to the presence and intentions of the bad guys over and over again. Having young Anakin build C3PO is silly and seems like a forced "circle closer". Further, having Anakin start out on Tatooine doesn't seem right and seems like another circle closer that is forced. Wouldn't he remember all this years later as Darth Vader in Episode 4? Wouldn't there be some result of this coincidence? As noted above, having a slave that doesn't seem to be deprived or suffering and has the time/resources to build robots and pod racers as a hobby seems goofy too.
Again, it seemed to me like Lucas got the plot and characters to a certain point and then quit on them. With only a little extra effort or different emphasis on certain elements, the movie could have been much improved and the audience would have had more insight into the characters and identified with them more. As is, the lack of character development combined with wooden acting makes it hard for the audience to care. The special effects set pieces are spectacular, and the computer generated elements are pioneering and well executed, but without a reason to care about or like the characters, its hard to get too excited.
Again, not a horrid movie, but frustrating because with just a few changes or extra effort, it could have been so much better.
POSTSCRIPT (2011)to my original year 2005 review:
This movie does not get better with time or repeated viewings. Further, the contention of some fans who like this movie and claim it should be viewed in the context of the other films (now complete) is not only a misguided apologist stance, but outright doesn't hold water. Why? Because if you compare TPM to any of the 5 other SW films, it is clearly the idiot bastard son of the bunch, wheezing and drooling in the corner.
In review, I give credence to a theory that a lot of other reviewers have given: in essence, Lucas was boiling everything down in this film to aim at the 5-year-old to 8-year-old demographic (probably to sell toys and mechandise, the real unexpected treasure that the original trilogy coughed up back in the 70's and 80's) and, as a result, bored everyone else to tears and/or made older fans hopping mad. However, huge stretches of this movie are so slow-moving that I bet a lot of the the target audience squirmed around in their seats anyway.
The second theory that other viewers have posed that seems to ring true with me as well is that Lucas is in a position now where he's THE MAN and, as a result, has no one around him that is willing to bring up constructive criticism to him or challenge weaknesses in the plot, script, or characters. Back in the day, while the original SW was certainly his vision, that film had to rely on a far more collaborative process to get made and address the many challenges its making entailed. With TPM, Lucas had total personal control and it seems like no one around Lucas had the guts to say: "George, we need a good kid actor to play a central character like Anakin, not some cutesy wooden mop-topped kid from TV commericals" or "Damn, George, that Jar Jar is irritating as hell!" or "George, did you realize all the aliens seem to be stand-ins for offensive real-life planet Earth racial / cultural stereotypes?" or "All the scenes with Kabuki-Natalie are boring boring boring" or "This movie is all-CGI and no plot and no character depth!" or "This movie is full of jumbled-up crap that makes no sense!". Further, modern movie technology further consolidated control with Lucas in that the 1970's technology required many people's input to solve technical problems and was far less malleable; modern CGI allows Lucas to personally review, tweak, and endlessly revise every aspect of the film just the way he wants it.
In a nutshell, there is a reason that the Irvin Kerschner (R.I.P.)- directed "Empire" is widely viewed as the best of the 6 films. How Lucas could see dailies of some of the performances he got out of his actors in TPM and not realize things stank or, at the very least, weren't working is beyond me, unless he was constantly surrounded by lackeys and toadies saying "That's great, Mr. Lucas! Not explaining anything about Darth Maul makes him sooooo mysterious! Having Jar Jar be a moron who speaks like Stepin Fetchit is really cool! He needs more screen time! You're a genius!". In retrospect, I wish that Lucas had handed over all the remaining films from "Return" all the way thru the newer Pre-Quel trilogy to others with Lucas only having an overall story arc / consulting role.
I know that Lucas is irritated by fans who act as if he "owes them" to handle all these movies a certain way (its HIS vision, as I'm sure he'd point out), and maybe it is unfair to whine about how Lucas could have / should have directed the story a different way. Read more ›
24 of 28 people found the following review helpful
By A Customer
Format:DVD
The original Star Wars trilogy was a defining part of my childhood. Born as I was in 1971, I was just the right age to fall headlong into this amazing new world Lucas created. I was one of those kids that showed up early at toy stores, breathless at the thought of collecting the latest Jawa action figure or Land Speeder...anxiously awaiting each subsequent installment of the series.
I'm so glad that by my late 20s, the old thrill had faded, or else I would have been EXTREMELY upset over "Episode I: The Phantom Menace"...perhaps the biggest let-down in film history.
What was with all the fart/"poo-doo" humor? Can anyone clear this up for me? Extremely infantile. Or could anyone have thought of a MORE boring plot device than interplanetary "trade and taxation"?!? I still can't figure out what all that was about. One minute their talking about taxes, the next we're watching some alien animal fart.
Jar Jar. Perhaps the single most despised and insulting single character I've ever had the displeasure of loathing. Every second of screentime made my blood boil.
Oh, and Anakin. Could they have found a WORSE little actor? Did anybody take this kid seriously, EVER?!? Did he ever convey a single believable emotion? Not that I remember. Good thing he wasn't the central character in the entire freaking movie!!!
Folks, the party is over. It's time to shift allegiance to the new great fantasy epic of our time: Peter Jackson's Lord of the Rings.
20 of 23 people found the following review helpful
Format:DVD
Perhaps giving this movie two stars was a bit harsh. But, I couldn't bring myself to give it three. No way. It's just too boring. This is a movie that is truly sleep-inducing. The plot is a muddle--trade federations, knights fighting on behalf of commerce, a race here, a race there, muddle, muddle, seven large, indisinguishable underwater monsters, etc. Even my 11-year old couldn't stay up through it when we saw for the second time (the pain, the pain) on pay-per-view. I truly love the original Star Wars trilogy. But those films were good in all the ways this film isn't. A true fairy tale story form, great acting turns by the entire cast, energy and enthusiasm, and a great set of villains. The worst thing about this film? The AWFUL kid who plays the young Darth Vader. You'd think after an hour of filming they'd have dumped him. Hmmm. He must be related to George Lucas. Rent it if you must, but no need to buy the darn thing.
Most Recent Customer Reviews
5.0 out of 5 stars
Now this is pod racing
Wanted the extended race scenes. Awesome. "Now this is pod racing" should have been a line used in each episode!
Published 4 days ago by Mark J. Olson
5.0 out of 5 stars
I love it, glad it is mine.
I have followed the Star Wars Saga since it was first released. So glad to have purchased the beginning of the story.
If you are a sci-fi fan this is the one for you. Read more
If you are a sci-fi fan this is the one for you. Read more
Published 6 days ago by couchpoato
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I received this DVD yesterday, Mon. 5/13/13 :)
We are extremely happy, pleased and satisfied with this purchase. This DVD is in the UTMOST PRISTINE GREAT CONDITION !!!! If that even is correct English !! LOL. Read more
Published 10 days ago by Chris P.
4.0 out of 5 stars
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going to do or had started to film the first of the prequels to his original trilogy. Read more
going to do or had started to film the first of the prequels to his original trilogy. Read more
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Published 20 days ago by Dewain Willmore
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why?
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4.0 out of 5 stars
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great service!
Great service! Would use again! Courteous and very inexpensive compared to others for the same product! Was received much sooner than anticipated.
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