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Special Features
- Exclusive deleted scenes with introductions by George Lucas and Rick McCallum
- "Within a Minute" documentary film about the making of the Mustafar battle
- "The Chosen One" featurette: George Lucas traces the myth of Darth Vader through episodes 1-6
- "It's All for Real: The Stunts of Episode III"
- A 15-part collection of Lucasfilm's Web documentaries
- Star Wars Battlefront II trailer and Xbox game demo
- Star Wars Empire at War PC game trailer
- "A Hero Falls" music video
- Poster and print campaign
- Trailers and TV spots
- Never-before-seen production photo gallery
- DVD-ROM content includes a free trial of Hyperspace, the ultimate online Star Wars experience
Editorial Reviews
Amazon.com
Ending the most popular film epic in history, Star Wars: Episode III, Revenge of the Sith is an exciting, uneven, but ultimately satisfying journey. Picking up the action from Episode II, Attack of the Clones as well as the animated Clone Wars series, Jedi Master Obi-Wan Kenobi (Ewan McGregor) and his apprentice, Anakin Skywalker (Hayden Christensen), pursue General Grievous into space after the droid kidnapped Supreme Chancellor Palpatine (Ian McDiarmid).
It's just the latest maneuver in the ongoing Clone Wars between the Republic and the Separatist forces led by former Jedi turned Sith Lord Count Dooku (Christopher Lee). On another front, Master Yoda (voiced by Frank Oz) leads the Republic's clone troops against a droid attack on the Wookiee homeworld of Kashyyyk. All this is in the first half of Episode III, which feels a lot like Episodes I and II. That means spectacular scenery, dazzling dogfights in space, a new fearsome villain (the CGI-created Grievous can't match up to either Darth Maul or the original Darth Vader, though), lightsaber duels, groan-worthy romantic dialogue, goofy humor (but at least it's left to the droids instead of Jar-Jar Binks), and hordes of faceless clone troopers fighting hordes of faceless battle droids.
 The Star Wars Family Tree (click for larger image) |
But then it all changes.
 Star Wars Time Line (click for larger image) |
After setting up characters and situations for the first two and a half movies, Episode III finally comes to life. The Sith Lord in hiding unleashes his long-simmering plot to take over the Republic, and an integral part of that plan is to turn Anakin away from the Jedi and toward the Dark Side of the Force. Unless you've been living under a rock the last 10 years, you know that Anakin will transform into the dreaded Darth Vader and face an ultimate showdown with his mentor, but that doesn't matter. In fact, a great part of the fun is knowing where things will wind up but finding out how they'll get there. The end of this prequel trilogy also should inspire fans to want to see the original movies again, but this time not out of frustration at the new ones. Rather, because Episode III is a beginning as well as an end, it will trigger fond memories as it ties up threads to the originals in tidy little ways. But best of all, it seems like for the first time we actually care about what happens and who it happens to.
Episode III is easily the best of the new trilogy--OK, so that's not saying much, but it might even jockey for third place among the six Star Wars films. It's also the first one to be rated PG-13 for the intense battles and darker plot. It was probably impossible to live up to the decades' worth of pent-up hype George Lucas faced for the Star Wars prequel trilogy (and he tried to lower it with the first two movies), but Episode III makes us once again glad to be "a long time ago, in a galaxy far, far away." --David Horiuchi
DVD features
Say what you will about the new Star Wars films--and plenty has been said already--but the DVDs continue to set the standard for technical excellence. From the opening of the first scene, the Dolby 5.1 EX sound is thrilling, and the picture, transferred directly from the digital source, is fantastic. A commentary track is again provided by a combination of people, including George Lucas, producer Rick McCallum, animation director Rob Coleman, and ILM visual effects supervisors John Knoll and Roger Guyett. Lucas admits that the film is political and that he was influenced by Vietnam, but makes no mention of the Bush administration, as is widely speculated.
The main documentary on the second disc is probably the most granular DVD feature ever. "Within a Minute: The Making of Episode III" takes 67 minutes to deconstruct one minute of the film, an excerpt of the duel on Mustafar. The idea is to cover all the aspects that go into creating that minute, from writing to set construction to accounting. Fortunately, many of the concepts such as costumes apply to the movie as a whole, but having producer Rick McCallum tell us the importance of food seems a bit overkill. Two other featurettes are "It's All for Real: The Stunts of Episode III," an 11-minute discussion focusing mainly on the lightsaber duels, and "The Chosen One," a 14-minute examination of Darth Vader's evolution over the six films.
The six deleted scenes were no great loss from the film but are all worth watching. Natalie Portman in particular gets some much-needed screen time as one of the co-plotters of an anti-Palpatine movement, and an early action scene ties in to the Clone Wars animated series. There's also a 15-part series of 5 to 7 minute Web documentaries on topics such as the creation of General Grievous and Ewan McGregor, and an Xbox sampler of Battlefront II (if you're lucky, you can play as Obi-Wan Kenobi cutting through an army of droids) among other supplements. --David Horiuchi
The Complete Star Wars Saga
 Episodes 4-6 Trilogy (widescreen) |  Episode I: The Phantom Menace |  Episde II: Attack of the Clones |
 Star Wars: Clone Wars Vol. 1 |  Star Wars: Clone Wars Vol. 2 |  The Star Wars Store |
Stills from Episode III: Revenge of the Sith (click for larger images)
 Anakin |  When Wookiees attack |
 Yoda, Jedi master |  Mr. and Mrs. Vader |
 Saber training with Ewan McGregor and Hayden Christensen |  The cast |
Product Description
TORN BETWEEN HIS LOYALTY TO HIS MENTOR, OBI-WAN KENOBI, & THE SEDUCTIVE POWERS OF THE SITH, ANAKIN SKYWALKER ULTIMATELY TURNS HIS BACK ON THE JEDI, THUS COMPLETING HIS JOURNEY TO THEDARKSIDE & HIS TRANSFORMATION INTO DARTH VADER.
Customer Reviews
Most Helpful Customer Reviews
45 of 52 people found the following review helpful
Format:DVD
I have often thought upon viewing the prequel trilogy, the intervening years between the original and the new. To be sure, most of the criticisms of the new trilogy are adult in nature. We speak ill of wooden dialogue and acting, convoluted storylines, and themes that aren't true to the nature of the purity of science fiction. I was only five when Episode IV was release, so my only criticism of that particular film came in the form of whining to my folks that I couldn't see it again and again and again.
My point is this: George Lucas has his flaws, most of which are related to him being out of the director's chair for more than 20 years before embarking on his new trilogy toy, but I think, more importantly, that we as a filmgoing populace have changed as well. The fact that Lucas has been able to bridge that gap successfully (while telling the story backwards, to boot!) demonstrates the man's immense talents. Perfect? Far from it, but damned entertaining, nonetheless.
Which brings me to the crown jewel of the prequel trilogy. "Revenge of the Sith" is the second best film of all six, ranking only behind "The Empire Strikes Back" in terms of depth an substance. The acting is better and the writing, if not terrific, is helped by a game cast and a pace that doesn't allow you to catch your breath. Hayden Christiansan, for the most part, owns this role, displaying an adult gravity he was unable to display in the dramatically clunky "Attack of the Clones" The rage, frustration, and fear contrasted with Anakin's heroism and confidence in the face of battle made for a complex character who you found yourself rooting for despite the story's preordained outcome.
The special effects, as usual, are outstanding, but for the most part serve the film this time. There are points during the first two prequel films that you feel Lucas and Co. are simply showing off some of their shiny new toys, but in this film there is a more concrete sense of purpose.
Dramatically the film belongs to Ian McDiarmid. His performance creates the right balance of charm and villiany and by doing so makes Anakin's turn all the more believable even though the turn itself feels a tad sudden. In fact, I dare say that I enjoyed McDiarmid more when he was under the guise of Palpatine than when he fully reveals himself as Sidious. The scene during the opera is one of the great dramatic highpoints of any of the six movies.
As for the flaws: sure, there were a few. I would like to have seen a more galvanizing series of events leading to Anakin's turn, perhaps some more perceived betrayals at the hands of the Jedi Council? I would like to have seen a more fleshed out performance by Natalie Portman, who seems to be more of an afterthought than a character in the third film. (On a side note, Portman is a terrific actress, but was, in this humble reviewer's opinion, the most ill-served of the entire cast by the clunky dialogue that pervades all three films.)
The one part to which I didn't object that seemed to be the bane of many Star Wars fans is the scene involving the birth of Vader. I liked the allusions to "Frankenstein" for that is what Vader's story eventually becomes in the following trilogy: a search for his humanity, much like Mary Shelley's creation.
I also didn't have a problem with Vader's reaction to the fact he'd caused Padme's death. You have to remember that, despite the fact that he now has James Earl Jones' booming voice, he's still Anakin and still very young. It does sound odd, I admit, but it's still completely in character. You also have to remember that Darth Vader will have a good 20 to 25 years to complete his transformation into the cold, remorseless killing machine we come to know and love in Episode IV.
In all, "Revenge of the Sith" does a terrific job of tying things together in a manner that harkens back to when I was a child watching Star Wars for the first time. It's impossible, as an adult, to completely dismiss some of the flaws in the later films, but Episode III definitely comes close. It is a magnificent piece of escapist filmaking that has heart, soul, and character and I would highly recommend it to anyone, Star Wars fan or no, looking for a fun time at the movies.
My point is this: George Lucas has his flaws, most of which are related to him being out of the director's chair for more than 20 years before embarking on his new trilogy toy, but I think, more importantly, that we as a filmgoing populace have changed as well. The fact that Lucas has been able to bridge that gap successfully (while telling the story backwards, to boot!) demonstrates the man's immense talents. Perfect? Far from it, but damned entertaining, nonetheless.
Which brings me to the crown jewel of the prequel trilogy. "Revenge of the Sith" is the second best film of all six, ranking only behind "The Empire Strikes Back" in terms of depth an substance. The acting is better and the writing, if not terrific, is helped by a game cast and a pace that doesn't allow you to catch your breath. Hayden Christiansan, for the most part, owns this role, displaying an adult gravity he was unable to display in the dramatically clunky "Attack of the Clones" The rage, frustration, and fear contrasted with Anakin's heroism and confidence in the face of battle made for a complex character who you found yourself rooting for despite the story's preordained outcome.
The special effects, as usual, are outstanding, but for the most part serve the film this time. There are points during the first two prequel films that you feel Lucas and Co. are simply showing off some of their shiny new toys, but in this film there is a more concrete sense of purpose.
Dramatically the film belongs to Ian McDiarmid. His performance creates the right balance of charm and villiany and by doing so makes Anakin's turn all the more believable even though the turn itself feels a tad sudden. In fact, I dare say that I enjoyed McDiarmid more when he was under the guise of Palpatine than when he fully reveals himself as Sidious. The scene during the opera is one of the great dramatic highpoints of any of the six movies.
As for the flaws: sure, there were a few. I would like to have seen a more galvanizing series of events leading to Anakin's turn, perhaps some more perceived betrayals at the hands of the Jedi Council? I would like to have seen a more fleshed out performance by Natalie Portman, who seems to be more of an afterthought than a character in the third film. (On a side note, Portman is a terrific actress, but was, in this humble reviewer's opinion, the most ill-served of the entire cast by the clunky dialogue that pervades all three films.)
The one part to which I didn't object that seemed to be the bane of many Star Wars fans is the scene involving the birth of Vader. I liked the allusions to "Frankenstein" for that is what Vader's story eventually becomes in the following trilogy: a search for his humanity, much like Mary Shelley's creation.
I also didn't have a problem with Vader's reaction to the fact he'd caused Padme's death. You have to remember that, despite the fact that he now has James Earl Jones' booming voice, he's still Anakin and still very young. It does sound odd, I admit, but it's still completely in character. You also have to remember that Darth Vader will have a good 20 to 25 years to complete his transformation into the cold, remorseless killing machine we come to know and love in Episode IV.
In all, "Revenge of the Sith" does a terrific job of tying things together in a manner that harkens back to when I was a child watching Star Wars for the first time. It's impossible, as an adult, to completely dismiss some of the flaws in the later films, but Episode III definitely comes close. It is a magnificent piece of escapist filmaking that has heart, soul, and character and I would highly recommend it to anyone, Star Wars fan or no, looking for a fun time at the movies.
29 of 33 people found the following review helpful
Format:DVD
After all the hype, the seemingly endless years of waiting and the hopes and fears of moviegoers all over the world regarding the final Star Wars movie, the battle ground was set for the (finally) favourably titled `Revenge of the Sith.'
George Lucas had worked under no illusions. If this film failed to deliver, then by many detractors standards it would serve as the final nail in the coffin of the new and 'modern' trilogy. Thankfully then, not only has Lucas succeeded in crafting one of his most accomplished films ever but arguably his most important; `Episode III' is an incredibly self assured triumph. Masterfully bringing the epic saga full circle, completing a story begun in 1977 and thereby seamlessly connecting the original trilogy with the prequels, `Sith' effectively addresses much of what critics found noticeably lacking in the previous two instalments, lending much needed credibility to the 'new' trilogy, displaying a marked improvement in direction and substance, and a commendable maturity in attention to character and story.
Kicking off with an opening space battle that utilises a roller coaster ride POV to spectacular effect, the film twists and turns us in it's stylishly comfortable grip, throwing us headlong into the already ensuring action. Meeting up with old friends Obi Wan Kenobi and Anakin Skywalker (the love and respect between accomplished master and seasoned Jedi clearly apparent in these early sequences) as they cut a destructive swathe across the screen, cursing and teasing each other in equal measure as they take apart ships, scenery and even mechanical staff wielding bio-droids (magna guards) is a joy to behold (and it's noteworthy here to mention how utterly at ease both Ewan McGregor and Hayden Christensen now appear to be in their respective guises)...but the fun ultimately cannot last forever...Controlling the pace like the master story teller and film editor Lucas is, it's a restrained twenty minutes before the Jedi once again encounter Christopher Lee's elegantly vicious Count Dooku, but Anakin is no longer the fool hardy padawan he once was and it's from this point on that the first 'real' inevitable step towards the dark side is taken. Forsaking the cartoon-like cuddly tones of 'Menace' and even the pressure-cooker foreboding of 'Clones', 'Sith' stakes it's claim in this newly explored darker territory with glee; this is not, and was never designed to be, an episode for kids.
As the story progresses and tragedy draws ever near, the film bludgeons Christensen's Anakin with heart rending blows at every turn. His learning of his secret wife Padme's pregnancy is cursed with sudden and traumatising visions of her death in childbirth, reawakening his feelings of regret and loss over the death of his mother (whom he is still convinced he could have saved) and in-turn, his feelings of resentment towards his 'family', the Jedi, who continue to praise his abilities yet refuse him the one thing he desires most in the world. With the enduring guidance and influence of the artificially benign Chancellor Palpatine (seemingly able to offer Anakin all the answers at a time when he is most in need), the young Jedi begins to doubt everything, even the fidelity of the very woman he is trying to save till finally, when the pitch of the movie appears to have reached it's dramatic peak, Anakin makes a choice that will ultimately lead him down an irrevocable path that will change the face of the galaxy...and set the stage for cinematic history.
`Revenge of the Sith' boasts not only some of the most audacious set pieces yet attempted in a blockbuster (Kenobi and Grievous' wheel bike/dragon mount chase, the continuation of The Clone Wars, Yoda and Sidious' epic senate duel, where politics and morality clash physically for the very first time) but some of the most intense and emotionally affecting. In essence; `Sith' is an action movie with heart. For sentimentality and effective storytelling using the minimum of trickery or techniques, look no further than the wonderfully sombre and underplayed moment of telepathic understanding that Anakin and Padme share across a Coruscant afternoon sun shrouded cityscape, or that Padme's final words are of concern for the man who has, in essence, murdered her emotionally and physically, or the look and tone of sadness Yoda exhibits as he is forced to flee his encounter with Sidious, or more importantly, the haunting shades of music and imagery that follows the execution of Order 66...
...but for both emotion and hyper charged dramatic electricity, the climatic Mustafar duel between Vader and Kenobi is unsurpassed. This is a duel that people have been waiting to see since 1977 and it does not disappoint. For the battle of heroes where 'brothers' clash with clear intentions that only one will survive, Lucas has married all tools at his disposal (a tragic yet epic sweeping score, a blink-and-you'll-miss-ten-moves lightsaber choreography, acting intensity that never fails to convince, CGI that threatens at every turn; VERY real danger, etc..) to create a sequence that both excites and moves in equal measure and despite the fact that we all know how the battle ends, it makes it no easier to watch the horrific events unfold.
In stark contrast to maulings regarding the acting in the other two prequels, the performances in `Sith' are first rate. Ewan McGregor predictably shines in a role it seems he was destined to play (particularly in the final minutes of the Mustafar confrontation) and flickers of Alec Guinness punctuate throughout, never threatening to turn his performance into mere mimicry. Natalie Portman, (however little she was required to do), breaks our hearts as the man she loves literally rots from the inside before her very eyes. Ian McDiarmid turns in an oscar worthy performance, hamming it up where necessary to break stride suddenly with a glare and a disembowelling tone when the mood takes him, but above all (and despite protests to the contrary), it is Hayden Christensen for whom the highest regard must be reserved. His performance permeates one of utter believability, shifting remarkably from eager Jedi knight to chilling Sith apprentice so smoothly that it's startling to witness. The ferocity and utter neutrality that Christensen exhibits as the young Darth Vader is truly impressive if not downright mesmerising, yet the best is saved for last in the final confrontation that husband and wife share prior to the fiery duel into the very bowels of hell. Hayden's demeanour of a man who believes above all else that he has done the right thing yet utterly blind to the fact he has caused more damage than good is staggering, his tone (in a wonderful symmetry with 'Menace`) echoing the youthful idealistic young boy he was once, reminding us yet again how far the soul has fallen. It's a moment (like so many others) that entrenches itself so deeply into the mind that you will be hard pressed to rid yourself of certain emotions long after `Sith's' credits have rolled.
Expectedly, `Revenge of the Sith' will delight as many as it will disappoint, but as far as taking us on a new and unexpected journey a long time ago through a galaxy far away in spectacular fashion (never allowing indulgence or flights of mere fancy to intrude upon the story), `Sith' is a worthy contender for the greatest Star Wars film of all time.
In closing, I have already watched `Sith' more times than I have seen the original trilogy and the film leaves me with a different impression every time. The birth of Darth Vader is something everyone has been dreaming about since the release of the classic `A New Hope,' thank god George Lucas has managed to create a movie that will live on just as long.
George Lucas had worked under no illusions. If this film failed to deliver, then by many detractors standards it would serve as the final nail in the coffin of the new and 'modern' trilogy. Thankfully then, not only has Lucas succeeded in crafting one of his most accomplished films ever but arguably his most important; `Episode III' is an incredibly self assured triumph. Masterfully bringing the epic saga full circle, completing a story begun in 1977 and thereby seamlessly connecting the original trilogy with the prequels, `Sith' effectively addresses much of what critics found noticeably lacking in the previous two instalments, lending much needed credibility to the 'new' trilogy, displaying a marked improvement in direction and substance, and a commendable maturity in attention to character and story.
Kicking off with an opening space battle that utilises a roller coaster ride POV to spectacular effect, the film twists and turns us in it's stylishly comfortable grip, throwing us headlong into the already ensuring action. Meeting up with old friends Obi Wan Kenobi and Anakin Skywalker (the love and respect between accomplished master and seasoned Jedi clearly apparent in these early sequences) as they cut a destructive swathe across the screen, cursing and teasing each other in equal measure as they take apart ships, scenery and even mechanical staff wielding bio-droids (magna guards) is a joy to behold (and it's noteworthy here to mention how utterly at ease both Ewan McGregor and Hayden Christensen now appear to be in their respective guises)...but the fun ultimately cannot last forever...Controlling the pace like the master story teller and film editor Lucas is, it's a restrained twenty minutes before the Jedi once again encounter Christopher Lee's elegantly vicious Count Dooku, but Anakin is no longer the fool hardy padawan he once was and it's from this point on that the first 'real' inevitable step towards the dark side is taken. Forsaking the cartoon-like cuddly tones of 'Menace' and even the pressure-cooker foreboding of 'Clones', 'Sith' stakes it's claim in this newly explored darker territory with glee; this is not, and was never designed to be, an episode for kids.
As the story progresses and tragedy draws ever near, the film bludgeons Christensen's Anakin with heart rending blows at every turn. His learning of his secret wife Padme's pregnancy is cursed with sudden and traumatising visions of her death in childbirth, reawakening his feelings of regret and loss over the death of his mother (whom he is still convinced he could have saved) and in-turn, his feelings of resentment towards his 'family', the Jedi, who continue to praise his abilities yet refuse him the one thing he desires most in the world. With the enduring guidance and influence of the artificially benign Chancellor Palpatine (seemingly able to offer Anakin all the answers at a time when he is most in need), the young Jedi begins to doubt everything, even the fidelity of the very woman he is trying to save till finally, when the pitch of the movie appears to have reached it's dramatic peak, Anakin makes a choice that will ultimately lead him down an irrevocable path that will change the face of the galaxy...and set the stage for cinematic history.
`Revenge of the Sith' boasts not only some of the most audacious set pieces yet attempted in a blockbuster (Kenobi and Grievous' wheel bike/dragon mount chase, the continuation of The Clone Wars, Yoda and Sidious' epic senate duel, where politics and morality clash physically for the very first time) but some of the most intense and emotionally affecting. In essence; `Sith' is an action movie with heart. For sentimentality and effective storytelling using the minimum of trickery or techniques, look no further than the wonderfully sombre and underplayed moment of telepathic understanding that Anakin and Padme share across a Coruscant afternoon sun shrouded cityscape, or that Padme's final words are of concern for the man who has, in essence, murdered her emotionally and physically, or the look and tone of sadness Yoda exhibits as he is forced to flee his encounter with Sidious, or more importantly, the haunting shades of music and imagery that follows the execution of Order 66...
...but for both emotion and hyper charged dramatic electricity, the climatic Mustafar duel between Vader and Kenobi is unsurpassed. This is a duel that people have been waiting to see since 1977 and it does not disappoint. For the battle of heroes where 'brothers' clash with clear intentions that only one will survive, Lucas has married all tools at his disposal (a tragic yet epic sweeping score, a blink-and-you'll-miss-ten-moves lightsaber choreography, acting intensity that never fails to convince, CGI that threatens at every turn; VERY real danger, etc..) to create a sequence that both excites and moves in equal measure and despite the fact that we all know how the battle ends, it makes it no easier to watch the horrific events unfold.
In stark contrast to maulings regarding the acting in the other two prequels, the performances in `Sith' are first rate. Ewan McGregor predictably shines in a role it seems he was destined to play (particularly in the final minutes of the Mustafar confrontation) and flickers of Alec Guinness punctuate throughout, never threatening to turn his performance into mere mimicry. Natalie Portman, (however little she was required to do), breaks our hearts as the man she loves literally rots from the inside before her very eyes. Ian McDiarmid turns in an oscar worthy performance, hamming it up where necessary to break stride suddenly with a glare and a disembowelling tone when the mood takes him, but above all (and despite protests to the contrary), it is Hayden Christensen for whom the highest regard must be reserved. His performance permeates one of utter believability, shifting remarkably from eager Jedi knight to chilling Sith apprentice so smoothly that it's startling to witness. The ferocity and utter neutrality that Christensen exhibits as the young Darth Vader is truly impressive if not downright mesmerising, yet the best is saved for last in the final confrontation that husband and wife share prior to the fiery duel into the very bowels of hell. Hayden's demeanour of a man who believes above all else that he has done the right thing yet utterly blind to the fact he has caused more damage than good is staggering, his tone (in a wonderful symmetry with 'Menace`) echoing the youthful idealistic young boy he was once, reminding us yet again how far the soul has fallen. It's a moment (like so many others) that entrenches itself so deeply into the mind that you will be hard pressed to rid yourself of certain emotions long after `Sith's' credits have rolled.
Expectedly, `Revenge of the Sith' will delight as many as it will disappoint, but as far as taking us on a new and unexpected journey a long time ago through a galaxy far away in spectacular fashion (never allowing indulgence or flights of mere fancy to intrude upon the story), `Sith' is a worthy contender for the greatest Star Wars film of all time.
In closing, I have already watched `Sith' more times than I have seen the original trilogy and the film leaves me with a different impression every time. The birth of Darth Vader is something everyone has been dreaming about since the release of the classic `A New Hope,' thank god George Lucas has managed to create a movie that will live on just as long.
11 of 11 people found the following review helpful
Format:DVD
So the time has come that I review "Revenge of the Sith." As those who have read my reviews for Episodes I and II will know, I do not have much sympathy for the people who continue to claim that these three films have wrecked their lives forever. What life is this that you ever had, Universal 1-Star reviewer, if a few movies you didn't like devestated you THAT much? "George Lucas raped my childhood". Get real... or at least get therapy.
Alright, so George Lucas is a much more creative--and, in all likelyhood, much more intelligent--person than these one-star reviwers who somehow seem to think that they could do what he's done better than he's done, but even HE was facing a tall order in delivering "Star Wars-- Episode III: Revenge of the Sith" to viewers successfuly. Not only was he looking at a fanbase in which many had completely lost faith in him after the previous two films, but he was also releasing a climactic story that brought with it close to thirty years of hype and expectation. (Of course his job was theoretically made somewhat easier in that all the fans who were THAT disatsified with the first two prequels should have learned to lower their expecations by the time the third one came along. In practice, however, some things simply never change.) Nonetheless, against the odds of ever satisfying these people, some of whom literally wanted him in court for the supposed rape of their childhood memories, George Lucas resolved to finish his great life's work... and "Revenge of the Sith" is the final result of that resolve.
As the film opens, it is made clear that the Clone War, which started in the previous segment of the series, are still very much in full swing after of the passage of three whole years. The Seperatists, led by Jedi-turned-Sith Count Dooku (Christopher Lee), aided by General Grievous of the battle droid army (an ILM creation voiced by sound editor Matt Wood), have landed the most devestating blow as yet to the Republic by kidnapping Supreme Chanellor Palpatine (Ian McDiarmid.) The first 20-25 minute portion of the film deals with the rescue mission headed by Jedi Master Obi-Wan Kenobi (Ewan McGregor), and Anakin Skywalker (Hayden Christensen), who is now a full Jedi Knight rather than an apprentice. They are now fast friends with a good history of great comradship throughout the war.
While Palpatine is eventually rescued by the Jedi--and Count Dooku ends up removed from the picture swiftly--General Grievous has escaped once again, and so, says Palpatine, the war must continue until he is captured. Meanwhile, Anakin's secret wife, Padme Amidala (Natalie Portman) has gotten pregnant; but good news turns sour when Anakin has what he believes is a prophetic dream of Padme dying in childbirth. He has good reason to suspect that this dream represents an event that will come to pass, as he had a similar experience with his mother several years previously. Simaltaneously, Obi-Wan is sent, based on received intelligence, to get rid of Grievous, who is hiding on a distant planet, once and for all, and Yoda goes to Kashykk, the Wookie planet, to lead another battle, so Anakin gets left alone with Chancellor Palpatine to battle his conflicting emotions and desires. Without divulging any excess information, it is from this point on that the real story, twisted and twisiting, begins.
I cannot emphasize enough that this film, in its every element, dwarfs its predecessors. The space battle that opens the film, through which Anakin and Obi-Wan force their way to rescue the Chancellor, is the gigantic and exciting space battle in the entire series, rivaled in thrills only by the final battle from "Return of the Jedi." And fittingly so: this is the final space battle we are very likely to see in this series. Some have complained about the CGI use, but A)It looks GREAT, completely realistic and B) the battle itself is so exciting and invigorating that one hardly thinks to imagine how it was created while it's happening. (Plainly, I've never understood how CG can bother anyone as much as it has some. It could have something to do with growing up in the '90s and early 2000s, but I don't get what annoys people so much about CGI versus puppets. The Coruscant interiors are often breath-taking, and I don't know anyone can deny that the 2005 digital Yoda isn't WAY more realstic looking than his puppet form. OK, he needed a little more work in 2002, but I'm hardly complaining since he looks so *real* in 2005 that I could reach through the screen and touch him.)
As great as the opening space fight is, the lightsaber battles are even better. In spite of the fact that most of his fight work was done by a double, Christopher Lee commands incredible presence in his one scene as Dooku. It's also a great three way fight, with a lot of clashing swords, tension, and at least one brilliant piece of dialogue delivery from Lee. The ending also puts to shame much of what came before (hint: the long trail of severed body parts throughout this series is taken to a whole new level with a beheading. Like producer Rick McCallum, I greatly appreciate that Lucas had the courage to put this moment in the film.) There are four other saber fights in the film. Of them, Grievous' fight with Obi-Wan is the most fun purely in the sense of great action. Grevious isn't Darth Maul, but it is extremley cool that he fights with four lightsabers at once, and, for that matter, that he is in fact a gravely injured human being cobbled together in a manner similar to Darth Vader. Add to this the resourcefulness of Obi-Wan--who, at one point, can be seen landing Grevious a good blow or two with an Electro-Staff, possibly the *coolest* weapon introduced to Star Wars since the saber itself--and you have a more-than-worthy action sequence before you.
Oustide of this, it really is hard to decide on a favorite lightsaber duel in this film. Mace Vs. Darth Sideous allows Sam Jackson one more opportunity to be the baddest purple lazer-wielding Jedi in the galaxy, and shows of Ian McDiarmid's acting skills superbly, winding up one of the most exciting sequences in the whole series. But I really have to give the props to intercut face-offs of Darth Sideous and Yoda, and Obi-Wan and Darth Vader. I seem to remember reading some criticism around the time of the film's release about the decision to have Sideous and Yoda's duel placed directly alongside Anakin and Obi-Wan's, but from the moment it began, I thought it was a brilliant sequence: at the same moment in time as two friends turned bitter enemies are fighting each other, the ultimate forces of Good and Evil in the Galaxy are facing off. It's a superb idea... and it looks great, too! Not only do we have the two greatest and most epic sword fights in the series, but there is a visually amazing segment in which Sideous begins hurling objects in the Senate room at Yoda; this is worth seeing not only for the incredible tenson and the struggle for domination between these two characters, but also because Ian McDiarmid hams it up deliciously opposite his "little green friend" in shot after shot. He's like a kid playing with a new toy--and that approach could not be more appropriate than it is. Tiny Yoda is, at times, like a toy in Sideous' palm.
So the action is great, but what about the other elements? As I keep saying, this movie completely dwarfs its predecessors in all areas. Ian McDiarmid, in the role of Darth Sideous, is likely to be the first actor to jump out at you as being absolutely brilliant. McDiarmid is a Royal Shakespeare Theatre actor, and he performs with all of the excellence associated with such qualifications. While he eminates the role of a ruthless villain in some scenes, perhaps his greatest triumph is the scene at the opera (not kidding-- a scene in a Star Wars movie that takes place at an opera) where he begins to cajole Anakin into joining him with the implicit promise that he can teach Anakin how to save Padme from certain death. Apparently, McDiarmid's unusual, crackling tone has more to do with a soar throat than anything else, but either way it enhances an already excellent scene. Elsewhere, he slips chillingly back into his Emperor voice (to wit: "I can FEEL it.")
I am confident that almost every reviewer who posted here with praises extoled Ewan McGregor's excellent take on a younger Obi-Wan. His range--from silly, completely over-the-top humor, right to utter pain and disapointment--has to be seen to be believed. It is that brilliant and moving a performance. He is certainly one of the greatest young acting talents we have today-- even if just for his uncanny ability to chanel Sir Alec Guiness' role minus 20-30 years near PERFECTLY. Elsewhere, Frank Oz manages to leave the viewer wondering that he has never broken into an acting beyond all those muppets; his voice performance is stirring and, again, dwarfs what he has done in past installments of this series. Samuel L. Jackson shifts admirably between his stoic and battle-ready sides. While he actually gets to *act* MUCH more in this installment, he is not as memorable as in Ep. II. He shows off his range at times, but he doesn't have the opportunities, as in previous pictures, to reveal his personality, and that's part of being in a *series* of movies: you're probably going to be more memorable when you first revealing your personality than later on when everything has been established.
Natalie Portman has surprisngly little to do, all things considered, but makes the viewer feel her character's emotions with all the necessary weight. She really nails her last scene with Anakin, especially considering the wordy dialogue, and the scene in which she and Anakin are staring out of their windows, looking in each other's direction, says it all with no words and a lot of artistic excellence from all involved. Read more ›
Alright, so George Lucas is a much more creative--and, in all likelyhood, much more intelligent--person than these one-star reviwers who somehow seem to think that they could do what he's done better than he's done, but even HE was facing a tall order in delivering "Star Wars-- Episode III: Revenge of the Sith" to viewers successfuly. Not only was he looking at a fanbase in which many had completely lost faith in him after the previous two films, but he was also releasing a climactic story that brought with it close to thirty years of hype and expectation. (Of course his job was theoretically made somewhat easier in that all the fans who were THAT disatsified with the first two prequels should have learned to lower their expecations by the time the third one came along. In practice, however, some things simply never change.) Nonetheless, against the odds of ever satisfying these people, some of whom literally wanted him in court for the supposed rape of their childhood memories, George Lucas resolved to finish his great life's work... and "Revenge of the Sith" is the final result of that resolve.
As the film opens, it is made clear that the Clone War, which started in the previous segment of the series, are still very much in full swing after of the passage of three whole years. The Seperatists, led by Jedi-turned-Sith Count Dooku (Christopher Lee), aided by General Grievous of the battle droid army (an ILM creation voiced by sound editor Matt Wood), have landed the most devestating blow as yet to the Republic by kidnapping Supreme Chanellor Palpatine (Ian McDiarmid.) The first 20-25 minute portion of the film deals with the rescue mission headed by Jedi Master Obi-Wan Kenobi (Ewan McGregor), and Anakin Skywalker (Hayden Christensen), who is now a full Jedi Knight rather than an apprentice. They are now fast friends with a good history of great comradship throughout the war.
While Palpatine is eventually rescued by the Jedi--and Count Dooku ends up removed from the picture swiftly--General Grievous has escaped once again, and so, says Palpatine, the war must continue until he is captured. Meanwhile, Anakin's secret wife, Padme Amidala (Natalie Portman) has gotten pregnant; but good news turns sour when Anakin has what he believes is a prophetic dream of Padme dying in childbirth. He has good reason to suspect that this dream represents an event that will come to pass, as he had a similar experience with his mother several years previously. Simaltaneously, Obi-Wan is sent, based on received intelligence, to get rid of Grievous, who is hiding on a distant planet, once and for all, and Yoda goes to Kashykk, the Wookie planet, to lead another battle, so Anakin gets left alone with Chancellor Palpatine to battle his conflicting emotions and desires. Without divulging any excess information, it is from this point on that the real story, twisted and twisiting, begins.
I cannot emphasize enough that this film, in its every element, dwarfs its predecessors. The space battle that opens the film, through which Anakin and Obi-Wan force their way to rescue the Chancellor, is the gigantic and exciting space battle in the entire series, rivaled in thrills only by the final battle from "Return of the Jedi." And fittingly so: this is the final space battle we are very likely to see in this series. Some have complained about the CGI use, but A)It looks GREAT, completely realistic and B) the battle itself is so exciting and invigorating that one hardly thinks to imagine how it was created while it's happening. (Plainly, I've never understood how CG can bother anyone as much as it has some. It could have something to do with growing up in the '90s and early 2000s, but I don't get what annoys people so much about CGI versus puppets. The Coruscant interiors are often breath-taking, and I don't know anyone can deny that the 2005 digital Yoda isn't WAY more realstic looking than his puppet form. OK, he needed a little more work in 2002, but I'm hardly complaining since he looks so *real* in 2005 that I could reach through the screen and touch him.)
As great as the opening space fight is, the lightsaber battles are even better. In spite of the fact that most of his fight work was done by a double, Christopher Lee commands incredible presence in his one scene as Dooku. It's also a great three way fight, with a lot of clashing swords, tension, and at least one brilliant piece of dialogue delivery from Lee. The ending also puts to shame much of what came before (hint: the long trail of severed body parts throughout this series is taken to a whole new level with a beheading. Like producer Rick McCallum, I greatly appreciate that Lucas had the courage to put this moment in the film.) There are four other saber fights in the film. Of them, Grievous' fight with Obi-Wan is the most fun purely in the sense of great action. Grevious isn't Darth Maul, but it is extremley cool that he fights with four lightsabers at once, and, for that matter, that he is in fact a gravely injured human being cobbled together in a manner similar to Darth Vader. Add to this the resourcefulness of Obi-Wan--who, at one point, can be seen landing Grevious a good blow or two with an Electro-Staff, possibly the *coolest* weapon introduced to Star Wars since the saber itself--and you have a more-than-worthy action sequence before you.
Oustide of this, it really is hard to decide on a favorite lightsaber duel in this film. Mace Vs. Darth Sideous allows Sam Jackson one more opportunity to be the baddest purple lazer-wielding Jedi in the galaxy, and shows of Ian McDiarmid's acting skills superbly, winding up one of the most exciting sequences in the whole series. But I really have to give the props to intercut face-offs of Darth Sideous and Yoda, and Obi-Wan and Darth Vader. I seem to remember reading some criticism around the time of the film's release about the decision to have Sideous and Yoda's duel placed directly alongside Anakin and Obi-Wan's, but from the moment it began, I thought it was a brilliant sequence: at the same moment in time as two friends turned bitter enemies are fighting each other, the ultimate forces of Good and Evil in the Galaxy are facing off. It's a superb idea... and it looks great, too! Not only do we have the two greatest and most epic sword fights in the series, but there is a visually amazing segment in which Sideous begins hurling objects in the Senate room at Yoda; this is worth seeing not only for the incredible tenson and the struggle for domination between these two characters, but also because Ian McDiarmid hams it up deliciously opposite his "little green friend" in shot after shot. He's like a kid playing with a new toy--and that approach could not be more appropriate than it is. Tiny Yoda is, at times, like a toy in Sideous' palm.
So the action is great, but what about the other elements? As I keep saying, this movie completely dwarfs its predecessors in all areas. Ian McDiarmid, in the role of Darth Sideous, is likely to be the first actor to jump out at you as being absolutely brilliant. McDiarmid is a Royal Shakespeare Theatre actor, and he performs with all of the excellence associated with such qualifications. While he eminates the role of a ruthless villain in some scenes, perhaps his greatest triumph is the scene at the opera (not kidding-- a scene in a Star Wars movie that takes place at an opera) where he begins to cajole Anakin into joining him with the implicit promise that he can teach Anakin how to save Padme from certain death. Apparently, McDiarmid's unusual, crackling tone has more to do with a soar throat than anything else, but either way it enhances an already excellent scene. Elsewhere, he slips chillingly back into his Emperor voice (to wit: "I can FEEL it.")
I am confident that almost every reviewer who posted here with praises extoled Ewan McGregor's excellent take on a younger Obi-Wan. His range--from silly, completely over-the-top humor, right to utter pain and disapointment--has to be seen to be believed. It is that brilliant and moving a performance. He is certainly one of the greatest young acting talents we have today-- even if just for his uncanny ability to chanel Sir Alec Guiness' role minus 20-30 years near PERFECTLY. Elsewhere, Frank Oz manages to leave the viewer wondering that he has never broken into an acting beyond all those muppets; his voice performance is stirring and, again, dwarfs what he has done in past installments of this series. Samuel L. Jackson shifts admirably between his stoic and battle-ready sides. While he actually gets to *act* MUCH more in this installment, he is not as memorable as in Ep. II. He shows off his range at times, but he doesn't have the opportunities, as in previous pictures, to reveal his personality, and that's part of being in a *series* of movies: you're probably going to be more memorable when you first revealing your personality than later on when everything has been established.
Natalie Portman has surprisngly little to do, all things considered, but makes the viewer feel her character's emotions with all the necessary weight. She really nails her last scene with Anakin, especially considering the wordy dialogue, and the scene in which she and Anakin are staring out of their windows, looking in each other's direction, says it all with no words and a lot of artistic excellence from all involved. Read more ›
Most Recent Customer Reviews
Excellent...
Movie shipped quickly and was as advertised. Plays great and was also a greay deal compared to similar items on ebay.
Published 21 days ago by Swin
Sci-Fi Lover
For any die hard Star Wars fan this movie is a must have in your collection to say a painful goodbuy to Anakin as we usher in Vader. Read more
Published 2 months ago by Wanda Robin Stephens
Star Wars III DVD
The product came fast!! The packaging was intact and protected the product very well. Most important of all, the DVD played like a brand new DVD. Read more
Published 2 months ago by Puvadol
"The Dark Side of the Force Surrounds the Chancellor"
If the dark side of the force surrounds the Chancellor, then why does Mace Windu act so surprised when Anakin tells him that he thinks Palpatine is a Sith Lord? Read more
Published 3 months ago by Todd7
Thrilling
As a long-time Star Wars fan, and to clarify: someone who did not really enjoy episodes I or II, watching episode III was one of the most dramatically thrilling film experiences... Read more
Published 4 months ago by snow47
Make Digital Copy Discs for iTUNES please !
Dear Mr. Lucas, Murdoch and Bezos,
Please make Star Wars 1-6 on Digital Copy Discs available for purchase or download on Itunes Please. Read more
Please make Star Wars 1-6 on Digital Copy Discs available for purchase or download on Itunes Please. Read more
Published 5 months ago by I_hate_everything
i love the prequel trilogy!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
i love star wars episode 3 revenge of the sith its awesome i love it its one awesome movie i love the vast the crew the producers and the director himself george lucas and i love... Read more
Published 5 months ago by Darth Bane
Star Wars Revenge of the Sith
This is a really good movie, sure the acting is bad but the special effects do a lot to help make it better. The Star Wars Saga is one of the best Sagas in film history. Read more
Published 6 months ago by Marsh
Easiest Birthday Present I Ever Shopped For
My son has recently become obsessed with the Star Wars franchise, therefore he wanted all the movies. Read more
Published 6 months ago by mancub's mom
It All Comes Together
After the almost mythical success of the Original Trilogy, the first two movies of the Prequel Trilogy set the stage for a potentially explosive "final chapter". Read more
Published 7 months ago by Zachary Koenig
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