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Stardust Lost: The Triumph, Tragedy, and Mishugas of the Yiddish Theater in America [Hardcover]

Stefan Kanfer (Author)
3.7 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

October 24, 2006
From the author of the best-selling and critically acclaimed biographies Groucho and Ball of Fire comes a definitive look back at the Yiddish Theater. In this soulful and entertaining elegy Stefan Kanfer traces its meteoric rise, its precipitous fall, and its lasting mark on American theater, film, and culture in general.

The Yiddish Theater’s star seems to have burned out. The venues in New York City have all gone. So have the performers and their immigrant audiences. But in Stardust Lost they live again as Kanfer brings the colorful stage roaring back to life. Meticulously unraveling the history of Jewish theater, he begins with the drama of the Old Testament and moves through time and space to the cultural explosions of the eighteenth-century Enlightenment, the oppressions of nineteenth-century Eastern Europe, and the pogroms of early twentieth-century czarist Russia. Fleeing anti-Semitic edicts, the Jews of Eastern Europe push westward, migrating first to England and then to America. With them come the extravagant personages who bring drama—in every sense of the word—to Manhattan’s Lower East Side.

Stardust Lost invokes the energy, belief, and pure chutzpah it took to establish and run the thriving, influential theaters. En route, Kanfer reveals the nightly drama and comedy that played out behind the scenes as well as onstage, and introduces all the players—actors, divas, playwrights, directors, designers, and producers—who made it possible. Along with the beating pulse of the Yiddish tradition come the larger-than-life stars: Boris Thomashefsky, Jacob P. Adler, Molly Picon, Paul Muni, Bertha Kalisch, David Kessler, Maurice Schwartz, and many others, most with libidos to match their oversized egos. The book grants us views of genuine artistic achievement along with tales of cutthroat competition, adulterous liaisons, and hilarious wrangles. As we see in detail, assimilation, world events, and great shifts in American entertainment—the very entertainment that the Yiddish Theater encouraged by providing talent to uptown stages and film studios—lead to a poignant finale.

From the daring Yiddish interpretation of The Merchant of Venice to Stella Adler’s influence on young actors to John Garfield’s and Marlon Brando’s impact on the screen, Kanfer traverses lower Manhattan, Broadway, and Hollywood to give us the tumultuous birth, flourishing, and decline of a great art form. It is a richly evocative chronicle that resurrects the forgotten landmarks and the vital personalities of the Yiddish Theater, whose work has gone but whose achievements can never be lost.

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Editorial Reviews

From Publishers Weekly

In this highly readable social history of Yiddish theater, Kanfer traces the genre from its genesis in eastern Europe to its flowering on New York's Lower East Side in the early 20th century. He explores its success within the New World's intellectual ferment, as Jewish writers and performers introduced greenhorn audiences to Shakespeare and Tolstoy in a bid to enlighten the masses and stoke their social aspirations. But the plays' irony and rapid-fire timing made their flavor uniquely Yiddish, as they expressed and framed the immigrant experience—tackling issues from poverty to assimilation that elevated them above mere escapism. With the character-driven narrative skill and assiduous research that mark his biography of Lucille Ball (Ball of Fire), Kanfer limns delightful portraits of genre stalwarts like playwright/director Abraham Goldfaden and actor Jacob Adler. Though Yiddish theater had faded by mid-century, its demise hastened by Hollywood, Kanfer makes a salient case that it was more than a momentary fad. He argues for the pliancy of the "Velcro language," its DNA carried in the era's most influential acting teacher, Adler's daughter Stella—whose students included Robert De Niro and Marlon Brando. Through them, the legacy endures. Photos not seen by PW. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

The Yiddish theater sprang up in Crimean War-era eastern Europe when a ragtag group of writers, actors, and hangers-on began cobbling together plays in Yiddish and performing them in any place large enough for two planks and passion. The form reached its ultimate expression two generations later in New York, where artists of the stature of actor Jacob Adler and playwright Sholem Aleichem transformed it into highly literate entertainment and set the stage for the American theater's ascent to world-class status. Kanfer's fascinating, sprightly book charts the Yiddish theater from Ukraine, Russia, and Romania to transplantations to London and, later, New York. He briefly (sometimes too briefly) sketches the actors, writers, and producers who helped it evolve from provincial crudity. Major players, Adler in particular, are given larger coverage, as are such other important figures of the era as Abraham Cahan, founder-editor of the Jewish Daily Forward. A book to satisfy both lovers of Yiddish culture and aficionados of the golden age of American theater and its immediate antecedents. Jack Helbig
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 352 pages
  • Publisher: Knopf; First Edition. states edition (October 24, 2006)
  • Language: English
  • ISBN-10: 1400042887
  • ISBN-13: 978-1400042883
  • Product Dimensions: 9.2 x 6.3 x 1.4 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,308,599 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
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5 of 5 people found the following review helpful:
2.0 out of 5 stars Lively and entertaining, but wildly inaccurate, March 7, 2007
This review is from: Stardust Lost: The Triumph, Tragedy, and Mishugas of the Yiddish Theater in America (Hardcover)
Yes, he writes with flair, but it would be nice if he got it right more often. I'm no expert, but a lot of what Kanfer writes just doesn't jibe with what other writers on this subject have been saying in recent years (folks like Sandrow, Berkowitz, Nahshon, that is). Take a look if you like, but don't accept any of this as gospel.
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5.0 out of 5 stars American life of the Yiddish theatre, February 8, 2007
This review is from: Stardust Lost: The Triumph, Tragedy, and Mishugas of the Yiddish Theater in America (Hardcover)
This is a well written and extensively researched history of the

Yiddish theatre in America. None of the major performers or their

work is missed. Even the relationship of the Yiddish theatre to the regular

American theatre and the motion picture industry is touched upon.
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2 of 5 people found the following review helpful:
4.0 out of 5 stars Marvellous- but not quite scholarly enough, January 11, 2007
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This review is from: Stardust Lost: The Triumph, Tragedy, and Mishugas of the Yiddish Theater in America (Hardcover)
It's a marvellously entertaining book. However, I would have loved more on the musicals/operettas that the author merely refered to as shund (well, he was quoting the general attitude of the day). Secondly, I would have really like the occasional footnotes.
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