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Stardust We Are Import


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Audio CD, Import, October 20, 2009
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Product Details

  • Audio CD (October 20, 2009)
  • Number of Discs: 2
  • Format: Import
  • Label: PID
  • ASIN: B002QVOPXE
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (44 customer reviews)
  • Amazon Best Sellers Rank: #545,096 in Music (See Top 100 in Music)

Disc: 1
1. In the Eyes of the World
2. A Room With a View
3. Just This Once
4. Church of Your Heart
5. Porr Mr. Rain; S Ordinary Guitar
6. The Man Who Walked With Kings
7. Circus Brimstone
8. Crying Clown
9. Compassion
Disc: 2
1. Pipes of Peace
2. The End of Innocence
3. The Merry-Go-Round
4. Don of the Universe
5. A Day at the Mall
6. Different People
7. Kingdom of Lies
8. If 28
9. Ghost of the Red Cloud
10. Hotel Nirvana
See all 11 tracks on this disc

Customer Reviews

The second disc is as strong as the first, even though some average songs drag it down.
Lord Chimp
Among the bands that spearheaded the progressive rock revival of the late nineties, The Flower Kings well be the most faithful to it's musical philosophy.
Jason Bachand
If I could see these guys, Spocks Beard and Dream Theater on the same nite just once...well I can dream.
Kingsson2012

Most Helpful Customer Reviews

15 of 15 people found the following review helpful By spiral_mind on July 16, 2002
Format: Audio CD
Weird as it seems, that title is the primary image the Flower Kings give me. Their style is primarily rooted in not-quite-copying ELP, Genesis and Yes, but they perpetually reach for anything and everything else they can think of; keyboard-heavy prog, straight rock, harmony-laden pop, classical, Baroque, reggae, folk, psychedelia, anything is fair game. They're a magnet for every overused 'pretentious' cliche the critics can dig out yet they seem utterly ego-free. Their reach is so far-flung that I can't help wondering if they'll ever grasp it all. Such bombast (I don't mean that as a bad thing) is perfectly suited to the grand sweeping double-album epics that marked the 70s prog movement, and they take full advantage of it with the monstrous 145 minutes of Stardust We Are. Just about any fan of said movement will like at least two-thirds of it.. provided they can stomach a generous helping of grand orchestrations with enough different keyboards to give Keith Emerson a headache. (If you don't know who Keith Emerson is, you probably shouldn't even be reading this review yet. Try Trilogy by ELP.)
All the other classic elements are here - three tracks stretch into the ten-minute zone and the three-part closer clocks in at a grand 25. That title track builds its mood with fantastic imagery and a wonderful piano bridge before soaring into space on an impossibly high-flying chorus. In anyone else's hands it would seem like pure cheese, but somehow it's utterly captivating. I consider "Circus Brimstone" the standout of the extended tracks, a dark carnival packed full of instrumental twists and turns that take days or weeks to get your head around. It seems the perfect complement to the acoustic wizardry of "...
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13 of 14 people found the following review helpful By Lord Chimp on January 24, 2001
Format: Audio CD
Swedish prog rockers The Flower Kings are an accomplished group of musicians with influences deeply rooted in the 70s' progressive scene. The most prominent influences I hear are Yes and ELP, but there's lots more here. There are infrequent times when The Flower Kings veer dangerously close to aping their prestigious influences, but luckily they are skilled composers who can rely on their own imagination as less on the established conventions of the genre.
Stardust We Are is a monster of an album, spanning two discs for about 140 minutes of music. One might suspect that such an lengthy studio work would contain reams of filler material, but actually this is not the case. For the most part, Stardust We Are is a strong collection of songs. With a few tracks the album slips into mediocrity, but when the albums shines it's sheer excellence.
The energetic opener "In the Eyes of the World" is a good dose of solid progressive music, but it's far from the best this disc has to offer. "Church of Your Heart" is one of the most perfect songs I've ever heard. The vocal melodies in the ten-minute ballad are completely beautiful, with vocalists Roine Stolt and Hans Froberg trading leads to inject the most emotion into any given verse. After this, the album moves into instrumental territory. "Poor Mr. Rain's Ordinary Guitar" is a pleasant treat to some low-key acoustic wizardry from Roine. "The Man Who Walked With Kings" is an AWESOME, grandiose and uplifting instrumental. "Circus Brimstone" is a crazy instrumental, whose dynamics are enough to provide plenty of steam for its 12 minute length. It's pretty wacky stuff. The first disc closes with "Compassion," where Roine Stolt reveals one of his more subtle influences, Pink Floyd.
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13 of 14 people found the following review helpful By A Customer on December 3, 2000
Format: Audio CD
Truly a post-prog masterpiece. The perennial problem with many neo-prog bands is an annoying tendency to write "Close to the Edge Part II" and not be too creative. Sweden's Flower Kings evade this by doing their own thing...though what that is, I'm not quite sure! Led by guitarist/writer/guiding light Roine Stolt, they take you on a zany, breathtaking, spiritual, hilarious, bizarre journey through the realms of Yes, Genesis, Zappa, psychedelica, fusion, pipe-organ hymns,folk, and God knows what else...from the opening Hammond shuffle-crunch of "In the Eyes of the World" to the majestic, uplifting "Church of Your Heart" to the schizoid fusion instrumental "Circus Brimstone" to the haunting, almost industrial "Compassion" to the energetic world-beat playfulness of "The Merrygoround" to the pseudo-reggae "Ghost of the Red Cloud" to the masterful, 25-minute epic prog closer "Stardust We Are", the Kings leave few stones unturned. Keysman Tomas Bodin, singer Hans Froberg, bassman Michael Stolt(since replaced by Jonas Reingold), and drummer Jaime Salazar all navigate Roine Stolt's varied compositions with a cohesiveness that keeps you from noticing that the songs are barely contained musical anarchy. Lyrically, they navigate the treacherous waters of the heart and soul, much in the tradition of Yes. Positive hippie ideals resound, social justice comments are pointed, and pleas for heartfelt sincerity abound, underpinned with some subtle, unoffensive, vaguely Christian overtones. Stolt has something here; I'm not even sure he realizes how much he has.Read more ›
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