1 of 1 people found the following review helpful:
3.0 out of 5 stars
I struggled with this book for about 75 pages, then..., September 8, 2011
I struggled with this book for about 75 pages, then I got it, then I lost it again, then I didn't understand what all the commotion was about at the end. I thought all the flip-flopping between centuries and all the technical jargon made this novel taxing for me. It's not a bad novel, it's just not what I expected from the great sci-fi writer, Poul Anderson. The idea that the Human Race could be controlled by a cybercosm ( an network of artificial intelligences ) is not new, but it's motives are. The idea that a A.I. system would care if we explored the heavens, or got along with each other is doubtful.
The novel switches back and forth between the early days of moon occupation and the drama of moon/ earth tension centuries later. It seems that Lunarians want absolute sovereignty from the World Federation and Peace Authority, which are now the chief honchos on Earth. The Lunarians are genetically altered humans that were honed for survival in low gravity.
The early part of the story mainly concerns Dagny Beynac, her children, Anson Guthrie and his company Fireball Enterprises. They control the moon's activities and provide Earth with many minerals and innovations. Dagny's children find a new planet, but keep it a family and Fireball secret. Why a secret? What's to be learned from it? The Beynac family die off as the centuries go by with the secret intact. Later Anson Guthrie, now a downloaded robot, and some Lunarians depart for Alpha Centauri for eternity.
The other part of the story is about a powerful Lunarian, Lilisaire; and her agents, Ian and Aleka chasing down the concealment from the Beynac family centuries past. They believe the secret will hold off Earth's invasion of people and give the moon it's independence. They are pursued by the Cybercosm and it's agent, Venator. Will the mystery of the Beynac's be solved? Will the information gain the Moon's freedom? Is the secret about the unknown planet, or something completely different?
I thought the novel was well written with good character development, but was filled with too much nonsensical technical language. Since it's a Poul Anderson book, I still recommend this work.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
As brilliant in scope and accomplishment as Harvest of Stars, July 29, 1999
By A Customer
This review is from: The Stars Are Also Fire (Mass Market Paperback)
This second installment in Anderson's H.O.S. universe takes place about hundreds of years after the first one. Now the world is controlled by benevolent and caring but stifling machine intelligences. Dagney Beynac, a descendent of Anson Guthrie's, and others go on a round the solar system jaunt searching for an elusive secret that she believes is the key to reigniting the passion for exploration that the majority of now-pacified humans had lost in their centuries of being coddled by AI beings. A secret that the AIs and their conglomerated consciousness, the Teramind, will do anything to protect. Really on par with Harvest Of Stars, which means a lot, unless you haven't read HOS in which case you shouldn't be trying to buy this book, because it is a sequel to an equal or better novel.
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2 of 3 people found the following review helpful:
2.0 out of 5 stars
Reluctant two stars, March 20, 2009
This review is from: The Stars Are Also Fire (Mass Market Paperback)
I gave it two stars, reluctantly, because despite the libertarian politico-economic spouting of some of the characters, and the tired back and forth across centuries, the first half or so of the book at least had some suspense and (slow and creaky) character development, and an expectation of an exciting and interesting denouement. But by the end I was left sitting there thinking, "That's it? That's it?!"
All along I kept thinking that there had to be something about the object of the search other than its simple existence. Why otherwise would one side try so valiantly to find it, and the other side so desperately to keep it hidden. Why, indeed? I'm still wondering...
Pass this one up. I've been a fan of Poul Anderson's for a long time, but some of his latter-day stuff just isn't up to it. This is one fine example.
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