Review
The title/first track, "Stars", is a starkly honest, lyrically beautiful expression of Janis' feeling that she has fallen from the success of her teenage debut. (Some say this album marked the beginning of her comeback.) It is not unusual for artists to write about their experiences as an artist, but rarely is this done in such a direct, literal, self-effacing and poetic way. The quiet, expressive acoustic guitar on this track underscores that this is a deeply personal song. The rest of the album is more upbeat, sometimes heavily orchestrated, moving through folksy and jazzy styles. Page Nine, as optimistic as Stars is sad, looks forward to living with a new love. This is the honest, heartfelt work of a great talent. --Scott N. Stone, Amazon customer
After a three-year (1971-1974) hiatus, singer/songwriter Janis Ian (guitar/vocals) reinvented her craft on the groundbreaking Stars (1974) long-player. Her penchant for hauntingly beautiful melodies and incisive lyrics remains at the center of Ian's craft as she weaves an array of uniquely expressive observations with timeless poignancy. She has publicly acknowledged that the introspective title track that opens the album was inspired by Don McLean's "Vincent." Ian's reflections are almost naked in their intimacy as she looks within the psyche of celebrity and draws comparisons between the respective astral and physical bodies that "Stars" inhabit, albeit briefly in either case. The song's sparse acoustic guitar self-accompaniment is somewhat an anomaly as the remainder of the album incorporates various backing combos. The cosy and laid-back "Page Nine" demonstrates a jazzier side to Ian's arrangements and features some inviting contributions from percussion legend and studio heavyweight George Devens (vibraphone), who had been performing in Ian's studio coterie since her second release, For All the Seasons of Your Mind (1967). "The Man You Are in Me" is instrumentally highlighted by Richard Davis (bass), who impels the rhythm and provides Ian with a sonic backdrop beguiling the listener into its practically hypnotic melody. There is also a fair share of folk-infused material, ranging from the easygoing and heartfelt peon "Thankyous" to the decidedly more political and strident "Dance with Me" which deals fairly directly with the Vietnam experience. Perhaps the best-known cut on Stars also obliquely references the war and is considered the disc's crown jewel. "Jessie" is a riveting love song that is as beautiful as it is soul-wrenchingly poignant. The delicate understated score only adds to the composition's empathy. "Applause" fittingly concludes the effort in a Broadway-esque fashion with a grandiose production reminiscent of something out of Cabaret or A Chorus Line. The understated and comparatively reticent middle section is dramatically bookended with an otherwise embellished and knowingly campy arrangement. Stars set the stage for Ian to further develop her mature and meditative themes utilizing a wide variety of musical styles a hallmark that separated her from her weepy and otherwise introspective peers. --All Music Guide (AMG)
"Before there was Jewel, there was Janis Ian." --Rolling Stone Magazine
Product Description
Aussie reissue of the singer/songwriter's classic 1974 album. Ten tracks. Festival. 1993.
--This text refers to an out of print or unavailable edition of this title.