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State of the Union: Fifty Political Poems [Paperback]

Joshua Beckman (Editor), Matthew Zapruder (Editor)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

September 1, 2008

From rough optimism to sharp criticism, fifty American poets present new work dissecting the current political climate in America. Wide-ranging writers bring their bold voices to this collection, including Eileen Myles, Matthew Rohrer, Rebecca Wolff, Terrance Hayes, Joe Wenderoth, and Tao Lin.

“Walking by Hope Street”

Look at the landscape,
A lot of damage, no?
But we are here together,
And of needing me, here
The world needs me,
We are too alone.
And what of our orange daylight,
Growing darker as the lamplit
Trees grow dark. There
Is not enough to say.
But our hands, our gentle
Frozen hands sift through
Things like numbers out of breath.
It will all be okay, I promise.
Promise who? Promise the faded land.
—Noelle Kocot

“Literary Agency”

Coretta Scott
King has died, the other
day. Dream
unrealized. Lost
and found, lost again, bathos
my motivation
my Elysian
dream. The place
inside
untutored, incorruptible,
without relation. That’s
something to hold onto,
and uncontingency
dressing the wound. That’s
sad and just “what it is.”
It is what it is.
That’s what I say
when I can’t bear the news.
—Rebecca Wolff

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Editorial Reviews

From Publishers Weekly

Politics are on everybody's mind. Wave editors and poets Beckman and Zapruder enter this slim gathering of poems--charged with cynicism, seething, sadness, surrealism and schadenfreude--into the discussion. From big names (John Ashbery, Lucille Clifton) to contemporary favorites (Terrence Hayes, Peter Gizzi) and newcomers (like Mathias Svalina, whose "Forgiveness" is a highlight: "This is a lesson on/ forgiveness: the scar/ forgives the knife"), many of these poets come at politics with hip aesthetics and liberal leanings. In her spare, affecting opener, Noelle Kocot writes, "Look at the landscape,/ A lot of damage, no?" Matthew Rohrer, addressing Dick Cheney, admits "it is a very good thing/ to watch you die." Yet many of these poems seem reluctant to answer what may be their central questions: What exactly is a political poem? What is a poet's responsibility toward politics? What can a poem accomplish? Or maybe the uncertain attitude often on display is a kind of answer for an America where it's become so hard to trust or tell what's going on, where, as Joe Wenderoth says, we must look to "transparency after transparency/ adorning whatever it is that moves us/ no closer to knowing." (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Joshua Beckman was born in New Haven, Connecticut. His previous books include Your Time Has Come, and two collaborations with Matthew Rohrer. He lives in Seattle and New York. Matthew Zapruder is the author of two collections of poetry: American Linden and The Pajamaist (Copper Canyon, 2006), selected by Tony Hoagland as the winner of the William Carlos Williams Award from the Poetry Society of America. He is also co-translator of Secret Weapon, the final collection by the late Romanian poet Eugen Jebeleanu.

Product Details

  • Paperback: 144 pages
  • Publisher: Wave Books; First Edition edition (September 1, 2008)
  • Language: English
  • ISBN-10: 1933517336
  • ISBN-13: 978-1933517339
  • Product Dimensions: 7.6 x 5.7 x 0.4 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,579,310 in Books (See Top 100 in Books)

 

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1 of 2 people found the following review helpful:
5.0 out of 5 stars Red, White, and Blue, May 27, 2009
By 
Kevin Killian (San Francisco, CA United States) - See all my reviews
(HALL OF FAME REVIEWER)    (TOP 1000 REVIEWER)    (REAL NAME)   
This review is from: State of the Union: Fifty Political Poems (Paperback)
This is a smart anthology somewhat underreviewed (at least on Amazon), though careful shoppers will want to check out other reviews outside this box. I wonder why it hasn't had much attention here, but it might have been that last fall--when the book was released--folks had other fish to fry, and I must have been in that cohort, since the book has sat in my Tpo Review pile for at least six months. I would take it up, crack it open, read an excellent poem, then put it aside, perhaps for another book where more fun was to be had. A young poet friend of mine extrapolated from this account of my interactions with "State of the Union"that I was afraid of its possible influence, for I too aspire to write political poems, and though I haven't had much success with them, subconsciously the glitter and polish of these poems, from Ashbery to Palmer and Howe, might be calling out to me, and my deluded mind will treat them as subaltern.

Well I suppose that's so. At first I wondered why editors Zapruder and Beckman chose only 50 political poems--doesn't seem like so many, does it? Maybe it corresponds to the number of states in the USA? If so it sort of works, but in no major way. It's a USA-centric book, perhaps on purpose, for during election years it always seems that we're the only country with any politics, whether for good or evil. The editors say only that they issued a call for poets to submit their "political work," and 1500 responses came in, sifted through by a staff, and presumably then they also asked individual poets for work as well, on the suggestion of other friends and colleagues. I wonder what percentage of the 50 poems here came via the "öpen call" and if, possibly, Ed Roberson's magnificent "The Open" reflects that call. It is possibly the best poem in the book and, significantly, one of the longest. That was my final answer, that the editors of STATE OF THE UNION limited it to fifty poems only because, on average, the poems were longer than those in your average anthology. Tate, Wier and Gizzi (Peter) sent in perfect lapidary little poems, but quite of few selections represent the most sustained poem I've ever seen by the poet in question.

In the end it comes down, I think, to that age old dilemma of a really excellent book saddled with a super-lame title. "State of the Union" indeed. Do you know, when you type in State of the Union at Amazon, and look under books, it list 110,021 entries? And that's just the books, I'm not counting other media such as the 1948 Frank Capra film with Tracy and Hepburn, a box office disappointment that would have done much better had it been called anything other than STATE OF THE UNION.
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