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20 of 21 people found the following review helpful:
5.0 out of 5 stars
One of the best political satires ever made!, August 8, 2001
By A Customer
Since the gentleman before me does such a wonderful job in describing the movie's plot I won't go into that...but I did want to say that "State of the Union" is one of my all-time favorite "classic" movies. This highly underrated Frank Capra film ranks as one the best on-screen pairings of the ever-watchable Spencer Tracy and Katherine Hepburn. This film is just as relevant to today's political system as it was to its' own era a half-century ago, which only shows that there has never been a "golden age" of American politics. Tracy is superb in his role as a kind of sane and non-paranoid Ross Perot who hopes to "come from nowhere" and capture the 1948 Republican presidential nomination. Katherine Hepburn,Van Johnson and Adolphe Menjou turn in strong supporting performances, but this film really belongs to a very young (and very attractive) Angela Lansbury, as the ruthless owner of a newspaper publishing empire who will stop at nothing to make Tracy the Republican nominee - even if it means breaking up his marriage. One last bit of trivia - this film is loosely based on the real-life presidential campaign of Wendell Willkie, a young and dynamic New York businessman who really did "come from nowhere" to beat the bosses and win the 1940 Republican presidential nomination. He went on to lose a close race to President Franklin D. Roosevelt, but the memory of his underdog victory against the "crooked politicians" inspired many Americans for years, including Katherine Hepburn and Frank Capra. So not only is "State of the Union" a great piece of political satire, it's also based on a real historical event - which just goes to show that our political system doesn't always have to run by the "bad guys". "State of the Union" is a superb film - don't miss it!
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15 of 15 people found the following review helpful:
4.0 out of 5 stars
The Tracy and Hepburn team do a Capracorn film, June 11, 2006
Hollywood always seems to produce better Presidents and candidates for President than the real world, which is certainly the case with this 1948 Frank Capra film. Spencer Tracy plays Grant Matthews, who is persuaded by his mistress, powerful publishing heiress Kay Thorndyke, played to the hilt by Angela Lansbury, to seek the Republican nomination. Katharine Hepburn plays Mary Matthews, who joins her estranged husband to present a public portrait of a happy family. With the aid of the conniving political boss Jim Conover, played by Adolphe Menjou, Matthews begins the long road to the White House.
Based on the Pulitzer-prize winning play by Howard Lindsay and Russel Crouse, you can still get a sense of the original three-act structure of the story. Act I in a Washington, D.C. bedroom in the house of political operative Jim Conover is where Matthews is convinced to try running for President and his wife is persuaded that this is as much a chance to save her marriage as it is to advance her husband's campaign. Act II in a hotel room in Detroit is where Matthews begins sacrificing principles for political expediency in his quest to gain the White House. Act III takes place in the Matthews home on the night of a national radio address, when everything finally comes to a head. From this perspective you have to credit scenarists Anthony Veiller and Myles Connolly with have done an excellent job of adapting the play to the screen. There are a lot of little jokes at the expense of the politicians in both parties in 1948, which will probably be lost on contemporary audiences; in fact, while on Broadway the political jokes were updated weekly. Certainly the particular brand of "Republicanism" offered by candidate Matthews, with his belief in the ultimate formation of a United States of Earth, sounds much more like what we would consider left-wing politics today.
As with most Capra films the acting is a delight from top to bottom. Tracy has several of those earnest speeches about America that make you shake your head when you look at Bore and Gush, while Hepburn tries to deal with both her husband's political amibitons and the other woman in his life. Lansbury's cold and calculating performance foreshadows the monstrous creature she plays in "The Manchurian Candidate." Van Johnson as Spike McManus is pretty much the weatherwave of the story and there is a marvelous moment when Johnson makes a sarcastic quip and Tracy turns and says, "I haven't quite made up my mind about you yet." Howard Smith, Margaret Hamilton and Lewis Stone all have marvelous bit parts as well. Capra was always more concerned with the people who played his characters more than art direction or shot composition. "State of the Union" is rarely considered one of Capra's best works simply because he had less of an impact than usual because it was based on such a successful play, but it is certainly in keeping with the ideological perspective of more celebrated Capracorn films such as "Meet John Doe" and "Mr. Smith Goes to Washington."
Final notes: "State of the Union" was originally slated for Capra favorite Gary Cooper and Claudette Colbert. Tracy was signed instead of Cooper and when Colbert pulled out at the last moment Tracy suggested Hepburn, who had been rehearsing with him, as the obvious replacement. There are a few suspicious souls who believe that Ronald Reagan lifted his infamous "I'm paying for this microphone' line in the 1980 primaries from Tracy's final outburst in "State of the Union." Make up your own mind on that one.
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13 of 14 people found the following review helpful:
5.0 out of 5 stars
Tracy and Hepburn do a Capracorn film, November 5, 2000
Hollywood always seems to produce better Presidents and candidates for President than the real world, which is certainly the case with this 1948 Frank Capra film. Spencer Tracy plays Grant Matthews, who is persuaded by his mistress, powerful publishing heiress Kay Thorndyke, played to the hilt by Angela Lansbury, to seek the Republican nomination. Katharine Hepburn plays Mary Matthews, who joins her estranged husband to present a public portrait of a happy family. With the aid of the conniving political boss Jim Conover, played by Adolphe Menjou, Matthews begins the long road to the White House.Based on the Pulitzer-prize winning play by Howard Lindsay and Russel Crouse, you can still get a sense of the original three-act structure of the story. Act I in a Washington, D.C. bedroom in the house of political operative Jim Conover is where Matthews is convinced to try running for President and his wife is persuaded that this is as much a chance to save her marriage as it is to advance her husband's campaign. Act II in a hotel room in Detroit is where Matthews begins sacrificing principles for political expediency in his quest to gain the White House. Act III takes place in the Matthews home on the night of a national radio address, when everything finally comes to a head. From this perspective you have to credit scenarists Anthony Veiller and Myles Connolly with have done an excellent job of adapting the play to the screen. There are a lot of little jokes at the expense of the politicians in both parties in 1948, which will probably be lost on contemporary audiences; in fact, while on Broadway the political jokes were updated weekly. Certainly the particular brand of "Republicanism" offered by candidate Matthews, with his belief in the ultimate formation of a United States of Earth, sounds much more like what we would consider left-wing politics today. As with most Capra films the acting is a delight from top to bottom. Tracy has several of those earnest speeches about America that make you shake your head when you look at Bore and Gush, while Hepburn tries to deal with both her husband's political amibitons and the other woman in his life. Lansbury's cold and calculating performance foreshadows the monstrous creature she plays in "The Manchurian Candidate." Van Johnson as Spike McManus is pretty much the weatherwave of the story and there is a marvelous moment when Johnson makes a sarcastic quip and Tracy turns and says, "I haven't quite made up my mind about you yet." Howard Smith, Margaret Hamilton and Lewis Stone all have marvelous bit parts as well. Capra was always more concerned with the people who played his characters more than art direction or shot composition. "State of the Union" is rarely considered one of Capra's best works simply because he had less of an impact than usual because it was based on such a successful play, but it is certainly in keeping with the ideological perspective of more celebrated Capracorn films such as "Meet John Doe" and "Mr. Smith Goes to Washington." Final notes: "State of the Union" was originally slated for Capra favorite Gary Cooper and Claudette Colbert. Tracy was signed instead of Cooper and when Colbert pulled out at the last moment Tracy suggested Hepburn, who had been rehearsing with him, as the obvious replacement. There are a few suspicious souls who believe that Ronald Reagan lifted his infamous "I'm paying for this microphone' line in the 1980 primaries from Tracy's final outburst in "State of the Union." Make up your own mind on that one.
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