Amazon.com Review
Former Maine assistant attorney general Katharine Clark writes a lively series about a tough private detective called Thea Kozak (
Death at the Wheel,
Death in a Funhouse Mirror) under her Kate Flora pseudonym. Now comes this timely and very suspenseful thriller about such hot-button issues as surrogate fatherhood, AIDS phobia, and people who manipulate the missing children epidemic.
When 9-year-old David Stark disappears from his Massachusetts home, leaving behind on the roadside his new red bicycle, it touches raw nerves in several characters: David's over-protective mother, Rachel (who feels a strong psychic bond with her only child); his cold and supercilious father, Stephen (who isn't the boy's natural father--a sperm donor was involved); his jealous and mean-spirited aunt, Miranda (who gave away the family secret code, thus helping the kidnapper); an apparently unfeeling local detective; and the too-smooth head of a national missing children's foundation.
Clark manages to keep us interested in even her unsympathetic characters as the plot unfolds. We see David being kept alive but in dire danger and learn why he was chosen to be the victim of this particular crime. If at times the author seems to rely too much on every parent's darkest fear for her emotional energy, she also is sharp enough to involve even the childless or the misanthropic in the twists of her story. --Dick Adler
--This text refers to an out of print or unavailable edition of this title.
In this tricky thriller about the search for a kidnapped child, Clark gives her readers lots to think about. Why does Detective Gallagher, the police officer assigned to the case, seem so uninterested in the abduction? What's going on between the boy's father and his sister-in-law? Is there really a psychic bond between mother and child? And why, exactly, would anyone kidnap nine-year-old David Stark? While these questions sometimes seem designed to distract one's attention from a somewhat threadbare plot, they serve their purpose, and most readers will find themselves zipping back and forth among the puzzles, wondering whether this character knows more than he (or she) is telling, whether that character has a hidden agenda, hardly noticing that, for several rather lengthy periods, nothing much seems to be happening. While some mystery readers might find the novel a little unsatisfying, fans of family-crisis novels featuring realistic characters in tough situations (by writers like Judith Guest, for example) should be well pleased.
David Pitt
--This text refers to an out of print or unavailable edition of this title.