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The film centers around an American girl (Liv Tyler) who travels over to Italy to visit her relatives. While there, she gains the friendship of an older writer (Jeremy Irons) who is dying of cancer. Tyler exudes a youthful, natural and yet mysterious beauty which complements Irons' masculine, distinguished screen-presence quite nicely. In many sequences, Tyler is photographed so elegantly that she appears to be a model for one of Boticelli's paintings.
Juxtaposed with this bonding is the desire for Tyler's character to lose her virginity. In this rite-of-passage, her dying friend becomes her mentor. They both want it to be "special," but she is also tempted to just "do it" with the efficacy of becoming a complete woman.
As the cover of the DVD shows Liv Tyler nude, a lot of guys are probably wondering if this is a movie in which she actually bares anything. The answer is......yes! There are a few brief scenes in which she is topless. To my knowledge, this is the only film in which she appears nude.
Filmed on the sun-drenched verdant rolling green countryside of Italy, the movie is colorfully illustrated by vibrant contrasts of red and green. The cinematography goes a long way towards giving the story a distinctly Italian flavor.
So, if you're Italian, like Italian stuff, enjoy aesthetically pleasing films, admire Jeremy Irons or have a crush on Liv Tyler, this movie is for you. If none of these things appeal to you, this probably is not a DVD for you.
The story is a flimsy construct but it's well supported by Tyler's appealing, open performance, some sharp playing from Jeremy Irons, Donal McCann and Sinead Cusack, and Darius Khondji's supple, deep focus photography. Bertolucci relies a little heavily on music cues to telegraph emotions but he's in full control of this subtle tale, which proceeds in a languorous daze to a tender and touching close. There are those who still bemoan the director's forsaking of political themse to concentrate wholly on the personal, but the film-making skill and the understanding of the human heart apparent in such films as The Spider's Stratagem and The Conformist are still very much in evidence here. It may focus on the soul rather than the state, but Stealing Beauty feels just as important as anything Bertolucci has made in the past.
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