From Publishers Weekly
As the destruction from the war in Iraq has demonstrated most recently, a country's antiquities are never safe from marauding looters and greedy collectors who trawl the black market. In a study that is part detective story and part history lesson, Atwood, an expert on the antiquities market who writes for
ARTnews and
Archaeology, focuses on one incident as a case study of the insidious effects of the illicit antiquities trade. In 1987, a group of grave robbers working at a burial mound near the village of Sipán in northern Peru uncovered a mausoleum of Moche rulers (the Moche were an innovative indigenous tribe) with a rich cache of gold and silver artifacts. Word soon spread to international buyers, who responded favorably, and prolonged looting began. By the time the Peruvian police intervened three weeks later, much damage had already been done. Walter Alva, a native Peruvian and the site's chief archeologist, uncovered many more undamaged tombs and worked tirelessly to preserve this ancient legacy, bravely confronting looters and endeavoring to establish laws to prevent museums form accepting stolen goods. The case raised international awareness of the illegal antiquities trade. Atwood's ability to bring a story dramatically to life and his keen interest in stemming the illegal antiquities trade makes this an important book for anyone interested in archeology, preservation or the potentially tangled provenance of works they love. B&w illus., one map.
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Writing for magazines such as
ARTnews, Atwood is an expert on the global traffic in stolen archaeological objects. His meticulous book tracks his investigation of one such object, a gold ornament cast by the Moche culture of pre-Columbian Peru. But in a prelude, Atwood recounts the night he accompanied, with their permission, Peruvian grave robbers at work. Although sympathetic to their destitution, Atwood is appalled at their obliteration of a site's archaeological value. Of course, the demand for these objects emanates from the acquisitive appetites of museums and wealthy collectors, who appear in the course of Atwood's account of the Moche "backflap." Plundered by grave robbers in 1987, it was smuggled into the U.S. by a corrupt Panamanian diplomat and seized in an FBI sting in 1997. Atwood's high-velocity, true-crime narrative immediately hooks readers while also informing them about the international antiquities business. A case study of the sordid trade, Atwood's stern admonition to the art world to reform, before archaeological knowledge becomes irretrievable forever, deserves a hearing.
Gilbert TaylorCopyright © American Library Association. All rights reserved
--This text refers to an out of print or unavailable edition of this title.