Steamboy (English Subtitled) 2005 PG-13 CC

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(140) IMDb 6.9/10
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Katsuhiro Otomo's first feature-length directorial project since 1988's breakthrough film Akira. Anaction adventure state-of-the-art anime feature about a young, brave boy who must save London from destruction.

Starring:
Anne Suzuki, Masane Tsukayama
Runtime:
2 hours 7 minutes

Available to watch on supported devices.

Steamboy (English Subtitled)

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Product Details

Genres Science Fiction, Adventure, Action, Kids & Family
Director Katsuhiro Ôtomo
Starring Anne Suzuki, Masane Tsukayama
Supporting actors Katsuo Nakamura, Manami Konishi, Kiyoshi Kodama, Ikki Sawamura, Susumu Terajima, Osamu Saka, Rosalind Ayres, Mark Bramhall, Oliver Cotton, Robin Atkin Downes, William Hootkins, Peter Lavin, David S. Lee, Alfred Molina, Paula J. Newman, Anna Paquin, Moira Quirk, Alan Shearman
Studio Destination Films
MPAA rating PG-13 (Parental Guidance Suggested)
Captions and subtitles English Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

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Customer Reviews

Steamboy is one of the best Anime movies I've ever seen.
B. Elswick
The creators of the film seemed to focus in too much upon the animation though and less upon character development and plot.
Acoma
The characters aren't really that interesting either and don't go through much change.
Cloud

Most Helpful Customer Reviews

22 of 23 people found the following review helpful By Terrell T. Gibbs on July 29, 2005
Format: DVD Verified Purchase
In Steamboy, Director Otomo turns his attention to the Steampunk genre, and the result is a gripping Victorian era techno-thriller. The macguffin of the plot is a ball that is supposedly able to store steam at enormous pressure and density. It doesn't make much sense, but it manages to drive a plot with a lot of action, engaging steam-puffing war machines, and some moderately sophisticated debate about the uses of science and technology.

The characters are engaging, although hero Ray is the usual somewhat generic plucky adolescent. The spoiled adolescent aristocrat Scarlett is considerably more interesting, as are Ray's father and grandfather, who personify conflicting ideas about the uses of technology.

The animation is, of course, wonderful, as expected from the director of Akira. The film is full of strikingly original action scenes, which are both well conceived and well executed. Destruction abounds. Reputedly, the film used quite a bit of computer graphics, but it is extraordinarily well integrated. The hand-drawn characters do not have the "pasted in" look that has characterized most previous attempts to combine hand drawn and computer generated art, and I was hard put to tell where the traditional animation ended and the computer animation began.

The DVD includes both the original Japanese version (with English subtitles available) as well as an English dubbed version. The English dubbing is extremely well done, with top notch talent including Anna Paquin (Rogue from the XMen movies) as the adolescent boy hero, Patrick Stewart as his grandfather, and Alfred Molina as his father. The English dubbing was overseen by Otomo himself, and is arguably better suited to the story than the original Japanese, as it is set in Victorian England.
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40 of 50 people found the following review helpful By Michael Kim on June 16, 2005
Format: DVD
Background:

Steamboy is the first movie directed by a giant from Japanese anime Katsuhiro Otomo since his ground breaking movie Akira from 16 years ago. Unlike most anime fans I saw Steamboy before seeing its more famous partner. If you are expecting another Akira you will be disappointed since Steamboy is a 180 degree opposite in ambiance although both movies explore similar themes. Instead of Akira's dsytopic nihilistic Neo-Toyko Otomo re-creates a romantic optimistic Victorian England. Steamboy has the feel of a more mainstream Hollywood style action/adventure movie. Steamboy presents a fascinating intersection of history and sci-fi as its backdrop. The DVD is the director's cut with your choice of having the dialogue in English, Japanese and various Romance languages. Also, one can have subtitles in English, and the other languages.

Non-spoiler Plot:

Steamboy takes place in Victorian England in 1866. Although Otomo rewrites history by throwing in many elements not yet existing in 1866 but are from that overall period including Tower Bridge and battleships not built till the last decade of the 19th century. The movie is centered on the ownership of a Steam Ball which can generate the power equivalent to a small nuclear reactor. The movie, as typical in many Japanese anime and fantasy movies, centers on the issue of what is the proper use of this new breakthrough technology. This conflict is represented as an intergenerational conflict within the Steam family.
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9 of 10 people found the following review helpful By Gord Wilson VINE VOICE on June 30, 2007
Format: DVD
Taken on its own, this is a dazzling film. Fans comparing various anime might find reason to cavil, but I probably like it for reasons others don't. It doesn't mix and match CGI effects or use up its bag of tricks. It's not given to constantly shifting camera angles merely because computerized cameras can do that, which still seems a novelty to live action producers. It stays largely to its color palette, the dark, forbidding tones of a Dicknesian Victorian England. By comparison I found the preview for Final Fantasy VII, which some fans probably consider state of the art, extremely boring.

Steamboy plays like a filmed book, very deftly showing more than it tells. When there is speaking, it rarely clears things up, but merely adds more red herrings to the story. The film obviously owes a lot to Sherlock Holmes, as well as the earlier mechanical (as opposed to later electronic) ingenuity of The Wild Wild West TV show. But it draws subtly from these inspirations. Steamboy ends as it has to, in the epic fashion of Jules Verne and all Victorian and Edwardian visionary novels. One scene is also quite similar to the visually arresting opening of Chesterton's 1905 novel, The Ball and The Cross, although the story line is entirely different. I expect that except for The League of Extraordinary Gentlemen, the future visions of this era are largely unexplored as film territory. The ending also suggests that a sequel, or even a series could follow. But instead it does something else: depict the "continuing adventure" in poignant scenes behind the closing credits. Choosing one of the extra features runs this imaginative portrayl without the credits.

The main characters are all inventors, and all in the same lineage.
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