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Stellar Regions

John ColtraneAudio CD
4.5 out of 5 stars  See all reviews (32 customer reviews)

Price: $14.10 & FREE Shipping on orders over $35. Details
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 : Includes FREE MP3 version of this album.
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MP3 Music, 11 Songs, 1995 $9.49  
Audio CD, 1995 $14.10  
Vinyl, 1995 --  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Seraphic Light 8:57Album Only
listen  2. Sun Star 6:08$0.99  Buy MP3 
listen  3. Stellar Regions 3:34$0.99  Buy MP3 
listen  4. Iris 3:53$0.99  Buy MP3 
listen  5. Offering 8:22Album Only
listen  6. Configuration 4:03$0.99  Buy MP3 
listen  7. Jimmy's Mode 6:00$0.99  Buy MP3 
listen  8. Tranesonic 4:17$0.99  Buy MP3 
listen  9. Stellar Regions (Alternate Take Version) 4:40$0.99  Buy MP3 
listen10. Sun Star (Alternate Take Version) 8:05Album Only
listen11. Tranesonic (Alternate Take Version) 2:49$0.99  Buy MP3 


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Frequently Bought Together

Stellar Regions + Interstellar Space + Meditations
Price for all three: $37.64

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  • Interstellar Space $11.88
  • Meditations $11.66

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Product Details

  • Audio CD (October 10, 1995)
  • Number of Discs: 1
  • Label: Grp Records
  • ASIN: B000003N7W
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (32 customer reviews)
  • Amazon Best Sellers Rank: #123,777 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

This set is drawn from a February 15, 1967, recording session--one of John Coltrane's last days in the studio. The tapes had been in Alice Coltrane's care since the recording, and she gave titles to the pieces, overseeing their release on CD in 1995. All are previously unreleased with the exception of "Offering" which appeared on Expression. As on that release, there's evidence here that Coltrane's relentless musical search was drawing him ever further out. The performances are shorter, focused, with a magisterial lyricism seamlessly integrated with exclamatory shrieks and cries. There is an aching, though rough-hewn, beauty to Coltrane's playing on these tracks. With the exception of "Tranesonic" where he is on alto, he plays tenor sax throughout. His command of the instrument from the very bottom of the low register to the stratospheric heights of the altissimo is staggering--note in particular his "duet" with himself on "Sun Star" where he questions and answers with himself on the extreme ranges of the horn. There's a depth and wisdom to these recordings that only further extends the Coltrane legacy. --Michael Monhart

Product Description

Trane's last studio recordings, recently discovered in wife Alice Coltrane's private collection! Includes Creation; Sun Star; Offering , and more.

Customer Reviews

Most Helpful Customer Reviews
31 of 32 people found the following review helpful
5.0 out of 5 stars a quick note October 7, 2002
By eezeeks
Format:Audio CD
i found this cd in the used bin and decided to pick it up because it was on the cheap. normally i would hesitate to buy MORE late era coltrane - i mean how much do i need, right?
boy was i wrong... i loved this album from the very first time i put it on the stereo.
i would recommend that this be the first late era coltrane cd that you purchase if you're not versed in abstract/avant music. why? because it's just as complex as coltrane's releases that surround it, but it's easier to get initially get into.
how can that be? i mean, how can something be just as complex, yet more accessable? it's because of the feel of the record. with Ascension and Interstellar Space, the music was not only insanely complex, but also almost harsh on the ears. the volume and the (i hesitate to use the word) harshness of those records provided the listener with an additional barrier they had to break through before they could get into the record. here, that barrier is gone.
the music, while complex and abstract, has a very soothing feel to it. the title is very befitting, as coltrane's notes sound as beautiful and natural as stars in the sky. his wife, alice, plays piano here, and her spacey, beautiful contribution complements the music perfectly. even when the music is impossible, the sound is always inviting. that's what i love about this - it sounds natural, beautiful and complex. for those who have been hesitating to get late era Coltrane, this is the place to start.
gorgeous.
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28 of 29 people found the following review helpful
5.0 out of 5 stars Stellar regions indeed... August 24, 2004
Format:Audio CD
This was one of John Coltrane's last studio sessions. It is obvious here that what he had in mind in the studio was very different from what he had in mind for his live performances. The studio was a laboratory for him; he experimented constantly during recording sessions. Stellar Regions represents yet another of his studio explorations in which he stretched the neverending limits of free jazz. To be complelety honest, some of the music here is very resemblant of classical music, especially "Seraphic Light," "Iris," "Jimmy's Mode," and the title track, which is actually "Venus" from Interstellar Space, not "Stellar Regions," as Alice Coltrane mistakenly titled it when she helped put together this posthumous release.

The music on this album gives some good clues as to what sort of stuff Coltrane may have done had he lived on into the '70s: shorter pieces, longer, more developed melodies (which he briefly explored on Living Space with the classic quartet), and extensive study of different modes and harmony. Of course, he was always exploring the melodic and harmonic aspects of the music, but he never focused that much on rhythm. Toward the end of his life, he said that he wanted to experiment more with rhythm and different ways to use rhythm. Rashied Ali was the perfect drummer for that. He developed a method of playing freely but still counting in his head; it was just brilliant. The absence of Pharoah Sanders here may also be indicative of what Coltrane had in mind. Maybe he just wanted to go back to working with a quartet in the studio, while still using an expanded lineup for live performances (The Olatunji Concert, Coltrane's last recording before his death, is an amazing exploration featuring both Trane and Pharoah.. one of the greatest recordings ever made).
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10 of 10 people found the following review helpful
Format:Audio CD
I like to think of Coltrane's prestige years as a time of myth. His time with Bethlehem, Blue Note and Columbia (w/ miles) his education. His Atlantic Years as his "prime" as an entertainer and touring musician. And finally his Impulse! years as a period in time that took him from being a very spiritual artist to an absolute GOD. He seemed to get more and more far out as his life came to an end. Miles davis said (after coltrane's death) "John took it so far out and just left it there, he was the leader, nobody knows what to do with it now". allegedly starting a few months before this recording and really peaking during the sessions, John was getting haunting visions of GOD whenever he played music. He didn't know he was sick but he knew he was going to die. You can definately hear that in this music. It's amazing this stuff collected dust for so many years. I have every Coltrane Impulse! album as well as bootlegs and japanese only releases. This one is my very favorite. This is the one I go back to time and again. This album gets me higher than any herb or chemical ever has. I can not recommend it enough.
If you are looking for a blown mind start here then pick up "ascension", "interstellar space", and the "village vanguard master takes". you won't be sorry.
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8 of 8 people found the following review helpful
5.0 out of 5 stars A Powerfully Charged Performance February 23, 2001
By Mel B.
Format:Audio CD
This is late Coltrane, and takes on special significance because he died some few months after the recording. Apparently his wife, Alice Coltrane, named a number of the sections, including the Album title. I find myself drawn to many of these sections (my particular favorite is for now, Sun Star--both takes), but I believe all of the recording to be powerfully charged and engaging. It is a work reflective of Coltrane's spiritual struggle, and effort toward transcendence, mirrored by, in this recording, his explorations of the upper ranges of the tenor saxophone. For sure, there is dissonance in the work (which is no doubt why I generally don't listen to it all in one sitting, but prefer to hear different sections at different times), but the music succeeds for me wonderfully, as an embodiment of Coltrane's own earthly travails (early in his life, he'd been trapped in drugs and alcohol, and in this work, he may well have had intimations of his own impending death), and black people's travails and mankind's in general; and when the more melodic lines do come through--clear and compelling--it's as if Coltrane (who had become a vegetarian and taken to reading Eastern literature, including the work of Krishnamurti) is saying that the higher spiritual realms are worth the agony of the struggle and can be reached! I'm not troubled by definitional issues that others may have, i.e., is this jazz or not? Coltrane, a man beyond constraining schools of music, was driven to create something new and vital, and to make his best artistic statement. If one is looking for more traditional music, or sugar-coated melodies (jazzed-up), I would not recommend this recording. If one is open, however, to a broader range of musical experience, I believe this recording is one very much worth having.
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Most Recent Customer Reviews
5.0 out of 5 stars Pointing to Something Spectacular
When this album of "lost" recordings from a February 15, 1967, session was released in 1995, it truly was an incredible addition to the John Coltrane discography. Read more
Published on August 10, 2010 by Best Of All
5.0 out of 5 stars Protean Cotrane near His Climax & Great Sound Quality.
Not only had Trane dumped Tyner (he could have done it sooner), but he added Ali, with whom he was able to achieve a mutual ferocity that is to this day unparalleled. Read more
Published on December 29, 2009 by A. Ives
4.0 out of 5 stars Seraphic Light
My rating to this CD is between 3/4.Stellar Regions brings back the old memories and leaves me cold... Read more
Published on September 23, 2008 by Pat Mathonzi
4.0 out of 5 stars Stellar indeed... for the most part, anyway...
One of Coltrane's very last recordings - the group here is without Pharaoh Sanders, made up of Alice Coltrane on piano, Jimmy Garrison on bass and Rashied Ali drumming. Read more
Published on November 17, 2007 by finulanu
5.0 out of 5 stars another mindblower.
recorded 5 months before his death in 1967, but not released until 1995, this is another mindblowing impulse release of coltrane's super-sonic music. Read more
Published on April 11, 2007 by fluffy, the human being.
5.0 out of 5 stars Interesting stuff
This is one of Coltrane's last and greatest albums. Like many of Coltrane's later outings the music sounds very 'out there' and at the same time it sounds so direct and almost... Read more
Published on January 6, 2006 by Stalwart Kreinblaster
5.0 out of 5 stars A different quartet but the same result
This Coltrane is just another solid album. Seraphic Light is the best song on the album. This was recorded right before Interstellar space in February of 1967,5 months before... Read more
Published on November 19, 2005 by lil' rook
4.0 out of 5 stars STELLAR REGIONS: worthwhile
Stellar Regions is a very cool collection of studio outtakes from the later years of Coltrane's life. Read more
Published on September 22, 2005 by J. Holmes
5.0 out of 5 stars One of Coltrane's Deepest !
Coltrane's music was always spiritual. His sound, even in the 50's, always had that yearning, that searching quality. Read more
Published on April 7, 2005 by nadav haber
5.0 out of 5 stars Simply put: Amazing!
Great, great, great, Coltrane album - probably my favorite. It's too bad such a talent died so young. Who knows what he would've gotten into later in life...
Published on August 28, 2003 by T. Klaase
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