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Stephen Spender: A Literary Life
 
 
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Stephen Spender: A Literary Life [Hardcover]

John Sutherland (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

January 6, 2005
One of the leading poets and cultural icons of the 20th century, Stephen Spender was a prominent writer, literary critic, and social commentator--and close friend of some of the best-know creative talents of his day. Now, in this penetrating biography, John Sutherland paints a vivid portrait of Spender and of the glittering literary world of which he was a part, drawing on exclusive access to Spender's private papers.
This briskly paced, compelling narrative illuminates the vast range of Spender's literary, political, and artistic interests. We follow Spender from childhood to his days at Oxford (where he first became friends with W.H. Auden, Christopher Isherwood, and Isaiah Berlin); to his meteoric rise as poet in the 1930s, while still in his twenties; to his later years as cultural statesman, at home in both Britain and America. We witness many of the century's defining moments through Spender's eyes: the Spanish Civil War, World War II, the Cold War, the 1960s sexual revolution, and the rise of America as a cultural force. And along the way, we are introduced to many of Spender's accomplished friends, including Dylan Thomas, Sylvia Plath, Cecil Day-Lewis, Joseph Brodsky, Lucian Freud, George Orwell, Virginia Woolf, and T.S. Eliot. Perhaps most important, Sutherland has been granted exclusive access to Spender's private papers by his wife Natasha Spender. Thus he is able to provide a far more intimate look at the poet's personal life than has appeared in previous biographies.
Featuring 36 unpublished photographs, Stephen Spender: A Literary Life throws light not only on this supremely gifted writer, but also on the literary and social history of the twentieth century.

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Editorial Reviews

From Publishers Weekly

Hailed as a major poetic talent when T.S. Eliot at Faber & Faber published his first book, Poems, 1933, Stephen Spender (1909–1995) was a close friend of W.H. Auden and Christopher Isherwood, sharing in his youth their bohemian gay lifestyle. Although Spender outlived most of his famous peers, his name remains inextricably linked with the 1930s. Sutherland (Reading the Decades), a professor of modern English literature at University College London, draws on unparalleled access to Spender's private papers and makes subtle use of his autobiography, World within World. Sutherland's intimate and admiring portrait reveals a disarmingly honest, gentle Spender. Beginning with an engrossing account of the poet's oppressive Edwardian childhood, Sutherland charts Spender's travel, writing and relationships with seamless attention to detail and deals unfussily with Spender's change in sexual persuasion, sparked in 1934 by a passionate affair with Muriel Gardiner, a spy for the socialist underground in Vienna, and continuing with Spender's long, happy marriage to pianist Natasha Litvin. Briefly a Communist, Spender throughout his life participated in liberal causes, from crafting antifascist propaganda during the Spanish Civil War to assisting with the formation of UNESCO. By middle age he was a celebrated cultural statesman. Shrewd, laconic and beautifully paced, Sutherland's portrait of a poet and his luminary circle will absorb all readers of 20th-century literary history. 36 b&w illus.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker

Despite his versatility as a man of letters, Stephen Spender never lacked for hostile critics, and even his friends could not resist twitting him: Cyril Connolly once gibed that there were two Stephen Spenders—one "an inspired simpleton, a great big silly goose, a holy Russian idiot," the other a clever operator who was "shrewd, ambitious, aggressive and ruthless." Sutherland, an able advocate, portrays Spender as a decent and unfairly maligned figure whose early success as a poet in the thirties was a "cross he bore all his life." Still, Spender moved easily in transatlantic intellectual circles, a footloose lecturer, broadcaster, and evangelist for liberal ideals during the Cold War years (although tainted by a scandal concerning the C.I.A.-funded journal Encounter, where he served as co-editor). Sutherland's authorized biography takes Spender's literary achievement as a given, but his close readings of the poems don't quite persuade one that Spender was a writer of the first rank.
Copyright © 2005 The New Yorker

Product Details

  • Hardcover: 656 pages
  • Publisher: Oxford University Press, USA; 1St Edition edition (January 6, 2005)
  • Language: English
  • ISBN-10: 0195178165
  • ISBN-13: 978-0195178166
  • Product Dimensions: 9.3 x 6.5 x 2 inches
  • Shipping Weight: 2.4 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,324,207 in Books (See Top 100 in Books)

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2 of 2 people found the following review helpful:
4.0 out of 5 stars Excellent but slow biography, June 3, 2008
By 
Michael Squires (Blacksburg, VA USA) - See all my reviews
(REAL NAME)   
A figure who flourished in the Thirties, Stephen Spender is mostly forgotten today. Yet he possessed sufficient tension in his life - cultural, familial, sexual - to make him an appealing biographical figure. John Sutherland's account succeeds in identifying the man's essential qualities, especially his integrity as good friend and skilled artist; his tenacity in the face of hardship; and his ability to balance earning a living with writing brilliantly. But the book's enviable success comes at a cost. Written without much distinction of phrase and without the gift of brevity, unshapely in its organization, and sometimes badly edited, the book loses vitality as it slowly unfolds. Here's an example from page 170: "She was a colleague of Humphrey's and Margaret Low's (Humphrey's future wife) best friend at the Architectural Association." Sentences like it are not uncommon. Still, if one is willing to skim the dullest portions, the book's extensive research illuminates Spender's gifts and exalts his fierce commitment to a literary life. In many ways the choices Spender made seem very modern.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
backward son, generous days
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Stephen Spender, Loudoun Road, Failed Father, Ambitious Son, Isaiah Berlin, New York, John Lehmann, The Temple, Mas de St Jerome, Natasha Spender, Middle Years, William Plomer, New Statesman, Tony Hyndman, Reynolds Price, The Backward Son, Ted Hughes, Hogarth Press, Lloyd George, Virginia Woolf, Harold Spender, Herbert Read, Sarah Lawrence, Cyril Connolly, Rosamond Lehmann
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Front Cover | Table of Contents | First Pages | Index | Surprise Me!
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