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"Go Set a Watchman" by Harper Lee Originally written in the mid-1950s, Go Set a Watchman was the novel Harper Lee first submitted to her publishers before To Kill a Mockingbird. Assumed to have been lost, the manuscript was discovered in late 2014. Learn more | See related books
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Old book reread recently as I've started reading Buddhism and meditating. I was interested at how Hesse retold the story of Buddha's life without the difficulty of writing the history of a real man about whom there are many discordant beliefs and characterizations. He pulls it off easily. It was pleasurable and yet adolescent. A great gift for your highschooler.
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This is a very difficult book to enjoy. I read it for a class assignment; I would not have read it by choice. Though very well written, the subject is deep into psychological analysis and drug induced hallucinations. The experience of group sharing was very beneficial in my understanding of this novel.
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I first read Herman Hesse's novel "Steppenwolf" in the late 1960s, as did many baby boomers. Although I loved the novel at the time, I gradually became embarrassed by the book as an error of my youth My growing disenchantment, probably was due to my increased discomfort with the counterculture, which never appealed to me, and to "Steppenwolf's" adoption by the movement. I have always been generally conservative about most things. My unwillingness to revisit the book persisted even when I became seriously interest in Buddhism, more than fifteen years ago. I decided to revisit "Steppenwolf" upon reading a recent book about philosophy. The author mentioned Hesse's novel several times and obviously thought a great deal of it. The references in a book I liked prompted me to reread "Steppenwolf" at last.
After rereading the book, I thought that I was right to love it upon the first reading, right to leave it alone for more that 40 years, and right to revisit it. As with so many books, "Steppenwolf" loses something when read by the young. In a 1961 author's note, Hesse claimed that "Steppenwolf" often was "violently misunderstood". He attributed the misunderstanding in part to the book's popularity with young readers. Hesse also pointed out that the book tended to attract loners and intellectuals who identified with the loneliness and apparent alienation of Harry Haller, the novel's main character. This certainly would have been true in my case. Hesse wrote:
"[T]his book knows of and speaks about other things besides Harry Haller and his difficulties, about a second,higher, indestructible world beyond the Steppenwolf and his problematic life.Read more ›
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"Steppenwolf" is in part an autobiographical novel exploring the mid-life crisis of Hermann Hesse. Readers should be aware that German nationalists up to this point had criticised Hesse for his pacifist writings and activities during WWI. He like so many of his generation had helplessly watched the socio-economic turmoil and transition of Germany during the Weimar Republic, although he had long ago immigrated to Switzerland. He witnessed the deterioration of his first wife's mental health, which subsequently lead to their divorce. And he was afflicted with gout and other physical ailments, some of which are mentioned in the novel. With these tragic events weighing heavily on Hesse, he suffered a nervous break down, whereupon he underwent Jungian psychoanalysis and was inspired by it to put his accounts to paper.
The result was "Steppenwolf", a poetic tale about a middle-aged man who is spiritually, emotionally and physically sick. Any doubt to its subject matter can be easily dispelled in the book of poetry entitled "Crisis" or Crisis Pages From a Diary (Noonday), which Hesse published in 1927 at the same time as "Steppenwolf". It contains two poems found in "Steppenwolf" and a number of confessional poems describing his despair and personal loss.
Despite the abundance of reviews and narratives written on "Steppenwolf" and Hesse's philosophical position it was, he confided in the preface of editions printed after 1961, his most "violently misunderstood" work. Hippies in the late sixties embraced the book's references to drug use, anti-war activity, provocative music and sexual promiscuity. Even counter-culture guru and psychiatrist Dr.Read more ›
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A 300 page book I read in two days. Interesting story with great self descriptions of a man torn away from society into himself and his two personas, Harry Haller and the Steppenwolf. Harry Haller is the bourgeois self, who is an intellectual, thinker and socially "normal" man and Steppenwolf is the rebel self who rebels from mediocre bourgeois living and is an angry skeptic. He then meets others, including intimacy with women, who also came to the same conclusions of life's emptiness through their personas, although they come from the superficial world of desires and pleasures, which is the majority of society.
The book continues through the struggles of Harry's troubled self personas and encounters he occurs. Ultimately, it is the recognition of the self, the persona(s) that are not anymore as serious and rather humorous. This is because the acknowledgment comes from a new awareness that the self is a construction of many different personas which are all part of a game, and the idea of a game suggests the illusion we carry in the seriousness of the role we play, the persona we emulate. It's an amazing self insight that allows him to perceive his life apart from his self-made, man-made personas that are only creations of the self and societal structures, cultural conditioning and linguistic formations. This of course, includes all philosophies, all political and religious ideologies and recognizes their transient nature adapting to the current societal structure of the time. It is a revelation from the self, an escape from the ego, a release from the illusionary selves that the majority of the world are unaware and who take their personas as "real" and fail to see the multiplicity of the self and that our personas are in reality illusions we create.Read more ›
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