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Steppenwolf CD

55 customer reviews

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Audio CD, CD, June 29, 1987
"Please retry"
$4.99
$2.11 $0.99
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$4.99 & FREE Shipping on orders over $35. Details Only 5 left in stock (more on the way). Ships from and sold by Amazon.com. Gift-wrap available.

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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
  1. Sookie Sookie 3:17$1.29  Buy MP3 
  2. Everybody's Next One 3:00$1.29  Buy MP3 
  3. Berry Rides Again 2:52$1.29  Buy MP3 
  4. Hoochie Coochie Man 5:15$1.29  Buy MP3 
  5. Born To Be Wild 3:32$1.29  Buy MP3 
  6. Your Wall's Too High 5:48$1.29  Buy MP3 
  7. Desperation 5:47$1.29  Buy MP3 
  8. The Pusher 5:52$1.29  Buy MP3 
  9. A Girl I Knew 2:42$1.29  Buy MP3 
10. Take What You Need 3:31$1.29  Buy MP3 
11. The Ostrich 5:45$1.29  Buy MP3 

Product Details

  • Audio CD (June 29, 1987)
  • Number of Discs: 1
  • Format: CD
  • Label: Geffen
  • ASIN: B000002PAW
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (55 customer reviews)
  • Amazon Best Sellers Rank: #9,331 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

45 of 49 people found the following review helpful By Rik K on November 5, 2001
Format: Audio CD
The group's still-ubiquitous 1968 anthem 'Born To Be Wild', with its "heavy metal thunder" lyric, helped usher in an entire genre of music which thrives to this day. Steppenwolf's pioneering "hard rock" sound was an altogether grittier and heavier beast than 60's rock audiences had generally heard before.

Music fans wanting to own some of Steppenwolf's work have mostly been content to have one of the band's countless "greatest hits" collections - a wise choice if your interest is merely casual. Steppenwolf's few original albums tend to be highly uneven efforts, but they did manage to make a couple of great ones. "Steppenwolf", their debut, remains arguably their best.

From an unpromising start came one of rock history's most breathtakingly punchy, sonically economic-yet-engaging works. Its combination of kickin' party-on rock and sophisticated adult socio-political viewpoint is truly an odd one.

In autumn of 1967, a touring Canadian band called Sparrow (fronted by East German escapee John Kay) found itself broke and stranded in Los Angeles. Not yet ready to be sent home by Immigration officers, some of the Sparrow-men renamed themselves Steppenwolf, added a couple of locals, and passed themselves off as a fledgling American band.

The new band's intitial distinctive sound was due largely to some very dodgy old gear they were using, including the cheap Lowery organ so memorably attacked in 'Born To Be Wild' and throughout this album. Their daunting technical deficiencies were ingeniously concealed behind loads of volume and tastefully-used distortion.

Steppenwolf's fortuitous choice to use L.A.
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26 of 28 people found the following review helpful By Hans Pfaall on January 12, 2002
Format: Audio CD
Due to the possibility that some of the other reviews may have been a bit long-winded, I will state the essential. Along with Blue Cheer, Iron Butterfly, and at times Vanilla Fudge, Steppenwolf was an innovative hard rock group unfortunately not known today. On many songs, the organ, and fuzz create a unique massive sound that was before Zeppelin, and a full two years before Black Sabbath. My fiend of a friend likes calling this release "loud and dumb," but I certainly will not go that far. Although the lyrics would improve for Steppenwolf, this album is one of their best, and is essential for someone interested in the roots of heavy metal. It is a good listen, with none of what I would refer to as "obviously inefficient tracks." Particularly good are the covers - the Muddy Waters standard is one of the heaviest versions of slow blues ever recorded. John Kay's "Desperation" is a strong heavy rhythm and blues styled track. Hoyt Axton's "The Pusher" is also superb, with freaked out guitars, and a fierce vocal from Kay. This album also contains one of the most overplayed, though great songs, "Born to Be Wild." If you are the kind of person that buys albums, as opposed to best of compilations, this is one to get for sure.
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10 of 10 people found the following review helpful By Gerald A. Maliwesky on January 27, 2006
Format: Audio CD
To refute Mr. Rusty Humphrey's review: Snowblind Friend originally appeared on Steppenwolf 7, and Magic Carpet Ride on Steppenwolf the Second. Check them out too! And, the Ostrich is a great tune also.
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9 of 11 people found the following review helpful By Larry Matthews on February 3, 2000
Format: Audio CD
This is the "Greatest" Steppenwolf Album. The beginning of a hot legacy of big hits that would go from 1968 through a rather bumpy road to 1974. "Born to Be Wild" is included and was a Monster Hit that is still one of the defining songs of the 60's generation. "The Pusher", the wildly misunderstood, ANTI-DRUG song, that may be a bit hard for your mom or grandmother to listen to, but had a GOOD POINT. Other great songs such as "Sookie Sookie" (still don't understand that one), "A Girl I Knew", "Berry Rides Again" (an ode to Chuck Berry's songs) and "Take What You Need" define the Steppenwolf sound - White Blues. A great album and, like the "Doors" first album, it defines the best of their sound. Also, like "The Doors", it was their first and last album to hold fast to the sound before the blues and hard edge dwindled in their second and succeeding albums. Overall, it's outstanding. Nobody has sounded like this great Steppenwolf before or since - even Steppenwolf.
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4 of 4 people found the following review helpful By Grayrider on February 19, 2014
Format: Audio CD Verified Purchase
This SACD had a made in Austria sticker on it for what it's worth. It's a STERO SACD not 5.1 . It seems most all SACDs now are just Stereo, but so was the original album so I guess it's no big deal. The mix to my ears sounds better than most. John Kay's voice is the biggest difference. Hearing him on SACD Analog is outstanding. I'm playing this from a Pioneer 5.1 SACD player with Analog outputs into the multi channel analog input of a Yamaha RX-Z7 it definitely blows away the standard CD so I would recommend it if you have the $ and patience to wait for shipping. I waited over 6 months on pre-order status, but the SACD really does exist. The price mysteriously went up $9.00 since I ordered mine. If you pre-ordered this SACD earlier, have faith, it is coming and it is worth the wait. I hope they start producing some more of their albums in SACD.
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