Steve Reich: Music for 18 Musicians

Steve Reich (Composer), Evan Ziporyn (Performer), Leslie Scott (Performer), Jeanne LeBlanc (Performer), Edmund Niemann (Performer), Garry Kvistad (Performer), James Preiss (Performer), Jay Clayton (Performer), Nurit Tilles (Performer), Phillip Bush (Performer) | Format: Audio CD

Product Details

• Performer: Evan Ziporyn, Leslie Scott, Jeanne LeBlanc, Edmund Niemann, Garry Kvistad, et al.
• Composer: Steve Reich
• Audio CD (March 31, 1998)
• Number of Discs: 1
• Label: Nonesuch
• ASIN: B000006E4C
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.7 out of 5 stars  See all reviews (33 customer reviews)
• Amazon Best Sellers Rank: #130,032 in Music (See Top 100 in Music)

Track Listings

1. Pulses

2. Section 1

3. Section 2

4. Section 3A

5. Section 3B

6. Section 4

7. Section 5

8. Section 6

9. Section 7

10. Section 8

11. Section 9

12. Section 10

13. Section 11

14. Pulses

Customer Reviews

Most Helpful Customer Reviews

29 of 30 people found the following review helpful:

3.0 out of 5 stars Consider other recordings..., February 2, 2001

By 

enolcmelca (MINNEAPOLIS, MN USA) - See all my reviews

This review is from: Steve Reich: Music for 18 Musicians (Audio CD)

Many other reviews comment generally on the beauty of this piece. Here are my concise views and recommendations:

-This recording is sonically precise, but slow and less organic than others available (e.g. the ECM recording). The sense of the overall tapestry of the work is diminished by the close miking one hears throughout. Certain little blips or phrases are artificially highlighted for too long. Too bad, because re-recordings of other works (such as Music for Mallets, Voices, and Organ) also seem to ephasize individual instruments above an overall wash from the ensemble without picking up on little bits of phrases from one instrument too much.

Recommendations: --For a first listen, the ECM recording is essential. It preserves the sense of this piece occurring in a performance space. Having heard the piece live twice, the role of reverb and the concert hall is considerable. Only the ECM recording comes close to hearing this piece live.

--If you want a dead-on reading, with maximum clarity of each line, I recommend the Ensemble Modern recording. Their performance is closer to what seems the natural tempo. Their mixing establishes the interplay between the parts very clearly without "artifically" highlighting certain parts too much, as seems to happen in Reich's second recording.

15 of 15 people found the following review helpful:

5.0 out of 5 stars A Recording, Not A Live Performance, December 11, 2001

By A Customer

This review is from: Steve Reich: Music for 18 Musicians (Audio CD)

I own all three recordings of Music For 18 Musicians; I suggest that for anyone who is truly interested in the work, owning all three is a must.

In order of preference for me, the recordings go ECM, RCA, and Nonesuch.

No recording of 18 quite captures the piece as it sounds live. (I've had the luck to see it twice with Steve Reich & Musicians at the San Francisco Symphony.) However, the ECM version comes close to duplicating the timbre of the real thing. To my ears, it sounds the most "live".

The RCA/Ensemble Modern recording is perhaps the best performed. Ensemble Modern emphasizes Reich's earlier philosophies about music as a process; they clearly delineate the various instruments and lines in the recording, and they properly accentuate the lead mallet lines. (I say "proper" because that's what it sounded like when I saw 18 performed live.) What this recording lacks in lush beauty, it gains in near-academic perfection.

The new Nonesuch recording was designed from the ground up to be a recording, not a live performance. Most instruments are close-mic'd, which gives the odd feeling of standing next to all of the instruments at the same time. I love it for its open spaces, surprising tempo, and stunning imaging of the mallet instruments. It is as lush and beautiful as the ECM recording, but I prefer the subtleties and pacing of the ECM more.

22 of 24 people found the following review helpful:

5.0 out of 5 stars one of my favorite pieces of music ever composed, November 28, 2005

By 

somethingexcellent (Lincoln, NE United States) - See all my reviews
(VINE VOICE)   

This review is from: Steve Reich: Music for 18 Musicians (Audio CD)

Composed in 1976 by Reich, this is a piece that goes down as a classic in my view. Although some of his earlier work with tape manipulations now sounds a bit dated and simply doesn't hold up as well, the beauty of Music For 18 Musicians still sounds as fresh to me now as anything that I've heard lately. This particular release on Nonesuch, recorded in 1996 is actually about 11 minutes longer than the original composition, but that length really only adds to the bliss of the piece. At 14 tracks and almost 67 minutes of music, it's just over an hourlong excursion into what feels like a safer place.

Performed by musicians, just as the title states, it actually might fall into what many would consider 'trance' music. It's highly repetitive, and while it bears no relation to the crap being pedalled as trance music these days, it's nearly as hypnotic as any music you'll find. With vocals, stringed instruments, lots of percussive elements (vibraphone, gamelan, marimba, maracas), pianos, and clarinets, it's one of those pieces of music that you can trace back to as a starting point for not only individual artists, but genres as well. It blends non-western, classical, and even a touch of jazz for something that was original at the time, and still stands solidly on that ground.

With all this praise I'm heaping on this piece, I must warn that if you don't enjoy repetitive music, you probably won't appreciate this release quite as much. While it is repetitive, though, it's far from minimal (although it's grouped into that category often). Unfurling over the course of 11 different parts, as well as phasing pieces that lead into and end the overall composition, it breathes like something real and organic as each instrument and voice take their place with the harmony and again blend back down into the mix. It's constantly moving and shifting, and while there are moments of quieter transition, there are also ones of breathtaking splendor as melodies overlap and change speed while different instruments come into and out of focus. It's like taking several different minimal paintings printed on transparencies and subtely shifting them over one another to create new pieces as you see colors blend into one another and fold into something new each time.

Considering that the piece is one that's performed by actual people, the juxtaposition of the different elements is quite amazing (of course, imagining how you would program something like this electronically also staggers the mind), and as mentioned before, you can hear little bits of everyone from Tortoise to different electronic artists like Vladislav Delay and Gas (Mike Ink) having developed parts from it. While their were groundbreaking pieces both before and after it, it's one of those recordings that will envelope you if you allow it to. So, if you're a fan of modern electronic music or even post rock, you should probably hunt down this release and hear it at least once. If you can, simply stop doing everything else, pop it in the CD player and relax with it on a pair of headphones for the entirety of the release. You'll come to just under 70 minutes later when the CD stops spinning, and chances are you'll want to do it again sometime. I certainly do.

(from almost cool music reviews)