Steve Schapiro traveled throughout America photographing and recording people and issues during the turbulent decade of the 1960s. For the very first time, American Edge brings together ninety of Schapiro's searing images-images fit to stand aside classics of documentary photography like Walker Evans's American Photographs (1938), Robert Frank's The Americans (1959), and Diane Arbus's posthumous MoMA retrospective (1972). American Edge offers a singular vision of the fractured fabric of contemporary American life. The photographer traveled with Bobby Kennedy during his presidential campaign, and with writer James Baldwin through the American South. Schapiro also covered the New York art scene-documenting Andy Warhol's Factory-as well as the hippie and protest movements sweeping the universities, which culminated in the riots of 1968. American Edge reveals the increasing disparity between the rich and poor, racial and class conflict, and the burgeoning American middle class and its materialist desires. Among the countless women and men portrayed are Jacqueline Kennedy Onassis, Lyndon B. Johnson, Richard Nixon, Ike and Tina Turner, Simon and Garfunkel, Robert Rauschenberg, Janis Joplin, and Andy Warhol. American Edge represents a major rediscovery of one of the most talented documentary photographers of the late twentieth century.
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About the Author
Steve Schapiro is a widely acclaimed photographer whose work has been seen regularly in the major magazines of the world. In addition to his documentary photographs from the 1960s, he has worked on numerous and diverse commercial assignments, including stills for Francis Ford Coppola's The Godfather, and John Schlesinger's Midnight Cowboy. His Life covers of Marlon Brando, Al Pacino, and Truman Capote are today considered to be classics in the portrait genre.
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5.0 out of 5 stars
Wonderful Documentary !,
By Duncan Wong (EyesCoffee.com from Hong Kong) - See all my reviews
This review is from: Steve Schapiro: American Edge (Hardcover)
Visual images from Steve Schapiro, documenting the 60's of America. You can find how the photographer captured the places, the people during the turbulent decade, and how the people projected out from the inner side of the faces. Contrasting and contradicting images provides the space for you to look deeper into the surface of the images.
5.0 out of 5 stars
steve schapiro,
By A Customer
This review is from: Steve Schapiro: American Edge (Hardcover)
As a young photographer, working out of New York during the 1960s, covering the mass cultural transformation sweeping the country. We'd bump into each other at places like Andy Warhol's Factory, or on a college campus during one form of civil disturbance or another. He was a LIFE photographer and his name was Steve Schapiro.Steve was a disciple of W. Eugene Smith, and shared Smith's passion for black and white documentary work. He had already set a mission for himself, to chronicle the "icons" of American Life. He traveled from coast to coast, from migrant farms in Arkansas, to Haight and Ashbury in San Francisco. He covered the civil rights struggles and got to know the people who would shape a generation, and who were considered among the most dynamic of this past century. As you go through the pages of "American Edge," you're conscious of the fact that these icons still stand out as defining figures forty years later. The Kennedys, the Rolling Stones, Martin Luther King Jr., and Andy Warhol, to name but a few. In contrast, Steve feels that we are now going through, as he calls it, a "period of American valium." In Schapiro's moment, every picture contained pictures and every person was a picture too, pre-costumed, posed and they're to be taken. Look at his celebrity portraits of Jack and Jackie Kennedy, of Chuck Berry and Ray Charles, of Magritte doubling his own image, and Warhol mimicking the pose of his own self-portraits. Shapiro takes their pictures, but he also captures the cool opacity of creatures who understood that history had become pictures and that pictures became history. Everything and everyone self-evidently meant something, so people wore words as well as thinking them and speaking them. They bore their convictions on their sleeves, wrote them on walls, carried them as signs, painted them on their faces, stitched them to their hats, clipped them to their lips, aspiring to become those words incarnate.
5.0 out of 5 stars
american images,
By
This review is from: Steve Schapiro: American Edge (Hardcover)
a most beautiful book of balck and white images of americans. this book looks and feels like a collector's item. a great coffee table book
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