Stew [IMPORT]

Wide Mouth Mason

Product Details

• Audio CD (July 25, 2000)
• Original Release Date: 2000
• Number of Discs: 1
• Format: Import
• Label: Wea
• ASIN: B00004Y2DT
• Average Customer Review: 3.7 out of 5 stars See all reviews (3 customer reviews)
• Amazon.com Sales Rank: #421,987 in Music (See Bestsellers in Music)

Customer Reviews

Most Helpful Customer Reviews

9 of 11 people found the following review helpful:

5.0 out of 5 stars Prairie Funk, November 17, 2000

By	James Peters (Winkler, MB, Canada) - See all my reviews

I'm not going to lie to you, folks. When I gave Wide Mouth Mason's "Stew" a spin, I was more than a little surprised. Gone was the raw blues of the band's self-titled debut, gone was the over-production of the follow-up "Where I Started." In it's place was a tight little groove record laced with a groove so well-entrenched, the listener's toe taps out the rhythm well after the CD has stopped. "Stew" is produced by Big Sugar frontman Gordie Johnson; it's lead single was the hopeful "Smile." To paraphrase Johnson, "The first two albums were full of music that made the listener shake his head; this album is full of music that makes the listener shake his booty." Wide Mouth Mason draws its influences from an array of artists ranging from Stevie Wonder to Stevie Ray Vaughan, but the band never strays far from its Saskatoon roots. In fact, the album was nearly named "Prairie Funk" with a tip o' the cap to The Guess Who's "Wheatfield Soul." One of Canada's best kept musical secrets has taken its world-class talent and wrapped it into a tight ball, which visually might resemble the image displayed on the disc itself. A taste of "Stew" will have you hooked.

4.0 out of 5 stars Another layer, August 31, 2007

By	John O. Holm (Cloud City CO) - See all my reviews (REAL NAME)

After the success of their first two albums, WMM continues to (experiment?) with new sound. 'Stew' still sounds like the band, with Shaun Verrault's distinctive vocals floating over Earl Periera's thumping bass and Safwan Javed's tight drums. However, perhaps due to producer Gordie Johnson's influence, the band has adopted a more hip-hop feel for their third release. The leadoff single 'Smile', although not the best track, is a catchy tune that sticks with you long after you've finished listening. 'Sleepwalker' pairs slower-paced vocals with skittering drums and a rap bridge, while 'Breathe Out' sounds the most like something from the previous efforts. While I enjoy all the tracks here, my personal favourite is the closer 'Fa Na Na'. All in all, a solid effort from one of Canada's best groups. It's really too bad they don't have more exposure south of the border.

0 of 2 people found the following review helpful:

2.0 out of 5 stars its actually 3.5, May 29, 2004

By	homie (Mexico) - See all my reviews

3.5, but i gave it 2 because the other guy gave it 5, so its to balance out.
too much big sugar influence
too funky
but stil good