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Sticks and Stones: The Troublesome Success of Children's Literature from Slovenly Peter to Harry Potter
 
 
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Sticks and Stones: The Troublesome Success of Children's Literature from Slovenly Peter to Harry Potter [Hardcover]

Jack Zipes (Author)
2.4 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

0415928117 978-0415928113 November 13, 2000 First Edition
Have children ever really had a literature of their own? In Sticks and Stones Jack Zipes, translator of the Grimm tales, teacher, storyteller and scholar, explores children's literature, from the grisly moralism of Slovenly Peter to the hugely successful Harry Potter books, and argues that despite common assumptions about children's books, our current investment in children is paradoxically curtailing their freedom and creativity. Sticks and Stones is a forthright and engaging book by someone who cares deeply about what and how children read.

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Editorial Reviews

From School Library Journal

Is the success of children's literature troublesome? Is it phenomenal? How do we judge the value of children's literature within the current culture that fosters the commercialization of childhood itself? In a series of essays mostly based on speeches given at various conferences, a scholar and social critic examines these and other provocative questions. Describing his passionate essays as "active talk," Zipes is nevertheless sometimes dense and arcane especially when he ventures into the political arena. He is most interesting when he writes directly about children's literature-the fairy tales retold by Wanda G g, the checkered history of the Grimm tales and their retellers, the history of storytelling and the appeal of Struwwelpeter. The phenomenon of Harry Potter is the subject of his final essay, and as he moves from literary to social critic, he finds Harry "part of the eternal return to the same-and, at the same time, part of the success and process by which we homogenize our children." Though the book is sometimes tedious, Zipes is always thought-provoking in his arguments.-Barbara Scotto, Michael Driscoll School, Brookline, MA

Copyright 2001 Cahners Business Information, Inc.

Review

If [Zipes'] scholarship could be spread over several curricule vitae, the breadth and quality of it could certainly bring tenure to three or four scholars. -- Donald R. Hettinga
. . . he gives clear voice to the forces behind the huge boom in children's book publishing since the 1980s, which has served to form a safe veil of promoting literacy that disguises its own truth, namely that children are seen as commodities and used as pawns to increase parental consumerism. -- Adolescence
...adult-friendly content and an imposition of order in the imagination of the child, and, consequently, a constriction of the child's imaginative life. -- Susan Perren, Globe & Mail, Toronto
...stimulating esssays emphasize the curious status of children's literature as one defined, produced, and marketed not by children but by adults... -- Choice, J.J. Benardete, CUNY Hunter College
...invaluable chapters treat the 'contamination'...of Grimm's fairy tales in the 20th century, suggesting how such retellings refurbish folklore so as to 'question both past and present social conditions' and show young people how they may 'play creatively with the forces dictating how they are to shape their lives.'. -- Choice, J.J. Benardete, CUNY Hunter College
89 Pts !!!!! Must Read. -- Today's Books
[Zipes's] passion for his topic is clear...his essays spotlight complex issues that deserve wide consideration. -- The Bulletin of the Center for Children's Books
Zipes is always thought-provoking in his arguments. -- School Library Journal
While not every reader will agree entirely with Zipes's thesis, professionals need to be aware of his point of view. -- Library Journal

Product Details

  • Hardcover: 240 pages
  • Publisher: Routledge; First Edition edition (November 13, 2000)
  • Language: English
  • ISBN-10: 0415928117
  • ISBN-13: 978-0415928113
  • Product Dimensions: 9.3 x 6.3 x 0.8 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 2.4 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #894,006 in Books (See Top 100 in Books)

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Customer Reviews

7 Reviews
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Average Customer Review
2.4 out of 5 stars (7 customer reviews)
 
 
 
 
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15 of 15 people found the following review helpful:
3.0 out of 5 stars Is there really such a thing as "children's literature"?, April 22, 2002
By 
Wiltrud Goldschmidt (Pennsylvania, United States) - See all my reviews
In this collection of essays based on speeches and lectures, the author - an admirer of Adorno - poses questions that should concern parents and teachers everywhere: Who decides what is "appropriate" literature for children? How are children introduced to this literature, and what do they make of it?

The first four chapters of the book, peppered with the somewhat off-putting jargon of literary theory, deplore the vertical integration of publishing empires, the marketing of books in association with toys, games, gadgets, T-shirts, etc., which results in "cultural homogenization" of the children. Adults decide "what's good for children" and use literature, among other tools, to manipulate and control them.

In chapters 5-9, the discussion gains momentum by using concrete examples of literature written for children. Changing attitudes toward Grimms' Fairy Tales and the "Struwwelpeter" stories of Heinrich Hoffmann have spawned multiple translations, bowdlerizations, dramatizations and parodies. The author shows how the "sexist" content of most fairy tales (the hero is almost always a male) has triggered feminist re-interpretations. Finally, there is no "authentic" version of fairy tales; all of them, including the ones collected by the Brothers Grimm, have been "contaminated", i.e. adapted and collated from multiple sources.

The final chapter on the phenomenal success of the Harry Potter books seems to be the one most American readers have focused on. It stresses the stereotypical aspects of the stories and the commercial hype that attended their release, and, again, their sexist nature - one of the author's pet peeves.

While some of these arguments seem excessively gloomy, all of them deserve our thoughtful consideration.
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10 of 11 people found the following review helpful:
3.0 out of 5 stars Snobby Jack, July 24, 2005
By 
Vivian Unger (Montreal, QC Canada) - See all my reviews
(REAL NAME)   
I have to confess to being biased, since I enjoy the Harry Potter series, but I think Jack Zipes is a literary snob. He makes the excellent and overlooked point that children's literature is written for children but not by children, in contrast to adult's literature which is written by adults for adults. And yes, this opens the door to all sorts of manipulation of children through literature. And yes, children are not adequately respected in our culture. Unfortunately, Zipes doesn't respect them either. While trashing books such as the Harry Potter series, he utterly fails to listen to the children's protests of, "But we *like* it!" as though that simply isn't relevant. Rather, he has an attitude of, "I know what's best for you, much better than you do." Much the same attitude that an overmoralising children's writer might have. In other words, Zipes himself is guilty of what he criticizes.

It would be an interesting experiment to get children to write their own books, see how well they do, and see if other children would be interested in reading those books. It could open up a whole new vista in children's publishing, though I doubt it. I think it would instead show that children's books are written by adults rather than children because small children can't write well enough.

Zipes makes some interesting points and tackles an underdiscussed topic. It is too bad he is such a snob. Otherwise, he might have listened to children a bit more, and the book itself would be a better read.
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51 of 71 people found the following review helpful:
1.0 out of 5 stars Disappointing, July 5, 2001
By 
This review is from: Sticks and Stones: The Troublesome Success of Children's Literature from Slovenly Peter to Harry Potter (Hardcover)
I read the final chapter, on Harry Potter, as part of a class on Rowling's work. Zipes has a few good points to make, but they suffocate under needless jargon and tedious, evidence-free assertions about "cultural commodities" and the like.

Zipes's point, so far as I could make it out, is that Harry Potter became a "phenomenon" only because the books are incredibly conventional (a "hodgepodge" of pop-culture motifs) and formulaic. I agree that each novel follows a recurring pattern, even a formula, but Zipes never says why that's bad. (Perhaps it's obvious to lit-crit folk.) And the pop-culture ties, IMHO, lend texture to Rowling's parallel universe--which, I increasingly think, is not fantasy but satire.

Actually, Zipes goes further, seemingly asserting that ONLY a conventional work could become a phenomenon, given the "hegemonic groups" that run our culture. That's a big, interesting assertion, and I wish Zipes had fleshed it out with reasoning, details, and examples. It would help too to know more about these nameless hegemons. Who are they? How do they enforce their cultural supremacy? (In fairness to Zipes, he may address these points earlier in the book.)

Several readings of the Harry Potter chapter--and a thumbs-down from the prof, who read the whole volume--have left me thinking this is a book to skip.

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Inside This Book (learn more)
First Sentence:
Since I am going to talk about children and since I am probably going to say many unwise things with which some children might disagree, I would like to give children the first word and quote three wise statements from the January 1997 "Monthly Forum for Young Writers" in the Minneapolis Star Tribune. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
junk opera, genuine storytelling, classical fairy tales, fictional child
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Harry Potter, New York, Snow White, United States, Shockheaded Peter, Brothers Grimm, The Horn Book, Peter Hunt, Tiger Lillies, Wanda Gag, Little Sister, Heinrich Hoffmann, Ellen Seiter, Mindy Turner, North American, Old Tales, The Frog King, Boy Scout, Channel One, Karl Kroeber, Native American, Sold Separately, Burger King, Earle Humphreys, Emma Donoghue
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