Stieg Larsson, who lived in Sweden, was the editor in chief of the magazine Expo and a leading expert on antidemocratic right-wing extremist and Nazi organizations. He died in 2004, shortly after delivering the manuscripts for The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet's Nest.
I got into the "Millenium Trilogy" kind of late, so having this boxset was perfect for catching up on Stieg Larsson's literary phenomenon. I enjoyed the characters(how can you NOT love Lisbeth Salander?!), and the plot was intriguing and challenging too.
Now, on to the 'deluxe boxed set' itself. The three books(plus one collection of essays,etc.) are housed in a sturdy cardboard case. The case itself is very well made and over the glossy black color there are three golden symbols(a dragon, a hornet, and a fire). You have to see the boxset in person to appreciate how cool it looks.
The books themselves are different from the previous hardcover releases. First of all, the dust jacket covers are gone now. Instead you get them in clothbound form, with cool designs stamped in red(book 1), black(book 2), and dark blue(book 3). It all looks very cool, and I honestly prefer it over the previous releases. The books have the uneven 'deckle' edges, even the fourth volume.
So, if you have all previous hardcovers, there might not be enough here to 'upgrade' your collection. But if all you have are the softcover books(or even if you're an uninitiated newbie to Stieg Larsson's work and haven't read a single word of the "Millenium Trilogy"), then this box set is the thing to get.
Like millions of people worldwide, I was absolutely captivated by these three books and their strange and utterly unconventional anti-heroine, Lisbeth Salander. That Larsson manages to evoke such sympathy for her, despite her anti-social nature and penchant for violence, is quite remarkable. Of course, we might feel differently if not for the monumental injustices she has suffered at the hands of a few corrupt individuals. She is a victim who has responded to her situation by becoming an outsider.
The story is certainly an intricate one, but Larsson manages to lead us through the maze without losing us along the way. In fact, one of the joys of the books is gradually realising that there are yet more levels of complexity to get your head around.
Thrilling as the storyline is, the thing I found most interesting about it was the moral dimension. Corruption in business and in government and the abuse of women are major themes, and Larsson's position on them is crystal clear. However, both Salander herself and the crusading journalist Blomqvist also act outside the law. This gives a certain moral ambiguity to the story. In Salander's case, her illegal acts take place within her own moral code - a code that is internally consistent but at odds with what we would ordinarily consider to be acceptable. In Blomqvist's case, his acts (including turning a blind eye to Salander's computer crimes) are informed by a desire to expose corruption and to achieve justice for Salander.
So, given Salander's understandable antipathy towards the society that has treated her so appallingly, and Blomqvist's laudable social justice objectives, is their own behaviour morally acceptable? Do the ends justify the means?Read more ›
This series was amazingly captivating once one gets beyond the about the first four chapters of the first book. The reader meets Lisbeth and is immediately inclined to dislike her, however, once we become more acquainted with her, we realize that there is more to her than her appearance. I warn those with weak constitutions that this series is very graphic and does treats many social taboos as common place. Upon beginning the first book, it can seem boring and meticulous in it's detail, however, I can't stress this enough...KEEP READING! It keeps getting better and more devious as you continue. There are a few sections of these books that are sexual and violent to the extremes of the terms, however, they have purpose as they act to illustrate certain aspects of the characters and their stories. The mysteries of all three keep one turning the pages to find out what happens next, especially the ending of the second book. Before the complete edition came into being I had to buy each book separately...by the end of the second book It was somewhere around two in the morning and I had to buy the third one and begin reading it before I could allow myself to go to bed. All in all the books are extremely well written and keep you guessing until the very end. My only qualm with the series is the abundance of Swedish jargon that can be confusing at times, especially the currency that is meaningless in the beginning unless one has a complete knowledge of the currency conversions. (more power to you)
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Authors who are only published posthumously rarely get the attention they deserve', or any attention at all. Fortunately, such is not the case with the late Stieg Larsson's bestselling Millennium trilogy -- it starts off slow, and soon winds itself into a tight knot of tautly-written thriller and mystery elements. It's raw, bleak, intensely disturbing noir.
In "The Girl With The Dragon Tattoo," take-no-prisoners journalist Mikael Blomkvist has just lost his reputation, his savings and his freedom (hello, jail sentence!) after a nasty libel suit from an executive named Wennerström.
Then he's unexpectedly contacted by aged industrialist Henrik Vanger, to discover what happened to the guy's grandniece. He's offering evidence on Wennerström, so Mikael has no choice but to accept -- and as he investigates the sinister Vanger family, he joins forces with Lisbeth Salander, an eccentric, abused computer hacker. And as Mikael unearths the clues to Harriet's disappearance, he also finds some skeletons long kept buried.
"The Girl Who Played With Fire" finds Mikael investigating sex trafficking in his own country, and young girls who are sold into it. Unknown to him, Lisbeth is keeping very close tabs on his work -- especially since she was abused as a child, and now plots revenge on the sex traffickers. But when she's accused of murder and ends up on the run, Mikael must discover what lies at the core of these crimes...
And finally, "The Girl Who Kicked The Hornets' Nest" takes place directly after the second book. Lisbeth has been shot in the head, her malevolent father Zalachenko is in the same hospital claiming that she tried to kill him, and some nasty government forces want her locked away, as she was as a child.Read more ›