A lost soul has just received the wounds of Christ and a shocking message that will alter history. Stunning performances from Patricia Arquette (True Romance), Gabriel Byrne (The Usual Suspects) and Jonathan Pryce (Ronin) and a cutting edge score by Billy Corgan of The SmashingPumpkins and Elia Cmiral make Stigmata a visual and visceral feast (Entertainment Today). Frankie Paige (Arquette) has absolutely no faith in God. All of that changes when she suddenly begins to suffer the Stigmatathe living wounds of the crucified Christ. Frankie's miraculous bleeding comes to the attention of the Vatican's top investigator, Father Kiernan (Byrne). But when Cardinal Houseman (Pryce), discovers that Frankie is actually channeling an extraordinary and provocative message that could destroy the Church, he's convinced that she - and the force possessing hermust be forever silenced. Determined to stop this deadly conspiracy, Kiernan risks his faithandhis lifeto save her and the message that will change the destiny of mankind forever!
Gabriel Byrne plays Father Kiernan, a young Jesuit priest whose degree in chemistry makes him a sort of priest/detective as he investigates weeping Marys and the like around the world. Meanwhile, Frankie (Patricia Arquette), a rave-generation Pittsburgher, is afflicted with the stigmata--holes that appear in her wrists, resembling the wounds of Christ. The young woman's symptoms filter back to the Vatican and Father Kiernan is assigned to the case. The priest is puzzled by Frankie's atheism; usually the stigmata only appear on the devout (hence the age-old controversy of miracles vs. hysteria). Other manifestations appear on Frankie, and the priest's cardinal (Jonathan Pryce) is brought in, leading to political maneuvering within the Church hierarchy. The film owes a large and obvious debt to The Exorcist
(at one point, Frankie's bed scoots across the room and she levitates into a crucifix position), but to term it an Exorcist
rip-off would be to shortchange Stigmata
. The premise and screenplay are more cerebral than in the l973 film, and the source of the phenomenon is coming from a completely different place.
Unfortunately, amid Stigmata's high-octane editing and slick technique, the chills of The Exorcist aren't there, giving the movie a sort of identity crisis: horror movie or intellectual thriller? Several elements of the film challenge basic tenets of the Catholic faith, hence the brief furor that erupted at the time of the film's release; if nothing else, the internal workings of the Church are shown in a very unflattering light indeed. Byrne excels as the skeptical priest, as does Arquette as the tortured young woman. All told, Stigmata is a rather uneven effort, but one with a thought-provoking combination of theology and thrills served up in a thoroughly modern, stylish package. Fans of TV's Ally McBeal will recognize Portia DeRossi in a supporting role. --Jerry Renshaw