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5 of 5 people found the following review helpful:
5.0 out of 5 stars More for the Canon
A great achievement by the publishers, Little Brown, who are demonstrating committment to Penn's work with terrific reproductions and presentations of his work in this and the previous book devoted to the photographer's collaborations with Issey Miyake. Penn's still life work is an intriguing mixture of idiosyncatic, almost hermetic 'personal' photographs and his magazine...
Published on August 29, 2001 by Geoffrey P. Smith

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7 of 8 people found the following review helpful:
3.0 out of 5 stars This is good but nothing new
Irving Penn is a great photographer and these images are wonderful. If you own other Irving Penn books, you probably have seen most of these. There's nothing wrong with mining old images and putting them in a book, but this is getting a little crazy.
Great images but if you have his other books, save you're money. If you want, you can buy me presents if the stuff is...
Published on October 9, 2001 by Ron Cowie


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5 of 5 people found the following review helpful:
5.0 out of 5 stars More for the Canon, August 29, 2001
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This review is from: Still Life : Irving Penn Photographs, 1938-2000 (Hardcover)
A great achievement by the publishers, Little Brown, who are demonstrating committment to Penn's work with terrific reproductions and presentations of his work in this and the previous book devoted to the photographer's collaborations with Issey Miyake. Penn's still life work is an intriguing mixture of idiosyncatic, almost hermetic 'personal' photographs and his magazine work, mostly for Vogue. The range of subjects in the former category is diverse, from street trash to minimalist steel block constructions to animal skulls. The latter is similarly diverse, within the confines of the editorial demands of a glossy magazine. Stated simply, no-one does it better. When Penn trains his mind and eyes on a subject, it is made uniquely his own. These are works to ponder, not only because of their formal beauty, but also for the larger implications of people, objects and their inherent transience. John Szarkowski contributes his usual eloquent and generous prose in this very desirable book. Highly recommended for fans of Irving Penn and fine photography, old and new.
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7 of 8 people found the following review helpful:
3.0 out of 5 stars This is good but nothing new, October 9, 2001
This review is from: Still Life : Irving Penn Photographs, 1938-2000 (Hardcover)
Irving Penn is a great photographer and these images are wonderful. If you own other Irving Penn books, you probably have seen most of these. There's nothing wrong with mining old images and putting them in a book, but this is getting a little crazy.
Great images but if you have his other books, save you're money. If you want, you can buy me presents if the stuff is burning a hole in your pocket.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Classic Penn, June 9, 2002
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This review is from: Still Life : Irving Penn Photographs, 1938-2000 (Hardcover)
Irving Penn has been making still life photographs for many decades, and this collection is a good representation of his work. Elegant black and white compositions of the 1940s, detailed groupings since the 1980s, and his in-your-face color that we see frequently in Vogue today, there is some of everything. My only complaint is this: I would like to see more of his ads for Clinique. Only two are reproduced here. There are hundreds more, and most are more interesting that the two selected for this book.
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Still Life : Irving Penn Photographs, 1938-2000
Still Life : Irving Penn Photographs, 1938-2000 by Irving Penn (Hardcover - September 7, 2001)
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