From Publishers Weekly
This heartbreaking memoir wends between Brkic's years in war-ravaged Bosnia (1993, 1996–1997), first interviewing refugees and then excavating mass graves outside Srebrenica, where 7,000 Muslim males were slaughtered, and including her family's history in Bosnia-Herzegovina surrounding WWII. Brkic, an archeologist, was 21 when she first began working in Bosnia with the UN International War Crimes Tribunal, and 24 during her second foray, with Physicians for Human Rights. A first-generation American of Croatian descent, she returns to Bosnia, invoking what, postwar, is only memory: the land of idyllic childhood summers where she remembers her aunt's catfish swimming in a tub and the taste of lamb fed on chamomile leaves in a countryside now littered with land mines. In the former garment factory, now morgue, outside Tuzla, where she works, Brkic feels alien to the other human rights workers; her ties to the region superimpose the face of her brother on the newly dead; her assertion that not everyone bears equivalent guilt for the war causes her to angrily demand that Serb workers not excavate the mass graves she believes they had a hand in filling. Whiting Award winner Brkic's haunting, hopeless memoir is an agonizing treatise on the awful cost of war and its long, pain-stoked aftermath in which, as she records it, those outside forget and those inside can barely continue living. Photos, maps.
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Brkic galvanized readers with her first book,
Stillness (2003), a Whiting Award-winning short story collection inspired by her unnerving work as a forensic archaeologist in war-torn Bosnia. She now presents an equally commanding memoir in which she chronicles her psychically demanding and dangerous work as part of a UN-directed effort to identify the remains of the massacred innocents of Srebrenica, and unearths the astonishing story of her paternal grandmother, a Croatian Catholic from Herzegovina. Orphaned at 14, then widowed young and left with two sons, Adelka flees the poverty of her village for Sarajevo, only to put her and her sons' lives in jeopardy by falling in love with, and hiding, a Jew during the Nazi occupation. The overlay of intimate tales from two demonically violent times makes for a highly dramatic work, and Brkic's emotional frankness, gift for vivid portraiture, ability to write about the dead with elegiac grace and scientific precision, and deep compassion for the victims of genocide create a riveting and thought-provoking reflection on humankind's barbarity and heroism.
Donna SeamanCopyright © American Library Association. All rights reserved
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