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Even after 200 years of use, and despite major advances in automation, photography and more recent developments in electronic imaging and reproduction, stone lithography still manages to retain its quite magical appeal and is much used by artists today.
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Paul Croft, Tamarind Institute, Clinton Adams, Collection of the University of Wales, New York, John Sommers, James O'Nolan, Charles Hullmandel, David Dubose, Graphic Studio, Hanke Ernst, Los Angeles, Tam O'Shanter Snake Slip Stones, Tamarind Technical Papers, Catherine Chauvin, David Mohallatee, Elspeth Lamb, Frank Janzen, Michael Twyman, Oxford University Press, Second World War, Thomas Way
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