Stone Monkey [Import]

Kazu Matsui, ??? | Format: Audio CD

Product Details

• Audio CD (June 6, 2005)
• Original Release Date: 2005
• Number of Discs: 1
• Format: Import
• Label: Sony/Columbia
• ASIN: B0008JH3VM
• Also Available in: Audio CD  |  MP3 Download
• Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #1,483,489 in Music (See Top 100 in Music)

Track Listings

1. Edge of Sunrise

2. The Stone Monkey

3. Shadow of Its Soul

4. Praising a Temple

5. Red Forest

6. Planting Seeds

7. Windows of the Dome

8. Ancient Longing Dance

9. Eye of the Moon

10. Crow

Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

5.0 out of 5 stars A varied assortment of shakuhachi fusions, October 1, 2006

By 

Brianna Neal (USA) - See all my reviews

This review is from: The Stone Monkey (Audio CD)

Shakuhachi player Kazu Matsui brings this traditional instrument forward into the twenty first century, experimenting with various mixings and modern musical styles, and accompanied by wife Keiko Matsui on piano and Hajime Hyakkoku on guitar, bass, keyboards, percussion and programming. Several of the songs are composed or co-composed by Keiko, a celebrated Jazz / New Age pianist in her own right, and they bear her signature sound--deep, rich, and full of pounding, heartfelt passion. Other selections have more of a techno quality to them, lending a slightly disparate character to the album when listened to as a whole. Most of the music, regardless of style, is minor and often intense in character. I love the sound of the shakuhachi, and its haunting tones do manage to at least kiss all of the tracks and are truly featured in some, but the instrument is definitely peripheral in others. I like most of the compositions well enough, but I tend to find myself wishing for more shakuhachi and less of all the other stuff, which can be heard in abundance elsewhere, including Keiko Matsui's lengthy discography. There's such an intriguing, subtle quality to the sound of the shakuhachi; it deserves to featured and truly heard, even in modern fusion music. Kazu Matsui has many other albums, and for more music in the vein of "The Stone Monkey," try "White Owl" and the other lusciously jazzy albums by Keiko Matsui, in which Kazu plays too. You might also enjoy "The Best of Nakkai: In Beauty We Return," in which a master of the Native American flute also experiments with a variety of modern musical genres. For more traditional fare, check out the many shakuhachi recordings of Riley Lee, in which this venerable instrument takes center stage simply and unadorned, and nonetheless holds the attention wonderfully.

1 of 1 people found the following review helpful:

5.0 out of 5 stars The Stone Money by Kazu Matsui, October 26, 2009

By 

Charla B. Priest "Shylo" (Oklahoma) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: The Stone Monkey (Audio CD)

The music on this CD is soooo cool. It totaly relaxes me but at the same time it "jazzes" me up. I love it.

1 of 1 people found the following review helpful:

4.0 out of 5 stars A varied assortment of shakuhachi fusions, October 1, 2006

By 

Brianna Neal (USA) - See all my reviews

This review is from: Stone Monkey (Audio CD)

Shakuhachi player Kazu Matsui brings this traditional instrument forward into the twenty first century, experimenting with various mixings and modern musical styles, and accompanied by wife Keiko Matsui on piano and Hajime Hyakkoku on guitar, bass, keyboards, percussion and programming. Several of the songs are composed or co-composed by Keiko, a celebrated Jazz / New Age pianist in her own right, and they bear her signature sound--deep, rich, and full of pounding, heartfelt passion. Other selections have more of a techno quality to them, lending a slightly disparate character to the album when listened to as a whole. Most of the music, regardless of style, is minor and often intense in character. I love the sound of the shakuhachi, and its haunting tones do manage to at least kiss all of the tracks and are truly featured in some, but the instrument is definitely peripheral in others. I like most of the compositions well enough, but I tend to find myself wishing for more shakuhachi and less of all the other stuff, which can be heard in abundance elsewhere, including Keiko Matsui's lengthy discography. There's such an intriguing, subtle quality to the sound of the shakuhachi; it deserves to featured and truly heard, even in modern fusion music. Kazu Matsui has many other albums, and for more music in the vein of "The Stone Monkey," try "White Owl" and the other lusciously jazzy albums by Keiko Matsui, in which Kazu plays too. You might also enjoy "The Best of Nakkai: In Beauty We Return," in which a master of the Native American flute also experiments with a variety of modern musical genres. For more traditional fare, check out the many shakuhachi recordings of Riley Lee, in which this venerable instrument takes center stage simply and unadorned, and nonetheless holds the attention wonderfully.