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The Stoned Immaculate (Deluxe Version) [Explicit]

June 5, 2012 | Format: MP3

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4:39


Product Details

  • Original Release Date: June 1, 2012
  • Release Date: June 1, 2012
  • Label: Warner Bros.
  • Copyright: 2012 Warner Bros. Records Inc.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:05:39
  • Genres:
  • Format: Explicit Lyrics
  • ASIN: B0085LKYN4
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (28 customer reviews)
  • Amazon Best Sellers Rank: #26,340 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

4.6 out of 5 stars
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See all 28 customer reviews
New Orleans is represented properly!
Jason A. Cleveland
I was very impressed that besides the Marsha Ambrosius & Estelle songs, nothing felt forced and even those tracks are nice when listened to in the right mood.
Enig Mue
If you dont have this CD, you are missing out.
MJ

Most Helpful Customer Reviews

6 of 6 people found the following review helpful By Perverted Alchemist on June 7, 2012
Format: Audio CD
New Orleans emcee Curren$y is one rapper that will never be accused of selling out. Despite his breakthrough in 2009, Curren$y actually has been around for about a decade. He was originally signed to No Limit Records and a few years later to Cash Money Records- but struggled with creative differences between both labels. In 2009, he decided to go the independent route with his albums "This Ain't No Mixtape" and "Jet Files". The following year, he became linked with an unlikely ally- former Roc-A-Fella co-founder Damon Dash, who brought him to his new label DD172. It was there he released his most critically acclaimed projects to date: "Pilot Talk" and its follow-up "Pilot Talk II". He also appeared on "Pilot Talk" producer Ski Beatz' "24 Hour Karate School". In 2011, he inked a major label deal with Warner Bros. Records and released the free album "Covert Coup", which was produced by The Alchemist. Later on in the year, he released his second Warner Bros. album, the Monsta Beatz produced "Weekend At Burnie's". While Curren$y has made a commitment to staying underground, his next project would be an exploration into commerical stardom.

In June 2012, he released his new album "The Stoned Immaculate". His newest recording boasts some rather big names on the production as well as collaboration front. He gets help from producers such as J.U.S.T.I.C.E. League (Young Jeezy, Rick Ross, Mary J. Blige), Bink (Jay-Z, Lost Boyz, Blackstreet), The Neptunes and Tha Dogg Pound member Daz Dillinger. While this album is a clear attempt at being radio friendly, not much has really changed in style and sound for Curren$y. Look no further than his duet with Wale on "What It Look Like" as well as the synth heavy "Privacy Glass".
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1 of 1 people found the following review helpful By Gregory William Locke on July 8, 2012
Format: Audio CD
Shante "Curren$y" Franklin has maybe the best butter drawl ever put on tape over beats, his verses melting over soulful, often-funky beats not at all unlike how Snoop's words did back when Dr. Dre and The D.O.C. were still holding his hand. His background set in NOLA's famous Third Ward - home not only all the big No Limit Records names from the late 90s, but also Louis Armstrong and Dr. John - Curren$y has always had a lot of real life fodder, and thus a lot to say, on his records. As his ear for production gets stronger and stronger, and his drawl more endearing, expectations for Franklin grow, so much so that his fans now stand almost no chance of being satisfied with Stoned Immaculate, Curren$y's first major release through Warner Bros. and most ambitious record yet.

Three of his last four albums, all of which were released in the last two or so years, already considered to be minor modern classics, Curren$y decided to switch up his formula for his major debut. Each of those four records were short, recorded in a matter of days, light on the guests spots and, more or less, produced by one beatmaker. Stoned couldn't be more different. It's not that the record is long or even overly complex, but it's definitely a big project album. Lots of guests, lots of producers and lots of verses and hooks and styles. Rather than taking two days to record like, say, last year's great Weekend at Burnie's did, Stoned was recorded over several months, Franklin even having to utilize the Powers-That-Be at Warners to make some of the needed connections. The result is a diverse, detailed album that, while still a solid display of Franklin's vocal ability, feels far less cohesive than Burnie's or the two Pilot Talk installments. Summer classics, those.
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1 of 1 people found the following review helpful By freshsince81 on July 7, 2012
Format: MP3 Music Verified Purchase
Pleasantly surprised on the first "studio" release. Curren$y steps out of his comfort zone on several track with good results
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1 of 1 people found the following review helpful By Anthony Martins on June 13, 2012
Format: MP3 Music
Curren$y is a rapper who has been around since 2002, but hasn't really gained much success in the mainstream although he has started to make a name for himself as a major rapper in the hip hop scene. Curren$y is a stoner rapper who has a laidback flow and is rumoured to have lungs that would make Wiz Khalifa seem like a rookie. I wasn't really expecting much going into this album since I hadn't heard much about Curren$y going into the album, but I ended up being pleasantly surprised with what I heard.

The Stoned Immaculate is the 8th abum from Curren$y, but is his first album as a member of a major label and not as an idependant artist. With his label debut Spitta keeps the formula he has mastered over his independant releases and creates a well rounded album. As long as you are not annoyed by Curren$y's slower flow you should enjoy this new release from Spitta. The album kicks off great with the lead single from the album, What It Look Like Ft. Wale. The harp strings, piano keys and strings creates a great soulful beat which Wale and Curren$y both shine on and starts off the album on a great note. Privacy Glass and Amoire are the two following tracks which both are solid tracks although the first of the two impresses more with a smooth beat and some good lines from Spitta. Take You There comes next and has a great hook to go along with some calm lines from Curren$y which is what his fans have grown to love him for. ShowRoom and Capitol are both smooth tracks from Spitta although Capitol is ruined by a verse from 2 Chainz, which otherwise has a really smooth beat which I loved to go along with a laid back hook and verses from Spitta.

No Squares Ft.
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