From Publishers Weekly
This first novel, set in 1966 Spring Gap, Ala., pegs Les Becquets as a writer to watch. She orients readers in the deep South, where whites gamble on the outcome of bare-hand boxing between young black boys; the sheriff's buddy runs the town's gambling and drinking establishment; and the blossoming friendship between white narrator Francie and Ruthie, a black girl, labels Francie an outcast. Francie's mother relates the brief opening chapter, which hints at foul play: while the woman searches for Francie's alcoholic father one night, she hears the voice of a distressed child, shouts that the child should run, then loses consciousness (and her life). The rest of the novel is told from 14-year-0ld Francie's perspective, an intelligent, fair-minded viewpoint that will keep readers hooked. Francie first meets Ruthie after the heroine is bitten by a poisonous snake on the banks of Mourning Creek, and Ruthie alerts her mother, who provides a healing remedy. Gradually, Francie learns just how great an impact her mother had on the small community. If the various ties all leading back to the woman seem too carefully orchestrated, and some of the events and subplots melodramatic (an old flame of Francie's mother watches out for Francie; one villain is the source of all the town's evils), the lyricism of the narrative and the well-developed relationship between Francie and Ruthie carries the novel. Ages 12-up.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal
Gr 7-10-In the dramatic prologue to this novel set in 1960s rural Alabama, 14-year-old Francie Grove's mother is murdered while attempting to save a black girl from rape. Around this pivotal event, the story unfolds of a town in the grip of an evil and powerful man, Harvey Mansfield, and the complicity of the local law-enforcement establishment that allows racism and violence to go unpunished. In her loneliness following her mother's death and subject to her father's alcoholic neglect, Francie grows increasingly attached to the black Taylor family, particularly Ruthie, who becomes her best friend after saving her from a deadly snakebite. This friendship and her father's hatred of Mansfield, whom he suspects is his wife's killer, alienate the Groves from their white neighbors and make them the prey of brutal attacks. When Francie discovers that Mansfield is running a gambling den where fights are staged between young black men to satisfy the blood lust of hard-drinking white male observers, a chain of events is set off that leads to a shattering climax in which Ruthie is killed. Despite much foreshadowing with incidents of cruelty and violence, readers will not be prepared for this outcome. Francie's loss and grief are devastating, and signs of hope are not convincing. Many subplots, including the growing love between Francie and a boy who lives in relative isolation with his outcast mother, the realization that Ruthie is the girl Francie's mother saved, and Francie's father's abrupt decision to marry the high school librarian, result in melodrama and some jarring implausibilities and coincidences. Mildred Bargler Herschler's The Darkest Corner (Front Street, 2001) offers a more effective and compelling portrayal of this theme.
Marie Orlando, Suffolk Cooperative Library System, Bellport, NY
Copyright 2001 Cahners Business Information, Inc.