La Storia Discografica Del Violino 2 - Joseph Szigetti, Ferenc Von Vecsey, Stefi Geyer, Jelli D'Aranyi

Johann Sebastian Bach (Composer), Wolfgang Amadeus Mozart (Composer), Anton Rubinstein (Composer), Ludwig van Beethoven (Composer), Franz Schubert (Composer), Georg Frideric Handel (Composer), Bela Bartok (Composer), Claude Debussy (Composer), Niccolo Paganini (Composer), Joseph Szigeti (Performer), Ferenc Von Vecsey (Performer), Stefi Geyer (Performer), Jelli D'Aranyi (Performer) | Format: Audio CD

Product Details

• Audio CD
• Number of Discs: 1
• Label: Dynamic
• ASIN: B000CPSUH8
• Average Customer Review: 2.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #1,672,191 in Music (See Top 100 in Music)

Editorial Reviews

LA STORIA DISCOGRAFICA DEL VIOLINO 2. LA SCUOLA UNGHERESE. LIBRO 2. JOSEPH SZIGETI (Maramaros-Szigeti. Carpazi, 1892- Lucerna. 1973). BACH: Preludio dalla Partita n.3 BWV 1006. MOZART: Minuetto. RUBINSTEIN: Romanza. BEETHOVEN: Andante con Variazioni dalla Sonata op.47 "a Kreutzer". SCHUBERT: Ave Maria. HAENDEL: Larghetto dalla Sonata op.l n.9. BARTOK: Canti popolari ungheresi. FERENC VON VECSEY (Budapest. 1893 - Budapest. 1935). SCHUMANN: Traumerei. DEBUSSY: En bateau. BEETHOVEN: Sonata n.3 op. 12 n.3. PAGANINI: Capriccio n.13. BACH: Aria. REGER: Wiegenlied. STEFI GEYER (Budapest. 1888 - Zurigo. 1956). DVORAK: Danza Slava op.72 n.2. JELLY D'ARANYI (Budapest. 1893 - Firenze. 1966). BRAHMS: Danza Ungherese n.8.

Customer Reviews

Most Helpful Customer Reviews

1 of 1 people found the following review helpful:

2.0 out of 5 stars Weird noise reduction, April 5, 2011

By 

A techno geek (Hawai`i, USA) - See all my reviews

This review is from: La Storia Discografica Del Violino 2 - Joseph Szigetti, Ferenc Von Vecsey, Stefi Geyer, Jelli D'Aranyi (Audio CD)

These are wonderful recordings. The noise reduction, though, sounds like the 1980s CEDAR system that has the effect of putting the sound through a flanger --- there is a shifting equalization contour that gets automatically set off by something in the recording. It is extremely unaesthetic tonally. No credit is given anywhere on the album of the restoration engineers or methods. I will see if I can find these recordings on Pearl or other reliable label.