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Editorial Reviews
From Booklist
Intrepid, personable, and prolific art historian Elkins shifts his keen gaze from art to art history in this surefooted and amiable disquisition on how the story of art has been told, and why. Elkins assesses the standard text in the field, E. H. Gombrich's often revised The Story of Art, and the vision it promotes of art history as an orderly, chronological progression toward the pinnacle of art, "naturalistic skill," which the moderns then abandoned. Elkins dissects the many pitfalls of this simplistic approach, and envisions provocative alternatives, all the while musing on how to address the many tricky questions art historians confront, especially the challenge of how to integrate non-Western art into the story of Western art, and how to answer urgent questions about race, gender, sexuality, and even language itself. Elkins' smart, knowledgeable, original, and engaging multicultural analysis ultimately celebrates the ongoing conflict between art, which often seeks to defy categorization, and our desire for order and definition, all the while recognizing this irresolvable debate is a wellspring for fresh perspectives on the crucial and fascinating story of creative expression. Donna Seaman
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Review
Eminently readable and at times outright fun, Stories of Art is a terrific and transparent meditation on what's at stake in the histories of art we all so glibly recite. Instead of writing yet another survey, James Elkins provides the little counter-narrative that rubs up against the monumental survey volumes with a kind of graceful annoyance. The little buzzing bee that worries the elephant. -- Michael Ann Holly, Clark Art Institute
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirdus Review,
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirkus Review,
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirkus Review
Eminently readable and at times outright fun, Stories of Art is a terrific and transparent meditation on what's at stake in the histories of art we all so glibly recite. Instead of writing yet another survey, James Elkins provides the little counter-narrative that rubs up against the monumental survey volumes with a kind of graceful annoyance. The little buzzing bee that worries the elephant. -- Michael Ann Holly, Clark Art Institute
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise.-- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
Eminently readable and at times outright fun, Stories of Art is a terrific and transparent meditation on whats at stake in the histories of art we all so glibly recite. Instead of writing yet another survey, James Elkins provides the little counter-narrative that rubs up against the monumental survey volumes with a kind of graceful annoyance. The little buzzing bee that worries the elephant. -- Michael Ann Holly, Clark Art Institute
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirdus Review,
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirkus Review,
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirkus Review
Eminently readable and at times outright fun, Stories of Art is a terrific and transparent meditation on whats at stake in the histories of art we all so glibly recite. Instead of writing yet another survey, James Elkins provides the little counter-narrative that rubs up against the monumental survey volumes with a kind of graceful annoyance. The little buzzing bee that worries the elephant. -- Michael Ann Holly, Clark Art Institute
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
Eminently readable and at times outright fun, Stories of Art is a terrific and transparent meditation on whats at stake in the histories of art we all so glibly recite. Instead of writing yet another survey, James Elkins provides the little counter-narrative that rubs up against the monumental survey volumes with a kind of graceful annoyance. The little buzzing bee that worries the elephant. -- Michael Ann Holly, Clark Art Institute
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirdus Review,
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirkus Review,
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirkus Review
Eminently readable and at times outright fun, Stories of Art is a terrific and transparent meditation on whats at stake in the histories of art we all so glibly recite. Instead of writing yet another survey, James Elkins provides the little counter-narrative that rubs up against the monumental survey volumes with a kind of graceful annoyance. The little buzzing bee that worries the elephant. -- Michael Ann Holly, Clark Art Institute
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirdus Review,
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirkus Review,
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirkus Review
Eminently readable and at times outright fun, Stories of Art is a terrific and transparent meditation on what's at stake in the histories of art we all so glibly recite. Instead of writing yet another survey, James Elkins provides the little counter-narrative that rubs up against the monumental survey volumes with a kind of graceful annoyance. The little buzzing bee that worries the elephant. -- Michael Ann Holly, Clark Art Institute
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise.-- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
Eminently readable and at times outright fun, Stories of Art is a terrific and transparent meditation on whats at stake in the histories of art we all so glibly recite. Instead of writing yet another survey, James Elkins provides the little counter-narrative that rubs up against the monumental survey volumes with a kind of graceful annoyance. The little buzzing bee that worries the elephant. -- Michael Ann Holly, Clark Art Institute
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirdus Review,
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirkus Review,
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirkus Review
Eminently readable and at times outright fun, Stories of Art is a terrific and transparent meditation on whats at stake in the histories of art we all so glibly recite. Instead of writing yet another survey, James Elkins provides the little counter-narrative that rubs up against the monumental survey volumes with a kind of graceful annoyance. The little buzzing bee that worries the elephant. -- Michael Ann Holly, Clark Art Institute
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
Eminently readable and at times outright fun, Stories of Art is a terrific and transparent meditation on whats at stake in the histories of art we all so glibly recite. Instead of writing yet another survey, James Elkins provides the little counter-narrative that rubs up against the monumental survey volumes with a kind of graceful annoyance. The little buzzing bee that worries the elephant. -- Michael Ann Holly, Clark Art Institute
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirdus Review,
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirkus Review,
Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised. -- Kirkus Review
Eminently readable and at times outright fun, Stories of Art is a terrific and transparent meditation on whats at stake in the histories of art we all so glibly recite. Instead of writing yet another survey, James Elkins provides the little counter-narrative that rubs up against the monumental survey volumes with a kind of graceful annoyance. The little buzzing bee that worries the elephant. -- Michael Ann Holly, Clark Art Institute
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise. -- Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History
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Inside This Book
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First Sentence:
Sometimes the most difficult subjects need to begin with the simplest exercises. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
survey texts, standard story, perfect story Key Phrases - Capitalized Phrases (CAPs): (learn more)
Van Mander, Qádi Ahmad, Art Through the Ages, Middle Ages, Universal History of Art, Priyabala Shah, New York, Italian Renaissance, High Renaissance, Native American, Western European, Middle East, Qadi Ahmad, Edith Tömöry, Gombrich's Story of Art, History of Fine Arts, Joachim Patenier, Museum of Modern Art, Amrita Sher Gil, Arnason's History of Modern Art, Art of the Americas, Ion Irimescu, Jaune Quick-to-See Smith, Marcel Duchamp, Old Stories New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Sometimes the most difficult subjects need to begin with the simplest exercises. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
survey texts, standard story, perfect story Key Phrases - Capitalized Phrases (CAPs): (learn more)
Van Mander, Qádi Ahmad, Art Through the Ages, Middle Ages, Universal History of Art, Priyabala Shah, New York, Italian Renaissance, High Renaissance, Native American, Western European, Middle East, Qadi Ahmad, Edith Tömöry, Gombrich's Story of Art, History of Fine Arts, Joachim Patenier, Museum of Modern Art, Amrita Sher Gil, Arnason's History of Modern Art, Art of the Americas, Ion Irimescu, Jaune Quick-to-See Smith, Marcel Duchamp, Old Stories New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 73
books:
See all 73 books this book cites
2
books
cite this book:
- The Story of Art by E.H. Gombrich on 11 pages
- History of Art (Trade Version) (6th Edition) by H.W. Janson on 10 pages
- History of Art: Slipcased (Sixth Edition) by H.W. Janson on 10 pages
- History of Art by E. H. Gombrich on 5 pages
- Art History, Combined (w/CD-ROM) by Marilyn Stokstad on 4 pages
See all 73 books this book cites
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