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Ozu was justifiably proud of this meticulous character study, in which his celebrated low-angle style began to assert itself. A quarter-century later, he remade the film as Floating Weeds, retaining the same story and characters, switching the setting to a seaside town, and demonstrating a more casual acceptance of human foibles that makes the 1959 version (Ozu's first film in color) relatively calm and compassionate when contrasted with the more turbulent tone of the '34 silent. Having grown as an artist, Ozu was at his stylistic peak here, having refined his style to the point where all camera movement had given way to flawless refinement of static compositions. These and other comparisons abound in the study of original and remake; to that end, commentaries by preeminent Japanese film expert and dialogue translator Donald Richie (on the '34 film) and film critic Roger Ebert (on Floating Weeds) provide astutely thorough appreciations of the parallel structures, stylistic evolution, and cultural specifics of films that, until the early 1970's, were considered "too Japanese" for an international audience. Never dry or pretentious, their scholarly analyses lend solid, sensitive context to the enjoyment of two of Ozu's most critically and commercially successful films. --Jeff Shannon
Film = three stars plus; restoration = five stars. Pictorially, this film is a work of art: static scene by static scene (the camera never moves). Read morePublished 4 months ago by William F. Flanigan Jr.
Watching the Roger Ebert commentary and watching the film at the same time: Very involving.
I miss Ebert's dulcet voice (tho' I liked Siskel more) and this 2003... Read more
A great program: the original silent movie and its remake done some 25 years later
Fascinating to see a film director's OWN VISION of a simple but profound HUMAN story.
The double feature (both versions, silent and color) were on last night on TCM. I saw part of the silent film one and was distracted. But I was totally enthralled by the color one. Read morePublished on January 16, 2012 by Mir
Spoiler alert: this review reveals elements of the story.
Ukigusa (floating weeds) is a beautiful and moving film, one of only four that Ozu made in color. Read more
A superb film. Ozu's "Floating Weeds" is a classic in the best sense. It ranks with the greatest of the Japanese films. Read morePublished on September 24, 2009 by James Paul
Yasujiro Ozu was perhaps the greatest obsessional filmmaker in history. Thus, it's no surprise that not only did he rework the same themes over and again in his films, but that he... Read morePublished on September 7, 2008 by Cosmoetica
Two versions: must mean Ozu thought it good enough to revisit.
The first (1934) in black and white, is a little harsher in some ways. Read more
This is a neat concept: two movies in one box (two DVDs) -- one is the director's own remake of the other. The 1934 silent (!) version called A STORY OF FLOATING WEEDS. Read morePublished on July 27, 2007 by J. A. Eyon