The Stories of Paul Bowles [Hardcover]

Paul Bowles (Author)

Book Description

Publication Date: October 2, 2001

An American literary cult figure, Paul Bowles established his legacy with the novel The Sheltering Sky. An immediate sensation, it became a fixture in American letters. Bowles then returned his energies to the short story -- the genre he preferred and soon mastered.

Bowles's short fiction is orchestral in composition and exacting in theme, marked by a unique, delicately spare style and a dark, rich, exotic mood, by turns chilling, ironic, and wry. In "Pastor Dowe at Tacaté," a Protestant missionary is sent to the far reaches of the globe -- a place, he discovers, where his God has no power. In "Call at Corazón," an American husband abandons his alcoholic wife on their honeymoon in a South American jungle. In "Allal," a boy's drug-induced metamorphosis into a deadly serpent leads to his violent death, but not before he feels the "joy" of sinking his fangs into human prey. Also gathered here are Bowles's most famous works, such as "The Delicate Prey," a grimly satisfying tale of vengeance, and "A Distant Episode," which Tennessee Williams proclaimed "a masterpiece of short fiction."

"Beauty and terror go wonderfully well together in [Bowles's] work," Madison Smartt Bell once said. Though sometimes shocking, Bowles's stories have a symmetry that is haunting and ultimately moral. Like Poe (whose stories Bowles's mother read to him at bedtime), Bowles had an instinctive adeptness with the nightmare vision. Joyce Carol Oates, in her introduction to Too Far from Home, writes that his characters are "at the mercy of buried wishes experienced as external fate." In these masterful stories, our deepest fears are manifest, tables are turned, and allegiances are tested. Fate is an inexorable element of Bowles's distant landscapes, and its psychological effects on his characters are rendered with penetrating accuracy. Like Hemingway, Bowles is famously unsentimental, a skilled craftsman of crystalline prose.

Editorial Reviews

From Publishers Weekly

As elusive as his enigmatic fiction, which is epitomized by the 1949 autobiographical bestselling novel, The Sheltering Sky, Bowles (1910-2001) arguably has been venerated as much for being the mythical forerunner of the Beat Generation as for his considerable genius, both musical and literary. A darling of iconoclastic literati both here and abroad, he first became known as a composer, writing music for stage and screen. Only after his marriage to Jane Auer (herself soon to become a cultishly popular writer under the name Jane Bowles) in 1938 did he turn seriously to fiction. The exotic settings of the 62 stories collected in this landmark volume reflect the wanderings of nomadic Paul and Jane as, during the '30s and '40s, they flitted from Europe to Mexico, the Caribbean and the U.S. before finally settling in Tangiers in 1949. Over the years, Bowles's fascination with Western man's intrinsic decadence, laid bare in clashes with exotic cultures, became the signature motif of his existential fiction ("The Hours After Noon" and "Too Far from Home"). His oblique language and abrupt endings ("At Paso Rojo") are curiously confounding, and his tales are invariably charged with subterranean currents. Frankly incestuous and homosexual, "Pages from Cold Point" is almost certain to stir anew speculation about Bowles's sexual orientation. Earthy, violent and comfortable with corruption, these deeply affecting stories are distinguished by their lyrical rhythms and meticulous regard for language. The assemblage of this impressive collection marks a literary event of the highest order. (Oct.)Forecast: This definitive volume will be a must-have for all major libraries, and should attract much review attention and feature coverage. Bowles cofounded Antaeus magazine with Daniel Halpern in 1968, and soon afterward the magazine became the Ecco Press. This collection is being published to coincide with Ecco's 30th anniversary, and publisher Halpern will be available to discuss his longtime friendship with Bowles.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal

Raymond Carver once said that he liked short stories that had "some feeling of threat or sense of menace." He would have loved Bowles's work. These pieces, set mostly in Tangier where Bowles, an American expatriate, lived most of his life and died in 2001 are often bizarre, sadistic, and menacing. In appearance, Bowles was an elegant man, but as a narrator he was remote, pitiless, and unsympathetic, and he dealt harshly with his characters, whether Moroccan or European expatriates. In "The Garden," "Mejdoub," and "Things Gone and Things Still Here," which echo Moroccan legend and folklore, the unrelenting desert is a huge presence. In other stories, like "The Hours After Noon" and "Too Far from Home," Bowles exposes the psychological fragility of the non-African in the North African desert, where Western values are a chimera. Containing 62 stories arranged chronologically and spanning 40 years, this edition is being published as part of the 30th anniversary of Ecco Press, of which Bowles was a cofounder. Essential for larger fiction collections. Mary Szczesiul, Roseville P.L., MI
Copyright 2001 Reed Business Information, Inc.

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Product Details

• Hardcover: 672 pages
• Publisher: Ecco; 1st edition (October 2, 2001)
• Language: English
• ISBN-10: 0066212731
• ISBN-13: 978-0066212739
• Product Dimensions: 9.6 x 6.5 x 2 inches
• Shipping Weight: 2.4 pounds
• Average Customer Review: 4.9 out of 5 stars  See all reviews (7 customer reviews)
• Amazon Best Sellers Rank: #770,251 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

23 of 24 people found the following review helpful:

5.0 out of 5 stars Infinite sadness in infinite places, October 24, 2001

By 

Doug Anderson (Miami Beach, Florida United States) - See all my reviews
(VINE VOICE)   

This review is from: The Stories of Paul Bowles (Hardcover)

There are many reasons to read Paul Bowles. One is for the strange atmospheres he describes, another is for the fragile, delicate and easily dissembled egos of his protaganists. A typical Bowles story introduces you to all of these elements at once, one playing or preying on the other. In these stories we see the unraveling of identity after identity and the impression that builds as one moves from one story to another is that there is nothing that can save this from happening to the unprotected or unsheltered westerner whose identity structure disintegrates so easily when divorced from the western setting it is so reliant on. This pattern is also evident in his famous novel Sheltering Sky, a document of one man seeking dissolution in the desert, the fact that he is with a wife and a friend only underline his inability to desire anything, he simply seeks to journey away from everything. In Bowles stories (which take place in both South American and North African settings) the westerner, often an American, is seen as an unwanted invader by the natives of the visited region. The anti-colonial sentiment is there in these stories but Bowles' westerners seem to be the only ones unaware of it. But that is just one aspect of these stories, each story also has at least one other unsavory aspect as well(murder, incest, rape, drugs). The natives of Bowles foreign locales are usually not given much in the way of individual identities, it is the westerners who are singled out for study, the stories take place in their minds and thought processes. The foreign locales serve merely as backdrops, though very atmospheric writing makes those backdrops part of these stories appeal. Bowles' westerners are all met at a time in their lives when they are at a breaking point(Echo)or seeking departure from the past(Pages From Cold Point), or a spouse (Call at Corazon). We see a missionary in one story slowly give up hope of ever communicating to the natives he wishes to convert, in fact he is more changed by the natives than they are by him(Pastor Dowe at Tacate). In another a photographer with insomnia, a very common ailment in these stories, finds himself responding in some strange way to his surroundings, he begins to let his surroundings speak to some deeper instinctual part of him, and he slowly gives over his old identity to it, but letting his gaurd down has only made him less careful and more vulnerable to those who see him as one who is somewhere he does not belong(Tapiama)and that can never lead to any good especially not in a Bowles story. These stories will remind readers more of Poe, a favorite of Bowles, than any of the colonial or postcolonial authors because the element in his fiction that stands out most is the instability of western identity which makes it ripe for corruption. These characters are not so much seeking to arrive somewhere as escape from whence they came so really the places these sometimes horrific dramas occur in are less important than the people to whom these horrors occur. Bowles did spend his entire writing career in North Africa and South America so the stories are rich with details but they remain settings merely, however elaborate.

9 of 10 people found the following review helpful:

5.0 out of 5 stars The Most Under-ratd American Author, January 21, 2004

By 

Patrick Mc Coy (Tokyo, Japan) - See all my reviews
(REAL NAME)   

This review is from: The Stories of Paul Bowles (Paperback)

This collection certifies Bowles brilliance. I have enjoyed his novels, but these fascinating short stories reveal him to be one of the greatest American writers of the century, perhaps the most under-rated American writer. I like the fact that his stories are often set in exotic locals like Morocco, S. America, Mexico, and Thailand. He is also good with stories about expats as well as those written form the point of view of locals, some of these stories comes across like parables.

There are several memorable stories, but "A Distant Episode" in particular is brilliant. It's about an ethnologist who goes to study a distant tribe and is drugged fed mushrooms, has his tongue cut out and made to dance before the tribe. His later stories lose none of his precision in story telling either; it is a solid body of work. Highly recommended, however buy the paperback it's a bit of a doorstop at 657 pages.

6 of 7 people found the following review helpful:

5.0 out of 5 stars heart of darkness, December 29, 2001

By 

Flipper Campbell (Miami Florida) - See all my reviews
(VINE VOICE)   

This review is from: The Stories of Paul Bowles (Hardcover)

A beautiful collection that certainly beats the old reliable Black Sparrow book. This is a class treatment of one of the best writers working the middle part of the century. (The intro is not particulary illuminating, however.) The lengthy review here by Doug Anderson gets the job done if you are new to Bowles. What strikes one upon revisiting Bowles is how contemporary he was in tone. These are hard-edged stories, dark and mysterious. World literature. A must collection for any serious reader of 20th century writing.