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Stories in the Worst Way (Paperback)

~ (Author) "What could be worse than having to be seen resorting to your own life?..." (more)
Key Phrases: Once Once
4.2 out of 5 stars  See all reviews (13 customer reviews)


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  Hardcover $16.38 $16.38 $16.30
  Paperback $13.50 $12.82 $23.47
  Paperback, September 1, 2002 -- $14.00 $6.00

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Editorial Reviews

Amazon.com Review

Not bad stories, whatever the title. Rather, Gary Lutz's debut collection shimmers with a spare, elegant prose and a witty sensibility rare for such a young writer. Each story flashes by so quickly it's difficult to get your bearings before its gone and the next is thrust upon you. Even the sentences barely pause for breath: "I was a flask shaped man in a velour shirt sitting at long lunchroom tables in business schools, cosmetology schools, junior colleges, community colleges." --This text refers to the Hardcover edition.


From Publishers Weekly

Postmodern in tone and structure, the 36 short stories collected in this debut by Lutz are unremittingly grim, pretentious and oblique. More character studies than narratives, the pieces involve unsavory, self-hating characters: an antisocial college professor with an unfortunate bowel condition ("Slops"); an obsessive, gay office drone who spends his days secretly harassing his female co-workers ("Certain Riddances"); another gay man whose random promiscuity masks a deeper loneliness ("SMTWTFS"). The narratives themselves are static, if vivid, portraits. In "Waking Hours," a gay, divorced man with a dull new job instructing middle-management types on "how to bestow awards on undeserving employees" describes himself as "self-devastated," and goes on to prove it: he has a strained meal with the "mothered-down version" of his young son; he believes that check-out clerks at the supermarket might truly understand him through eye-contact; he pays attention to?and mimics?every noise his fellow tenants make in his apartment building. In a grotesque, misogynist fable, "The Pavilion," a man devises "a new angle on how to start a family," which essentially turns out to be hiring a woman, getting her pregnant and then, before an audience, pulling out her teeth and tongue while she gives birth. In spite of Lutz's flair with an airlessly ironic wit and occasional clever wordplay (an office worker's "extracubicular life"), these stories, all too unoriginally, live up to the collection's title.
Copyright 1996 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 170 pages
  • Publisher: 3rd Bed Books (September 1, 2002)
  • Language: English
  • ISBN-10: 097094280X
  • ISBN-13: 978-0970942807
  • Product Dimensions: 8.3 x 6 x 0.5 inches
  • Shipping Weight: 8 ounces
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon.com Sales Rank: #117,024 in Books (See Bestsellers in Books)

More About the Author

Gary Lutz
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Inside This Book (learn more)
First Sentence:
What could be worse than having to be seen resorting to your own life? Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Once Once
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Customer Reviews

13 Reviews
5 star:
 (7)
4 star:
 (2)
3 star:
 (3)
2 star:
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1 star:    (0)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (13 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
10 of 11 people found the following review helpful:
5.0 out of 5 stars Cultural Dysphoria As A Lovely Verb, March 3, 2002
By A Customer
Lutz is a master wordsmith. He is Pablo Neruda chained to a wall, injected with heroin and winched in hard between American culture and a hard place. He is Sherwood Anderson nauseated by time travel. He is Thomas Pyncheon finally equipped with the brevity in the soul of wit. He is Kurt Vonnegut leaking sad little pools of schadenfreude.
The sad reverberations of his comedy and the comic undertones of his tragedy are so subtly realized that his grace may escape you if let it. Don't let it . The ghosts of our discontent orbit through his stories with dismal whimsy. It's the best collection of short stories of the last half century. Lutz can do in three paragraphs what it takes others a novel to accomplish.
Extraordinary writer, haunting book.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars Smart Prose , November 16, 2005
By J. Dunn (Boulder, CO) - See all my reviews
(REAL NAME)   
Fragments of an unfulfilled life. Lutz is an urban Carver with a sophisticated grasp on grammar. Sparse and exact, this is smart language. Every sentence is a feat, an accomplishment in perspective. To read this book fast is to miss the point. Sit with the incredible delicacy of Gary's prose and you begin to understand why Gordon Lish felt publishing "Stories in the Worst Way" was more important than keeping his own job.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars Inspissance, October 7, 2002
This word--I know what it means even though I'm sure it's made-up. That's the kind of edge that Gary Lutz dances on and gleefully. He will surprise a reader with a turn of phrase or a turn of plot or character that elicits a gasp and sometimes also a guffaw. I particularly loved "The Daughter," the last story in the book, where the narrator creates an index about his daughter. "Inconsolably okay, 00" This book is inconsolably underread.
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Most Recent Customer Reviews

3.0 out of 5 stars An interesting failure
I suspect the only audience for "Stories in the Worst Way" will be other writers - no one else is likely to have heard of Lutz (or even Gordon Lish, for that matter) and his... Read more
Published 11 months ago by Monkey Deathcar

3.0 out of 5 stars A grand experiment in short story writing, not perfect, but still amazing
There is a great bit of wisdom uttered by Lee, the doomed narrator of Boris Vian's I Spit On Your Graves:

"It costs a lot to put out a book, and all the dressing is... Read more
Published 16 months ago by Ken Wohlrob

4.0 out of 5 stars lutz is a little clumsy/but not enough
but not enough-to much attention to craft, writerliness,et keeps lutz-wagon upright. I do wish these supposed "experimentalists-new fictioneers would break free from "learned... Read more
Published on May 31, 2006 by tyron crawleee

4.0 out of 5 stars Wow..
=
Well..I am not an official expert 'reviewer of literature' so I don't won't declare this as GOOD or DRIVEL, since I don't know officially what makes or breaks so-called... Read more
Published on April 5, 2006 by K. Walsh

5.0 out of 5 stars All Hail Gary Lutz!
Gary Lutz is to postmodernism what Henry Miller was to modernism, it's as simple as that. Here we have a writer who deserves to be cannonized, by his unique aplomb, cutting-edge... Read more
Published on October 7, 2005 by WordWizard

2.0 out of 5 stars pretentious doggerel
I guess this is the type of writing you would expect from a writer more focused on language games than actual story telling. Read more
Published on December 16, 2003 by wheezyfosheezy

3.0 out of 5 stars I just didn't "get" his style of writing
There's really not alot for me to say here, except that clearly some people relate differently to different styles of writing. I didn't like this book at all. Read more
Published on March 19, 2003 by yippee1999

5.0 out of 5 stars An unsung master of the language
This book, the first and still the only collection by one of America's most unappreciated writers, hits so hard in so many places that it's hard to find a starting point. Read more
Published on April 14, 1999

5.0 out of 5 stars A startling and original voice
Where the hell did this guy come from? How come there's no picture of him on the book? Why isn't he world famous?! Read more
Published on August 25, 1998 by futuret@teleport.com

5.0 out of 5 stars Compulsion as a motivation for living
Susan Sontag speaks of the need for getting back to the sensous surface of art, to see what stories provide that fascinates in and of themselves. Read more
Published on January 7, 1997

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