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A Storm in the Blood: A Novel (P.S.)
 
 
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A Storm in the Blood: A Novel (P.S.) [Paperback]

Jon Stephen Fink (Author)
4.8 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

P.S. October 13, 2009

Based on a true story—a brilliant, compelling, and provocative novel of the roots of terrorism and the perils of the immigration experience set in turn-of-the-century London

On December 16, 1910, three unarmed London policemen were killed by a gang of Latvian revolutionaries. Among the most sensational crimes of the era, the Houndsditch Murders sparked an unprecedented manhunt across the capital, and then exploded into the gunfight that entered history as the Siege of Sidney Street. Hundreds of heavily armed soldiers, assembled by then home-secretary Winston Churchill, descended upon the gang. After hours of bloody battle, the police broke into the hideout and discovered the corpses of two men. The ringleader they had expected to find—an urbane and charismatic revolutionary known as Peter the Painter—had mysteriously vanished, along with his mistress, Rivka, a young refugee and Yiddish music hall singer.

Based on a compelling true story, A Storm in the Blood is a gripping tale filled with strange and disturbing echoes, violence, ethnic unrest, political subterfuge, and terrorism—as shocking today as the original events were in 1910.


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Editorial Reviews

From Publishers Weekly

Events that took place in London nearly 100 year ago—the Houndsditch Murders and the Siege of Sidney Street—form the basis of Fink's captivating ensemble crime drama. In early 20th-century Russian-occupied Latvia, Rivka Bermansfelt witnesses her father's attack on a Russian soldier, which leaves her a fugitive. She escapes to London and falls in with a colorful group of Jewish and other immigrant revolutionaries who tend to appreciate the arts and wish to live simple lives in America or Australia. Among them is Peter, a painter with a dark past, whom Rivka falls for while the group plots a jewel heist. All around, appearances are misleading: people think of Rivka as a hardened terrorist, but she just wants to be a singer; Peter gains the reputation as a criminal mastermind even though he's only minimally involved in the notorious murders that happened during the botched heist. While on the surface, the novel relates events of the present day to the terrorism of the past, Fink's story goes deeper, creating a compelling and psychologically driven tale of people who have lost their way in the world. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

'Jon Fink's writing is superb. Fiction at its best. Extraordinarily touching, lyrical and evocative of the era.' Mo Hayder. '...shines a fascinating spotlight on a little piece of Edwardian history' The Daily Mail. '...Jon Stephen Fink resurrects the past with a masterfully crafted novel that brings to life murders long forgotten with his book A Storm in the Blood.' Kim Cantrell, truecrimebookreviews.com. 'A siege and shoot-out in Sherlock Holmes' London after an anarchist robbery gone wrong foreshadows Jerusalem 1947, Manhattan 2001, and Baghdad today. A Stormin the Blood slams home the revolutionary realities of lust, violence, anger and appetite. Jon Stephen Fink is the Tarantino of Terrorism.' John Baxter, author of Carnal Knowledge and We'll Always have Paris. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 416 pages
  • Publisher: Harper Perennial; Original edition (October 13, 2009)
  • Language: English
  • ISBN-10: 0061715425
  • ISBN-13: 978-0061715426
  • Product Dimensions: 8.1 x 6.5 x 1 inches
  • Shipping Weight: 9.1 ounces (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #2,296,264 in Books (See Top 100 in Books)

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Customer Reviews

4 Reviews
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Average Customer Review
4.8 out of 5 stars (4 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
5.0 out of 5 stars An Etiology Of Terrorism, April 1, 2011
This review is from: A Storm in the Blood: A Novel (P.S.) (Paperback)
Fink's Storm in the Blood is a tranquil masterpiece of literary observation and meticulous research. Tranquil as it is (or would appear at least to the reader) effortless, direct, and without a belletrist's pretensions in its pure pursuit to convey deep meaning with eyes wide open to a society which at times appears to hover towards a state of oblivion with eyes wide shut (and I include myself in this in respect of entertainment ... Panem et Circenses: I, too, like my fanfares, explosions, et al.). The content however is by no means of the type one would ever refer to as tranquil. The work presents us with an aetiology of terrorism, its causality ... evil begets evil ... look in the mirror and smile ... what do you get back from the mirror(?). Style and content are juxtaposed perfectly, compassionately, the brevitas of Fink's wording is equal to Hemingway's efforts at concentration (and editing), and, I believe, he exceeds this brevitas by being less self-indulgent as a writer. He writes with the reader in mind. As of page one I was being guided rather than being goaded into reading more and more. It's impossible to put down this book. As of page one your inner ears grow bigger until, at the very end, you feel that you have learnt to listen properly to the clarity Fink gives you, to the clarity you had inside of you all the time. I doff my hat to this author! - A few points I noticed re modern/contemporary writing: 1) Fink does not patronize the reader with abbreviated sentences and chapters designed to be consumed as an entertainment-aside at the airport or on the toilet like the works - dare I describe them like that? - of the Dan-Brownish loo-ilk (although, I am sure, that if you read this in said locations you'll get quite a lot out of it). 2) He avoids the plus quam perfectum (pluperfect/past perfect ... forgive me: I'm a philologian, always on the lookout for good writing) to give the reader a perfect sense of immediacy, just as much as he inserts the present tense occasionally to drive home the work's urgency, so very valid now. 3) The structure of the work does not adhere to the Classical resolution 3-5/4-5 or the Golden Section in literature ... the structure - and this is meant to keep our attention right to the very end ( ¡ and it does ! ) - equates to a vectorial 5/5, i.e. the reader's concentration is engaged right to the very end. - Well done! To me this is a 5 out of 5.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars History through human experience, March 15, 2011
By 
Rae Fink (Los Angeles, California United States) - See all my reviews
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This review is from: A Storm in the Blood: A Novel (P.S.) (Paperback)
A detailed description of the repercussions of a marginal existence. The pain and sense of dislocation were palpable. Well done, Jon S. Fink
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5.0 out of 5 stars great book, April 12, 2011
What a great read. To take a minor, historical incident over 100 years past and weave a great novel about that incident with full character and plot development is a talent. Look forward to more of Mr. Fink's books
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