From Publishers Weekly
Delving deeper into the mind of a serial killer than he did in his first novel, Messiah, Starling takes readers to the brink of madness with a character who is unrelentingly violent (he tortures his victims prior to killing them by forcing rats to gnaw through their stomachs) yet literate (his victims are chosen based on characters from Aeschylus's complex Greek myth, the Oresteia). The book's unlikely beginnings stem from a suspicious passenger-ferry sinking off the coast of Scotland. Among the survivors is Kate Beauchamp, a chief detective on Scotland's Grampian police force and a member of the Aberdeen Amateur Acting Company, with whom she's traveling. Upon returning to work, Kate is immediately confronted with the grisly murder and dismemberment of pretty Petra Gallacher. Two days later, elderly busybody Elizabeth Hart dies a similar death, and Kate vows to stop at nothing until the dangerous killerDnicknamed Blackadder, after the snake he leaves on each of his victim's bodiesDis apprehended. Starling expertly renders a strong heroine who uncovers no fewer than a half-dozen suspects who were either travelers on the doomed ferry or are somehow connected with its investigation, and he skillfully builds the suspense as he joins various plot lines to the main story and slowly reveals the killer's identity. (Nov. 7)
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Review
Praise for Messiah: 'Fast-paced, gritty... deserves nothing but praise' Esquire 'Grips from the first page and doesn't let go. It's a grimly, frighteningly good read' Val McDermid
The North Sea raging and the threat of a bomb on board ship demand attention for this, Starling's second thriller. A riveting opening is followed by a week of emotional upheaval for DCI Kate Beauchamp, a passenger on the busy RORO ferry. Kate is returning from a weekend in Norway with her amateur dramatic group but the cabins reserved for them are not available. This inconvience becomes a factor in their survival when the trauma of disaster at sea occurs. In the aftermath of this horrifying event a marine accident inquiry follows and the man in charge is Kate's estranged father, Frank. Kate returns to work the next day still chilled by her ordeal, but denying the signs of PTSD. Grampian police have a sadistic killer to catch and Kate is determined to prove herself in control at the grotesque crime scene, where a snake attached to the body adds another phobia which she must suppress. A new complication is Frank's re-entry into her life when he has to interview her about her experiences during the sinking of the ferry. Kate and Frank pursue separate lines of inquiry but soon their lives are at risk in this week of many deaths. Clues about the murderer emerge but Kate in her distress misreads the signs. Evil is evident in varying degrees among the characters interviewed in each of the investigations and communication between father and daughter becomes vital. Suspense and plot twists abound and propel one to the end of this dark thriller which contains some excellent but gory descriptions. (Kirkus UK)
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