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Stormy Weather: The Music and Lives of a Century of Jazz Women
 
 
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Stormy Weather: The Music and Lives of a Century of Jazz Women [Paperback]

Linda Dahl (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

August 1, 1989
This book delves into the history of the involvement of women in jazz. It covers how women participated in the music as well as in-depth interviews, and also includes a discography of recordings by female artists. "Dahl boldy goes where no man (or woman) has gone before. For people who love jazz...who get bleak when they think of what happened to Billie Holiday, this is their book." - Los Angeles Times Book Review


Editorial Reviews

Review

The jazz scene in New Orleans, the Age of Swing, the Big Band Era of the 1940s and the ever present dark, smoky blues clubs have been the domain of men-but not entirely. Stormy Weather is a tribute to the women who made the scene, profiling the jazz and blues women from the turn of the century until now. Finishing off this work are interviews with ten women who have been part of the jazz industry and an extensive discography. Highly descriptive and enlightening, this engrossing reading brings alive a subculture that is as much a part of jazz as the music itself. Within these pages is the history and lives of women who often walked in its shadows. -- From The WomanSource Catalog & Review: Tools for Connecting the Community for Women; review by Ilene Rosoff

Excerpt. © Reprinted by permission. All rights reserved.

Many people have seen [Billie] Holiday as a sacrificial brown beauty, a haunting victim-symbol, but some who knew her thought that the addictions that populated her life with pushers and police were inevitable, that she was too sensitive not to have been destroyed. Certainly her story raises some hard questions, chief among them: Could the America of her era have allowed a black woman of such sensuality and sensitivity to achieve success and wholeness? Lena Horne, another singer from the thirties who became a symbol of idealized black womanhood, poses this question as a kind of running theme throughout her autobiography. Horne says in effect that while it is indeed possible for a black woman to win through, she must also tote up the personal psychic and emotional costs in a society where racism and sexism exact enormous energies from the black woman artists. Carmen McRae, upon whom Billie Holiday made such a deep impression as a woman and singer, once analyzed her this way: "Singing is the only place she can express herself the way she'd like to be all the time. The only way she's happy is through a song. I don't think she expressed herself as she would want to when you meet her in person. The only time she's at ease and at rest with herself is when she sings."

Product Details

  • Paperback: 371 pages
  • Publisher: Limelight Editions (August 1, 1989)
  • Language: English
  • ISBN-10: 0879101288
  • ISBN-13: 978-0879101282
  • Product Dimensions: 9.1 x 6 x 1.2 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #431,493 in Books (See Top 100 in Books)

More About the Author

I have always loved to write about characters, usually edgy, little-known folks with wonderful stories and talents. I love places and music too, above all, jazz. As a girl, I dreamed about traveling around the world. As soon as I could, I took to the road. I was fortunate to live and work in several Latin American countries and after college (Latin American Studies, minor in
Buddhism - hey, it was the late '60's), I moved to the Yucatan in Mexico. From there I made the pilgrimage to another foreign country called New York City, with a suitcase and several hundred dollars. Finding the requisite cheap, shabby apartment (you could still do that in those days), I started writing in earnest. I had a number of ridiculous jobs to pay the rent, such as writing reviews of C- movies I never actually saw (and no one else seemed to either), driving an ice-cream truck through Central Park for just one day until I had a fender-bender, and writing a history of the cheeses of the world with a two-week deadline for a manic food editor. I also managed to produce novels, biographies and essays about music and quirky travel articles about Latin American topics - the Carmen Miranda Museum in Rio, an interview with a candomble priestess, a.k.a. voodoo, in rudimentary Portuguese, and another with a Mayan healer who fortunately spoke Spanish.
I am happy to say that most of my books have been published, well-reviewed and are still in print. "Gringa in a Strange Land" is my latest, a novel to be published in January of 2010.

 

Customer Reviews

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Average Customer Review
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Fantastic!, August 24, 2008
This review is from: Stormy Weather: The Music and Lives of a Century of Jazz Women (Paperback)
I found this book when i was writing a report on women in Jazz for my Jazz history class. It was fantastic and full of information. Sadly, it is mainly only the female jazz singers who gain any sort of fame while other talented musicians fall by the wayside. However, Stormy Weather does not leave out the many talented females in jazz history and clearly explains their importance and how much we miss if we leave these women out of the spotlight. (Don't worry, it does not leave out great singers either) Women musicians played with and even mentored the more familiar male names that mark the pages of most jazz histories but are paid little attention. Many jazz standards were composed and arranged by women. This book not only tells you the importance of the women but many the colorful details of their experiences in the jazz scene and the wonderful stories bring these women, and the men they played with to life, with all the depth of real people, not just distant gods of jazz. The book is as fascinating as it is educational. I must say it served as the perfect starting off point as I delved into the lives of many amazing Jazz women, but it also was the standard I kept coming back to in writing my report. It is written with a wonderful clarity that is too seldom found in any history texts. It aids understanding as to what happened when and the ways the various movements in Jazz evolved. I am only a student of Jazz but to me this book was a great introduction to some amazing women and also aided my understanding of Jazz in a more general sense. However, the best part of this book was how much life is brought to the page and the personal details that are so often left out of histories.
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5 of 6 people found the following review helpful:
5.0 out of 5 stars Excellent book, October 7, 2005
This review is from: Stormy Weather: The Music and Lives of a Century of Jazz Women (Paperback)
Linda Dahl's 'Stormy Weather' is one of the best among the many old and new books on jazz, women in jazz, etc. It is objective, well researched . If you want to learn about women in the jazz world , this is a must.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
women jazz players, vocalist based, improvising singers, women instrumentalists, women pianists, jazz singing, women players, woman player, woman musician, jazz community, tenor player, recording debut, performer based, contemporary player, swing era
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, New Orleans, Billie Holiday, Bessie Smith, Mary Lou Williams, Kansas City, Los Angeles, Louis Armstrong, Duke Ellington, Melba Liston, Helen Humes, Betty Carter, Down Beat, East Coast, Benny Goodman, Ella Fitzgerald, Count Basie, Sarah Vaughan, World War, Charlie Parker, Maiden Voyage, San Francisco, Willene Barton, Carla Bley, Ethel Waters
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