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Story and Discourse: Narrative Structure in Fiction and Film [Paperback]

Seymour Benjamin Chatman (Author)
5.0 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

May 31, 1980 080149186X 978-0801491863
Synthesizing the work of continental critics such as Genette, Todorov, and Barthes, and that of critics in the Anglo-American tradition, such as Lubbock and Booth, Seymour Chatman provides a comprehensive approach to a general theory of narrative, in both verbal and visual media. In this book, he analyzes what narrative is 'in itself.'

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Story and Discourse: Narrative Structure in Fiction and Film + Narrative Discourse: An Essay in Method + Narratology: Introduction to the Theory of Narrative, Third Edition
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Product Details

  • Paperback: 288 pages
  • Publisher: Cornell University Press (May 31, 1980)
  • Language: English
  • ISBN-10: 080149186X
  • ISBN-13: 978-0801491863
  • Product Dimensions: 8.4 x 5.2 x 0.7 inches
  • Shipping Weight: 10.4 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #132,705 in Books (See Top 100 in Books)

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37 of 37 people found the following review helpful:
5.0 out of 5 stars Useful for analyzing written and film narratives, October 14, 2000
This review is from: Story and Discourse: Narrative Structure in Fiction and Film (Paperback)
This book offers, for me, the most understandable model of a narrative I've read so far. Chatman offers helpful concepts for analyzing both written and film narratives. He tries to create a synthesis of all narrative theory before his book, and he does a very good job. Instead of getting lost in a collection of different approaches, you actually find yourself connecting them all, seeing where they fit together.

Among all the books on narratology and narrative analysis I've read, this is the one most helpful not only for analyzing film narratives but also written narratives (although I would always recommend you also read "Narratology: An Introduction", "Narrative Fiction" and perhaps Bordwell and Thompson's " Film Art : An Introduction", if you want to focus especially on films).

This book and the way Chatman dissects the narrative are also interesting for people more interested in writing than in analysis: I believe the parts Chatman splits the narrative into resemble very closely those writers use in putting one together. So this book may actually help writers gain new insights into what they are doing instinctively.

First and foremost, however, it is a very useful book for the student and scholar of literature.

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26 of 26 people found the following review helpful:
5.0 out of 5 stars Rhetoric and Narrative, February 24, 2002
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This review is from: Story and Discourse: Narrative Structure in Fiction and Film (Paperback)
Chatman's book has been around for a while, but it is still probably the best summary of structuralist narrative theory out there. Chatman makes the very important connection beetween narrative theory and its rhetorical effects on audience. His treatment of the construction of time in narrative summarizes several other prominent narrative theorists, but his terminology is perhaps the most useful. His clear presentation of the distinction between "story" and "discourse" (often called "l'histoire" and "recit" after Genette) and the linking of discourse to rhetorical theory is perhaps the book's most useful feature. Chatman, whose early works included a treatise on poetic meter, is known primarily as a film theorist, but his work analyzes narrative in many media and in many forms. I have used this book as an introduction to narrative theory in my classes.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars very useful, March 4, 2008
This review is from: Story and Discourse: Narrative Structure in Fiction and Film (Paperback)
This is a terrifically useful book and is quite well known in graduate student circles. I came across it randomly at a bookstore when I was searching for a good introduction to literary theory and basic concepts. This book was clear and insightful and Chatman's presentation has since become the anchor around which I was able to read and digest all the other books that came after it. If you're looking for a 'way into' literary theory concepts, this one will be very helpful.

The title, story and discourse - refers to the basic distinction literary theorists make between a story (chronological set of events) and its narration (chronology can be manipulated to produce various rhetorical effects such as suspense, etc).
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Inside This Book (learn more)
First Sentence:
Among the many pressing needs of literary theory-poetics in the broad sense-is a reasoned account of the structure of narrative, the elements of storytelling, their combination and articulation. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
direct free thought, stasis statement, covert narrator, truncated syntax, overt narrators, indirect free style, perceptual point, narrated monologue, implied author, verbal narrative, unreliable narration
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Tom Jones, Miss Havisham, Roland Barthes, Henry James, Madame Bovary, Rhetoric of Fiction, The Secret Agent, Virginia Woolf, Jonathan Culler, Lady Catherine, Royal Casino, Tzvetan Todorov, Citizen Kane, Claude Bremond, Lay Dying, Les Liaisons, Lord Jim, Percy Lubbock, Richard Miller, The Hague, Wayne Booth, Aristotle's Poetics, Barchester Towers, Bleak House
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